Bumbling Along, But Full of Heart: ‘Wait Till You See Me Dance’ by Deb Olin Unferth

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Wait Till You See Me Dance (Graywolf Press, 186 pages) marks Deb Olin Unferth’s second collection of stories, following Minor Robberies (2007). The author of the novel Vacation and the memoir Revolution: The Year I Fell in Love and Went to Join the Sandinistas, Unferth displays a smart and snappy application of the short-short form in this volume of 39 stories—29 of which are fewer than three pages long (and four of which appeared in ZYZZYVA No. 108). Wait Till You See Me Dance is filled with concise, meaningful sentiments that both entertain and engage the reader in commentary surrounding […]

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Nightmarish Existence of The Child: ‘The Impossible Fairy Tale’ by Han Yujoo

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The dichotomies of childhood—children’s capacity for both guileless love and extreme cruelty—make our earliest years ripe material for storytelling; fairy tales, in particular, have long traded on the contradictions of youth: Hansel and Gretel narrowly escaping an evil witch’s clutches only to burn her alive in her own oven, Red Riding Hood fending off the appetite of a ravenous wolf disguised as her grandmother before filling his stomach with stones. It’s through this lens the reader approaches The Impossible Fairy Tale (214 pages; Graywolf Press; translated by Janet Hong), the first novel from Korean author Han Yujoo and her first work to […]

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History and Poetry as Unending Things: ‘Whereas’ by Layli Long Soldier

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Whereas (120 pages; Graywolf) is Layli Long Soldier’s first book of poetry, and what an exquisite book it is. Gathered in one volume, Long Soldier’s poems clearly expose the ways language—either English or Lakota/Lakȟótiyapi—is used to create and destroy opposing politics. She does not shy away from political speech in Whereas, and indeed, she can’t—not as long as Native people continue to suffer under continued settler colonialism, or as the various languages and traditions of the thousands of indigenous ethnic groups are continually stomped out yet revitalized in specific Native spaces. Divided into two parts, the book begins with “These […]

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Meditating on Evil under Paradise’s Sun: ‘After the Blue Hour’ by John Rechy

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In his new novel, After the Blue Hour (212 pages, Grove Press), John Rechy offers a hybrid erotica-mystery that he labels as “true fiction.” The author of seventeen books and praised by such great American writers as James Baldwin, Edmund White, and Gore Vidal, Rechy achieved literary fame with his first novel, the international bestseller City of Night, published in 1963. In his new novel, set in the ’60s, the narrator, a 24-year-old writer and ex-hustler also named John Rechy, receives an invitation to join an admiring fan, Paul Wagner, for the summer on his private island. Upon arrival, John finds himself […]

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Our World Without Any Memory of Itself: ‘NK3’ by Michael Tolkin

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Michael Tolkin’s 1988 novel, The Player, remains a note-perfect send-up of late Eighties Hollywood excess, a paranoid neo-noir told from the point-of-view of the murderer himself—a creatively and morally bankrupt Hollywood executive. Now the acclaimed author, screenwriter, and director returns with NK3 (300 pages; Grove), his first novel in more than a decade. Tolkin has long specialized in satire so shrewd and well-observed that it barely registers as satire; NK3, in which a memory-erasing biological weapon creates a power vacuum for the working classes to seize control from the rich and elite, couldn’t have arrived at a more apropos time. […]

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What Comes After the Trauma of Fleeing: ‘The Refugees’ by Viet Thanh Nguyen

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The Refugees (224 pages; Grove), the new book by Pulitzer Prize-winning author Viet Thanh Nguyen, consists of eight stories circling around the displacement caused by the Vietnam War. Though reviewers of the collection have tied the narratives of these stories to some kind of universal “immigrant experience,” the title of the book, as well as the historical context of the stories, refuses this oversimplified categorization. The Refugees gently but firmly reminds the reader of the difference, which lies largely in the ways one group has had some kind of choice in leaving their place of origin, while the other has […]

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Poems of a Man ‘Robbed of His Country’: ‘In Praise of Defeat’ by Abdellatif Laâbi

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Abdellatif Laâbi is perhaps Morocco’s most well-known poet-activist-writer, and a well-respected Francophone poet as well His personal history—founder of leftist Moroccan/Maghrebi magazine Souffles (Breaths) in 1966, imprisoned for “crimes of opinion” against King Hassan II from 1972 to 1980, and exiled to France since 1985—is staggering on its own, and his writing reflects each stage of his life in haunting and affective ways. This is perhaps what makes In Praise of Defeat (824 pages; Archipelago; translated by Donald Nicholson-Smith) so incredible. The book is a veritable brick—it’s almost intimidating in its scale, refusing to let the reader forget Laabi’s illustrious […]

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Love (and Lives) on the Balance: ‘Lucky Boy’ by Shanthi Sekaran

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In her new novel, Lucky Boy (472 pages, Putnam), Shanthi Sekaran plunges readers into the drastically different yet irrevocably intertwined lives of two women, and in doing so explores facets of motherhood, immigration, and the American experience. Solimar Castro Valdez is eighteen when she leaves the impoverished cornfields of Santa Clara Popocalco in Oaxaca for “the promise of forward motion” in California. Her journey north is nightmarish; she is nearly forced into drug smuggling, she survives a rape, witnesses the horrific death of a boy, and for days rides in the bed of a truck, gagging on the stench of […]

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A Political Awakening in Haiti: ‘Dance on the Volcano’ by Marie Vieux-Chauvet

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Dance on the Volcano, by Haitian author Marie Vieux-Chauvet (1916-1973), was originally published as La Danse sur le Volcan in 1957. Previously translated into English by Salvator Attanasio in 1959, Archipelago Books has published a delightful new translation by Kaiama L. Glover. Glover, a scholar of Caribbean fiction, translation, and Francophone literature, seems like the natural candidate for translating Vieux-Chauvet’s stunning novel. She has already translated two other works of Haitian fiction, and her scholarly knowledge and apparent pleasure in making the sights and sounds of colonial Haiti accessible to an Anglophone audience are palpable. Dance on the Volcano tells […]

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Landscape as Character, Characters at a Distance: ‘Ema, the Captive’ by César Aira

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César Aira’s books often shrug off the shackles of genre, tradition, structure, or sense. They’re also often short. Usually around 100 pages, these novellas are complete in and of themselves. However, readers will most likely leave an Aira text in a completely different mental state than from the one they entered with—such is the challenge and the pleasure of reading him. Aira’s latest book, Ema, the Captive (128 pages; New Directions; translated by Chris Andrews), is fairly straightforward in substance and story. A 19th-century Western set in Argentina is probably the most succinct way to describe it but to box this book […]

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Otherwise Known as Love: ‘Pretend I’m Your Friend’ by MB Caschetta

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MB Caschetta’s recent story collection, Pretend I’m Your Friend (Engine Books; 200 pages), explores what one of its characters calls “terrible love.” In eleven entwined stories, Caschetta examines confusing and often painful friendships, romances, and familial bonds: a set of parents who share a sexual desire for their kids’ babysitter, a dying mother who wishes cancer on her daughters instead of herself, a clairvoyant whose visions the end of her marriage. Just when you think you have wrapped your head around the root of a character’s issues, Caschetta will offer a different perspective in a later story. One problem bleeds […]

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An Upended Life Amid an Upended City: ‘Meantime’ by Katharine Noel

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Meantime (288 pages; Black Cat/Grove) is an absorbing novel, the second from author Katharine Noel, whose first book, Halfway House, received widespread acclaim. Meantime seems to be on a similar track, as reviewers praise its humor and emotional depth—especially as found in its narrator, Claire Hood. Claire is dry and amusing, and her voice and reactions are engaging and convincing. The main plot points—Claire growing up with her bohemian “Naked Family,” her varied boyfriends and failed relationships, her marriage to Jeremy, and Jeremy’s illness and recovery, et cetera —are all fascinating; the characters and their dialogues drive the novel. There […]

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