Q&A with Robin Carlson: ‘The Cold Canyon Fire Journals’ and Rebirth from the Flames

by Rebecca Rukeyser

When Stebbins Cold Canyon Reserve, an ecological preserve in the California Coast Ranges, was ravaged by the Wragg Fire in 2015, Robin Carlson found herself struck by a sensation of loss. “Although my mind understood fire’s importance in the ecosystem, my heart did not,” she writes. The way to reconcile her contradictory feelings—those of a Californian haunted by a well-founded fear of fires and of a trained biologist with knowledge of fire cycles—was to return to Cold Canyon, notepad in hand, to observe the devastation and first stages of regrowth. And she kept returning. Sometimes she was accompanied by scientists, […]

Continue Reading

Q&A with Staci Greason: ‘All the Girls in Town’ and Making the Grief Bearable

by Christine Sneed

My first encounter with Staci Greason’s writing was in the fall of 2020 after we met at an online feature-script retreat organized by CineStory, a screenwriting-focused arts organization. I read her screenplay Treed and was particularly impressed by her assured comic touch and her ability to write about complex themes—environmental conservation and marital anomie, in this case—without being heavyhanded. She had also written Treed as a novel—albeit with a different title, The Last Great American Housewife. Soon after we met at the retreat, Greason, who has also acted, sold a different novel, All the Girls in Town, to indie publisher […]

Continue Reading

Q&A with Editor Natalie Eve Garrett: “The Lonely Stories” & Making Peace with a Solitary Life

by Sophia Carr

Has there ever been a more appropriate time for a chronicle of writers’ individual experiences with the state of being alone than now, in the midst of an isolating and prolonged global pandemic? The Lonely Stories (240 pages; Catupult), edited by Natalie Eve Garrett, gathers essays from a diverse set of acclaimed authors—including Jhumpa Lahiri, Anthony Doerr, Lena Dunham, Maggie Shipstead, and Lev Grossman—and examines everything from struggles with personal demons such as addiction, failed marriages, and the loneliness of being an immigrant facing racial discrimination to  the sense of liberation and creative stimulation that a solitary existence can provide—particularly […]

Continue Reading

Prose Poems, Memos, Hybrid Forms All Ride in This Taxi: A Dual Q&A with Sean Singer and Christine Sneed

by Sean Singer & Christine Sneed

Christine Sneed: I first met Sean Singer in the late 1990s. I was a poetry student in the MFA program at Indiana University-Bloomington and he was an undergraduate student. One spring semester he was granted permission to enroll in our MFA workshop, and as soon as he shared his first poem with the class, I was struck by how smart, playful, and mature his work was—in a word, precocious but absent any negative connotations. Not long after he graduated from Indiana University, I wasn’t surprised to learn he’d received the Yale Younger Poets Award for his debut collection, Discography. We’ve […]

Continue Reading

Catch up on two of our most recent events, including an interview with Vanessa Hua

by ZYZZYVA Staff

In case you missed it: we’ve got handy Youtube links for two of our most recent ZYZZYVA-related events, including our Q&A with Vanessa Hua about her latest novel Forbidden City that happened at San Francisco’s The Booksmith on May 18th; as well as our May 19th Q&A with Ecuadorian author Gabriela Alemán about her new collection, titled Family Album: Stories, that occurred at City Lights Bookstore. What could be better than free literary-world entertainment, no? (And if you’re interested in reading more work from Alemán, do secure a copy of our latest issue, Issue 122, to read her story “School […]

Continue Reading

The Immense Presence of the Mist: Q&A with ‘The Red Arrow’ author William Brewer

by Kristen Iskandrian

It’s probably fitting that I thought often of Keats while reading William Brewer’s The Red Arrow (Knopf; 272 pages), specifically, the odes, all of which seek to create vessels into which the unknowable and unnamable—the “alien corn” of existence—can be contained. Brewer is a poet, after all, whose brilliant collection I Know Your Kind, about

Subscribers only: to access this content, you must be a member of ZYZZYVA Studio. Membership is included with any subscription. Subscribe today, or if you are already a subscriber, log in to continue reading. (Read our FAQ for more details, and contact us if you have any trouble logging in.)

[…]

Continue Reading

Jonathon Keats and His Library of the Great Silence: More Autobiographical Than Science Fictional

by Shelby Hinte

In 1979, science fiction critic Darko Suvin popularized the term “cognitive estrangement” in his book Metamorphoses of Science Fiction. According to Suvin, cognitive estrangement, as presented in science fiction texts, “presents aspects of the reader’s empirical reality ‘made strange’ through a new perspective.”[1] Through the recasting of the everyday as spectacle, readers and viewers of science fiction are able to recognize their own reality and, in theory, “gain a rational understanding of the social conditions of existence.” (One need only look at the 10,000% [2] sales increase of George Orwell’s 1984 after Donald Trump’s inauguration to see but one example […]

Continue Reading

Q&A with Jackson Bliss: ‘Counterfactual Love Stories and Other Experiments’ & The Rules You’re Allowed to Break

by Peter Schlachte

Jackson Bliss’s debut book of fiction, Counterfactual Love Stories and Other Experiments (200 pages; Noemi Press), is exactly what the title claims—a collection of exciting, bold experiments that stretch the notion of what a story can be. Of the thirteen stories in it, no two share the same form. Yet underneath the narrative invention, the genre-bending fireworks, and the speculative characters, Bliss’s stories are meditations on classic themes: time, autonomy, race, and, of course, love. Bliss is the winner of the 2020 Noemi Prize in Prose, holds an MFA in Creative Writing from the University of Notre Dame, and a […]

Continue Reading

Q&A with Jenny Qi: ‘Focal Point’ and a Full Picture of Grief

by Chiara Bercu

Jenny Qi’s first poetry collection, Focal Point (98 pages; Steel Toe Books), sees release this week. Written over the course of Qi’s graduate study in oncology, and upon the loss of her mother to cancer, Focal Point quilts together meditations on memory, bereavement, racism, divinity, and motherhood. Victoria Chang describes the collection as a “book of crossing.” Its sixty poems forward a fresh, intertextual probe into experiences of transition and bring delicate attention to life in the wake of loss. Qi was the winner of the 2020 Steel Toe Books Poetry Award, and her essays and poems appear in the […]

Continue Reading

Q&A with Kaveh Akbar: ‘Pilgrim Bell’ and Learning Out of Order

by Ray Levy Uyeda

In his new book of poetry, Pilgrim Bell (Graywolf Press; 80 Pages), Kaveh Akbar plays with the spiritual, familial, and corporeal. The poems meditate on the places of our origins; the land from which we came, the people through which we arrived, and the languages we spoke among and after those places and people. Kaveh is the winner of a 2017 and 2018 Pushcart Prize and is the Poetry Editor at The Nation. ZYZZYVA spoke to Kaveh, whose poems appeared in Issue 107, to discuss the book, God, and miracles. ZYZZYVA: The first and the second to last poem of […]

Continue Reading

Q&A with Matthew Clark Davison: ‘Doubting Thomas’ and Our Need for a Pariah

by Adam Winograd

Matthew Clark Davison’s first novel, Doubting Thomas (272 pages; Amble Press) tells the story of a fourth-grade teacher, gay and out, named Thomas McGurrin, who—while navigating the familial turmoil of his brother’s recent cancer diagnosis—is falsely accused of inappropriately touching one of his  students at a private school in Portland. The community, however unintentionally, goes from promoting Thomas as a symbol of their own progress to casting him as a pariah. Thomas, even after being found innocent, is forced to leave his job.  Davison’s writing has been published widely, including in Guernica, The Atlantic Monthly, Foglifter, Fourteen Hills, and other […]

Continue Reading

Q&A with Kelly Cressio-Moeller: ‘Shade of Blue Trees’ and the Presence of the Body

by Alana Frances Baer

Kelly Cressio-Moeller’s debut poetry collection, Shade of Blue Trees (79 pages; Two Sylvias Press), consists of thirty-seven poems, broken into four parts. Cressio-Moeller has long established herself as both a visual artist and writer, with her widely published poetry earning nominations for the Pushcart Prize, Best New Poets, and Best of the Net awards. Having spent most of her life in San José, California, Cressio-Moeller draws heavily from California terrain. She points to the heavy knots of human relationships, reminding us that love comes with grief. And she writes of and from daily life, mapping the jagged edges of relationships […]

Continue Reading