If the art a society chooses to endorse is a measure of who and what it values, then it is also a measure of who and what it denounces. What is art, and who decides, are central questions in Eugene Lim’s latest novel, Search History (208 pages; Coffee House Press). The book is a metafictional examination of art and identity-making that is part action-packed speculative fiction, part autobiography, and part intellectual banter on all things art, race, technology, and death. Search History feels reminiscent of Douglas Coupland’s Generation X: Tales for an Accelerated Culture and the dialogue-heavy ’90’s films that […]