I met Sarah Tomlinson last year in Los Angeles at a book event for a mutual friend. It was an unseasonably cool night, but spirits were high—our friend’s book was doing well, and it was almost summer. After the reading, Sarah and I had a long, discursive conversation about film, TV shows, and books. During our chat, I learned that after working as a music critic in Boston, Sarah had moved to Southern California in the mid-aughts and transitioned to ghostwriting. She has published more than twenty books as a ghostwriter, and has also written a memoir, Good Girl (2015), […]
The dead: On writing a thriller set in the rock world
by Christine Sneed











