‘Ordesa’ by Manuel Vilas: An Assertion of Goodness

by Corinne Leong

Literature is subjective: on this, most can agree. A novel provides a snapshot of the author’s world, a distillation of their values and beliefs. But sometimes there arises a snapshot so striking and definitive it resembles the universal. Manuel Vilas’ Ordesa (304 pages; Riverhead Books; translated by Andrea Rosenberg) is one such novel. In its unflinching exploration of parental loss, mortality, and solitary life through the eyes of a 52-year-old, recently bereaved divorcé, Ordesa offers a perspective so earnest it approaches unquestionable truth. Vilas’ novel is structured around its unnamed narrator’s reflections on his current, abysmal state of affairs, as well […]

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‘The Thirty Names of Night’ by Zeyn Joukhadar: At the Crossroads

by Nessa Ordukhani

In the heart of the once vibrant Manhattan neighborhood of Little Syria, towering murals of birds cover building walls. They are the artwork of a closeted Syrian American transgender boy, who finds that it is the only way he can paint since the death of his ornithologist mother. After one night of painting, the boy stumbles into an abandoned community center where he finds a leather-bound notebook hidden in the hollow cavity of a wall. It is a journal written by Laila Z, a famous Syrian American artist who mysteriously vanished over sixty years ago. Engrossed in Laila’s story, the […]

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‘This Radiant Life’ by Chantal Neveu: The Vast Expanse

by Lily Nilipour

Even in the sparest poetry, the words rather than the whiteness on the page are our focus; large spaces between phrases, lines, or stanzas create pause and generate the rhythm by which we read the language before us. The page is whittled away by the poet, revealing precious words in sculpted white space. But Chantal Neveu’s book-length poem This Radiant Life, newly translated by Erín Moure (210 pages; Book*hug Press), has a different and radical relationship to space. On many of the pages is just a single line of poetry centered in and surrounded by white. The page is no […]

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‘Miami Noir: The Classics’: A Rich and Sultry Landscape

by CJ Green

According to historian Paul George, Miami was first called the Magic City in the early twentieth century, not because of its beautiful sunsets and glistening waters, but to lure northerners to the humid, mosquito-filled swampland. “Like many Florida stories,” Connie Ogle once reflected in the Miami Herald, “there may have been a bit of a swindle involved.” Miami, like any paradise, often produces stories where the magical setting clashes against the more dubious characters within it. This tradition is displayed most recently in Miami Noir: The Classics (Akashic Books; 397 pages; edited by Les Standiford). Featuring 19 stories published between […]

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‘The Life of William Faulkner: This Alarming Paradox’ by Carl Rollyson: A Complex Portrait

by Nessa Ordukhani

Entrenched in Gothic drama and the history of the American South, William Faulkner’s writing remain a landmark in Modernist fiction. Pulitzer and Nobel prize winner, Faulkner is undeniably a giant of twentieth century literature. However, less well known, perhaps, is the life he led, the conditions he struggled with, and the contradictions of his own self-perception. Despite Faulkner’s aversion to biographies, in The Life of William Faulkner: This Alarming Paradox, 1935–1962 (Volume 2), (622 pages; University of Virginia Press), Carl Rollyson, seasoned biographer and Professor Emeritus at The City University of New York, produces a vivid sequel to the first […]

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‘That Was Now, This Is Then’ by Vijay Seshadri: Irreverent Experiments with the Form

by Corinne Leong

Time seems to have become an alien concept in recent months. In this sense, That Was Now, This Is Then (Graywolf Press; 80 pages), the new collection by Pulitzer Prize-winning poet Vijay Seshadri, offers an uncanny relevance. It would be difficult to offer a faithful summary of the collection as even in its brevity, the book covers a stunning number of topics: from bereavement and the detriments of modernity to Hegel and robocalls. The poems strikes a rare balance of humor, poignancy, and intellectualism. Seshadri crafts a poetic narrative that obliterates any linear conceptions of time and human experience, armed with […]

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‘Salt Water’ by Josep Pla: A Dive Into the Mediterranean

by Colton Alstatt

Though Josep Pla earned a reputation as “the most important (and censored) prose writer in twentieth century Catalan literature” for his anti-fascist journalism, the late author admitted regret that his work kept him from fiction writing. In a 1966 preface to the recently re-published Salt Water (464 pages; Archipelago Books), Pla views the collection of connected and ostensibly nonfiction pieces  written in his youth as “evidence of [his] potential, of what [he] might have achieved.” Considering that this  was a lie meant to subvert Franco’s fascist censors, and Pla actually wrote these short stories while in his fifties, Salt Water […]

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‘You Will Love What You Have Killed’ by Kevin Lambert: Rip It Up and Start Again

by Zack Ravas

While involved in the Free Speech Movement at Berkeley during the Sixties, activist Jack Weinberg became famous for coining the phrase, “Don’t trust anyone over 30”; few novels personify his quote as sharply as You Will Love What You Have Killed (185 pages; Biblioasis International; translated by Donald Winkler), the first novel by Canadian Millennial author Kevin Lambert. The story is set in Chicoutimi, a small French-speaking town in Quebec where children more often than not end up dead at the hands of their elders. On the surface, Chicoutimi is a town that appears like any other—with its glad-handing politicians, […]

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‘The Midnight Library’ by Matt Haig: All That Could Have Been

by Nessa Ordukhani

There isn’t a single person who hasn’t asked themselves “what could have been.” Regret is as ubiquitous as air and we cannot help but dwell on hypotheticals and possibilities. In Matt Haig’s new novel, The Midnight Library (288 pages; Viking), the reader is invited into a world where regrets and missed chances—the parallel lives that exist should things have turned out differently—can be visited. At the center of Haig’s story is Nora Seed, a woman inundated with remorse. With a dead-end job, a terminated engagement, and a plethora of family issues, Nora can’t seem to get anything right. When she […]

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‘Tiny Nightmares: Very Short Stories of Horror’: A Great Escape

by Cade Johnson

2020, with all its horrors, may have given Halloween a run for its money this time around. The holiday’s circumstances themselves this year are scary enough to substantiate a scary story—kids stuck at home with parents, or otherwise risking an uptick in COVID-19 transmission by taking part in the festivities. Some who prefer to consume more uplifting content in troubling times may find the book ill-fitted for 2020, but if like me horror is a genre you hold near and dear, Tiny Nightmares: Very Short Stories of Horror (Catapult; 289 pages; edited by Lincoln Michel & Nadxieli Nieto) is a […]

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‘Wave If You Can See Me’ by Susan Ludvigson: The Water We Must All Cross

by Corinne Leong

Susan Ludvigson’s latest poetry collection, Wave If You Can See Me (72 pages; Red Hen Press), written in the wake of her husband’s death from long-term illness, is not a narrative of violent, all-consuming grief nor of its resulting numbness. Rather, it is a quiet depiction of longing and inquiry that waxes and wanes, from the perspective of a woman who has prepared extensively for loss. In its restraint, the collection attempts to answer seemingly ineffable questions: Can we know grief before it touches us? Can we begin to interrogate death if we haven’t inhabited it? Ludvigson’s poems are quiet […]

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‘Leave the World Behind’ by Rumaan Alam: On the Precipice of Disaster

by Nessa Ordukhani

When Amanda and Clay rent a house in the Hamptons with their kids, Rose and Archie, they expect a pleasant family trip and time away from the city. But before they can fully enjoy their rental home, a late-night knock on the door floods their holiday with a new reality of growing fear and unknowable terror. Standing in the doorway under the cover of darkness are the owners of the rental home, G.H and Ruth Washington, whose surprising arrival they claim is prompted by a widespread blackout in New York City. Unable to connect with news sources, or ascertain any […]

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