Q&A with R.O. Kwon and Kim Fu: Challenging the Narrative with ‘Kink: Stories’

by Corinne Leong

Sex in literature is the backdrop of the volta, of awakening. Sex represents the moment in which the character most deeply occupies their body, is most aware of their being, whether the experience incites joy or regret. But for all of the artful depictions of sex present in contemporary literature and other media, sexual kink has been largely neglected. The few representations of kink that do exist have assumed an exoticizing, alienating gaze, framing kink as something to be gawked at, commodified, rather than experienced. Editors R.O. Kwon, author of The Incendiaries, and Garth Greenwell, who released his novel Cleanness […]

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ZYZZYVA Interview Series: R.O. Kwon

by Oscar Villalon

R.O. Kwon’s first novel, The Incendiaries, is published by Riverhead (U.S.) and Virago (U.K.). She is a National Endowment for the Arts Literature Fellow. Her writing has appeared in The Guardian, Vice, BuzzFeed, Noon, Time, Electric Literature, Playboy, San Francisco Chronicle, and elsewhere. She has received awards and fellowships from Yaddo, MacDowell, the Bread Loaf Writers’ Conference, and the Sewanee Writers’ Conference. Born in South Korea, she’s mostly lived in the United States. Kwon recently spoke to ZYZZYVA Managing Editor Oscar Villalon about The Incendaries at City Lights Bookstore in San Francisco. […]

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The Truest I Could Be: Q&A with ‘The Ensemble’ author Aja Gabel

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Aja Gabel’s first novel, The Ensemble (352 pages; Riverhead), reminds me of why I first, long ago, might have fallen in love with reading. It’s immersive and sweeping, featuring ambitious professional musicians—Jana, Brit, Daniel, and Henry—who form a string quartet. Walter Pater posited that all art aspires to the condition of music; I don’t know if I agree (that “all” makes me nervous), but I’ve thought for years that there isn’t nearly enough writing about music, and musicians. (A few exceptions I love include Thomas Mann’s Doctor Faustus, James Baldwin’s “Sonny’s Blues,” Thomas Bernhard’s The Loser, and now The Ensemble.) […]

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