Q&A with Susan Steinberg: ‘Machine’ and an Automatic Tension

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You can accuse the narrator of Susan Steinberg’s Machine (149 pages; Graywolf) of many things, but failing to hold the reader’s attention isn’t one of them. Steinberg’s first novel after a series of story collections, Machine chronicles a dread-filled summer on a nameless shore following the suspicious drowning of a teenage girl. Our narrator, a former friend of the deceased, grapples with guilt, teenage boredom, and her own privileged family’s struggles. “This is a story about desperation,” she states, “you could also say acceleration; but in this story, they’re the same.” The novel unfolds in haunting and poetic style, with […]

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Giving Voice to the Stifled, the Neglected, the Heartbroken: Susan Steinberg’s ‘Spectacle’

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Susan Steinberg’s Spectacle (152 pages; Graywolf Press) is a story collection of intertwining vignettes, a series of experimental narratives that speak to the vulnerability of being female and the roles women are expected to play in a male-dominant world. Steinberg does not cast a rosy hue over her portrayal of society. She writes her truth—her female narrators’ truth—and makes no attempt to censor it. The narrators’ voices blend together, as do the male characters: lovers, fathers, and brothers move in and out of one another until they become indistinguishable. The opening story, “Superstar,” tells of a woman who breaks into […]

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