In Sheng Keyi’s absurdist novel, Death Fugue (translated by Shelly Bryant; 376 pages; Restless Books), a tower made of feces appears in Round Square in the fictional capital of Beiping, much to the intrigue of young people who do not believe, as the government and media say, that the nine-story heap is composed of gorilla excrement. Concerned with more than sphincter logistics and scatological expertise, this excitable group demands answers from an unaccountable government. In response, protesters are rounded up, thinkers put on watchlists, and the movement’s final gathering quashed with incredible force. Banned in China’s bookstores and circulating in […]
Tag: dystopia
‘The Grand Dark’ by Richard Kadrey: Staging Vice
by Bjorn Svendsen
The Grand Dark (423 pages; Harper Voyager), the new book by New York Times-bestselling author Richard Kadrey, best known for his ongoing supernatural noir series Sandman Slim, is an urban fantasy that both satisfies and defies genre conventions. Looking the horror of war dead in the eye, The Grand Dark is also a moody, multi-layered mystery about human conflict, politics, and artistic expression, as well as an ambitious feat of world building. The Great War has left the fantastical country of High Proszawa in ruins. The survivors live in Lower Proszawa, a coastal city where the wealthy and poor are […]
What Memories (and We) Are Really Made of: ‘Void Star’ by Zachary Mason
by Hayden Robel
The crux of speculative fiction is not always found in inventing new worlds but in skewing our own. Zachary Mason’s Void Star (385 pages; Farrar, Straus, and Giroux) does just that, chronicling the struggle of its misfit characters as they fight to survive on an Earth in which the oceans have risen and threaten to submerge the majority of the planet’s remaining landmass. As affluent technocrats revel in their riches atop skyscrapers, the poorest of society are corralled into filthy favelas below them. Nowhere is this stark divide epitomized better than Mason’s meticulously rendered version of San Francisco, a lurid […]
The ‘Choice’ Between Freedom & Security: ‘The Heart Goes Last’ by Margaret Atwood
by Allison Rodriguez
Margaret Atwood knows a thing or two million about the dystopian novel. Atwood’s latest, The Heart Goes Last (Nan A. Talese/Doubleday; 320 pages), begins familiarly: in the midst of a dire economic and social depression, a young couple chooses between freedom and chaos or comfort and constraint. As The Heart Goes Last develops, though, the form evolves from sociological study to fable. People and places turn out to not be what they seem, offering complexity but also dream-like distortions. Stan and Charmaine, the couple at the center, discover that the pressure for them to choose between good and bad, right […]