If you like your narrators drunk, shell-shocked, adrift, and stricken with logorrhea, please read on. Following in the tradition of Coleridge’s The Rime of the Ancient Mariner and Knut Hamsun’s Hunger, Antonio Lobo Antunes’s The Land at the End of the World (Norton; 224 pages) is a book of anguished testimony. (Open Letter publisher Chad Post accurately grouped the author with Thomas Bernhard and Louis-Ferdinand Celine as an “author of complaint.”) Based on Lobo Antunes’s experiences as a medic in the Portuguese military, which, from 1961 to 1974, engaged in a failed pacification campaign in its African colonies, The Land […]
Contributor: Jacob Silverman
Deb Olin Unferth’s ‘Revolution’ and the Costs of Memoir
by Jacob Silverman
Save some long-mothballed, early twentieth-century avant-garde movements, memoir may be the only literary genre requiring a statement of principles. This applies to readers and writers alike. Do you expect a memoirist to show perfect recall, to reconstruct a past with vividly described environments, clear dialogue, and novelistic scenes? Or do you want a memoirist to admit the fallibility of her memory? Perhaps in an introductory preface, and to confess that some scenes, characters, and timelines may be elided, compressed, combined — i.e., do you mind if she makes things up, as long as it’s in the service of a good […]
The Heady Price of a ‘Free World’
by Jacob Silverman
It’s no easy thing to make the political personal, but David Bezmozgis has done it in his first novel, which follows a band of Russian Jewish émigrés over the summer of 1978 as they wait, in Rome, to find out which country will take them. The Free World tells a compelling story, dissecting the tangled, and often tortured lives of Samuil Krasnansky, an unreconstructed Communist and Red Army veteran; his loving wife, Emma; his sons, the taciturn, fearsome Karl and the hopelessly sybaritic Alec; along with Karl’s family and Alec’s wife, Polina. All of these characters emerge as distinct beings, […]