Fidel died three years ago. Obama is no longer President. Their absence from the American political landscape and Trump’s divisive posturing has given rise to the old Cold War rhetoric between Washington and Havana, bringing into question where U.S.-Cuba relations might be headed. These tensions challenge us to inquire where the literary response may be for those writers who live in the hyphen between “Cuban” and “American.” A telling answer can be found in Cristina Garcia’s arresting fiction. Over the last twenty years her work has steadily moved away from Cuba-centric fiction to explorations going beyond the political and sentimental […]
Günter Grass begins his magical realist masterpiece The Tin Drum by explaining that “no one ought to tell the story of his life who hasn’t the patience to say a word or two about at least half of his grandparents before plunging into his own existence.” In Pig’s Foot (Bloomsbury, 333 pages), Carlos Acosta’s first novel (translated by Frank Wynne), the narrator more than abides by this advice. Pig’s Foot is the story of the narrator, told from the very beginning, when his great-great-grandmother arrives as a slave in Cuba in the 1800s. Acosta’s novel, set in a remote and […]
Edie Meidav is the award-winning author of the novel Lola, California (Picador) and the forthcoming Dogs of Cuba. Raised in Berkeley, she’s a former director of the New College of California MA/MFA in writing and is now a writer-in residence at Bard College.
Her essay, “Cuba+Kids-Water,” appeared in ZYZZYVA’s Fall issue. Humorous and thoughtful, it recounts Meidav’s experience when she temporarily relocated to Havana with her family so she could do research on Cuba’s boxers. It’s a propulsive read, partly due to Meidav’s prose style and partly due to the expectant sense she creates around her family’s living situation. But for all the wonderful surprises, there are less than cheery ones, too.
The following is an excerpt of “Cuba+Kids-Water.”