Q&A with Robin McLean: ‘Pity the Beast’ and Living in Wild Places

by Peter Schlachte

Robin McLean’s first novel Pity the Beast (384 pages; And Other Stories), has all the trappings of a traditional Western—the grime and the guts, the hard people amid an austere, extraordinary landscape—but McLean isn’t satisfied with the traditional. The novel revolves around Ginny, a rancher in the American west who cheats on her husband Dan and is gang-raped in a flurry of vengeance and violence. Ginny, left for dead, escapes into the mountains and is pursued by a posse of five townsfolk: her husband, her sister Ella and Ella’s husband Saul, a tracker named Bowman, and a mule-driver named Maul. […]

Continue Reading

‘Win Me Something’ by Kyle Lucia Wu: An Outsider in the World of Privilege

by Supriya Saxena

Reading Kyle Lucia Wu’s first novel, Win Me Something (257 pages; Tin House), feels like listening to a friend tell you about her life straightforward and true. The main character, Willa Chen, a 23-year-old working-class Brooklynite who thinks her life has lost direction, proves immediately relatable. The first-person narration seems to come from her very soul, yet this directness belies a beautifully understated poignancy contained in Willa herself: though she may seem unremarkable at first, she is a deeply scarred, isolated individual. Willa lives in Crown Heights in a tiny apartment with a roommate who is more often than not […]

Continue Reading

‘Intimacies’ by Katie Kitamura: Truth, Doubt, and Intimacy

by Meryl Natchez

As soon as I finished Katie Kitamura’s newest book, Intimacies (238 pages; Riverhead), I immediately got copies of all her previous novels. Perhaps just quoting the first paragraph of this nuanced, intriguing novel will be enough for you to understand why: It is never easy to move to a new country, but in truth I was happy to be away from New York. That city had become disorienting to me, after my father’s death and my mother’s sudden retreat to Singapore. For the first time, I understood how much my parents had anchored me to this place none of us […]

Continue Reading

Desire, Text, & a San Francisco Apartment: Interview with Dodie Bellamy and Kevin Killian

by Daniel Benjamin

ZYZZYVA Volume 35, #3, Winter 2019

I sat down with authors and artists Dodie Bellamy and the late Kevin Killian in their Minna Street apartment in San Francisco on a Sunday afternoon in early May. I didn’t know it would be my last time seeing Kevin—he died following complications from chemotherapy on June 15, 2019. On the day of my visit,

Subscribers only: to access this content, you must be a member of ZYZZYVA Studio. Membership is included with any subscription. Subscribe today, or if you are already a subscriber, log in to continue reading. (Read our FAQ for more details, and contact us if you have any trouble logging in.)

[…]

Continue Reading

‘Runaways: A Writer’s Dilemma’ by Michael J. Seidlinger: The Perils of the Blank Page

by Shelby Hinte

“A writer, a little bit lonely and a whole lot desperate, signed into social media. They didn’t know what they were looking for. That was kind of the problem. They were having trouble getting started.” These are the opening lines to Michael J. Seidlinger’s novella Runaways: A Writer’s Dilemma (100 pages; Future Tense Books). In many ways, Seidlinger’s book asks an age-old question: how does a writer face a blank page? The modifier here is: how does one do this in the age of the internet—particularly in a time when dopamine-producing distractions are more abundant than ever? These questions are […]

Continue Reading

‘Lightning Falls in Love’ by Laura Kasischke: A Series of Unending Moments

by Chiara Bercu

Laura Kasischke’s latest poetry collection, Lightning Falls in Love (144 pages; Copper Canyon Press), is a charming address to time and the eternities sustained in memory. In fifty-two poems, Kasischke moves multilaterally over the many folds and features of memory, both personal and fantastic. “I was living my life a second time/for the first time/in my life,” she writes, “understanding/that I’d already lived a long time before I realized/that I was old enough by then to have been/my own daughter when my mother died.” What’s assembled in the collection is a swift mélange of the past, equal parts ordinary, death-bound, and […]

Continue Reading

ZYZZYVA Staff Recommends October 2021: What to Watch, Read, & Listen To

by ZYZZYVA Staff

Shelby Hinte, Intern: “Don’t f*@% with the original,” declares Sydney Prescott (Neve Campbell) during the climax of 2011’s Scream 4. It’s a quote that has become almost as iconic for fans as the ominous ringing telephone and the unidentified caller who asks, in a low, distorted voice, “What’s your favorite scary movie?” Sidney Prescott and Ghostface, the fictional Woodsboro residents from Wes Craven’s Scream franchise responsible for these meme-worthy lines, have reached a certain level of iconography that has settled into the pop-culture vernacular for 25 years. While the Scream imagery may be fodder for internet fun and mockery, it […]

Continue Reading

‘Leave Society’ by Tao Lin: Our 21st Century Malady

by Zack Ravas

If part of the success of any novel involves timing, Tao Lin perhaps couldn’t have chosen a better moment for Leave Society (352 pages; Vintage) to have come out than during an extended pandemic. Though the story takes place over several years prior to 2020, its main character maintains a hermetic lifestyle many of us can relate to at present, whether we’d like to or not: “… isolating himself in his apartment in Manhattan, replacing pills and friends and most of culture with cannabis and books, and finding new interests…” Leave Society continues Tao Lin’s tendency for autofiction by following […]

Continue Reading

Q&A with Jackson Bliss: ‘Counterfactual Love Stories and Other Experiments’ & The Rules You’re Allowed to Break

by Peter Schlachte

Jackson Bliss’s debut book of fiction, Counterfactual Love Stories and Other Experiments (200 pages; Noemi Press), is exactly what the title claims—a collection of exciting, bold experiments that stretch the notion of what a story can be. Of the thirteen stories in it, no two share the same form. Yet underneath the narrative invention, the genre-bending fireworks, and the speculative characters, Bliss’s stories are meditations on classic themes: time, autonomy, race, and, of course, love. Bliss is the winner of the 2020 Noemi Prize in Prose, holds an MFA in Creative Writing from the University of Notre Dame, and a […]

Continue Reading

‘The Savage Kind’ by John Copenhaver: Seeking Agency By Any Means Possible

by Supriya Saxena

The femme fatale of classic detective fiction and noir films rarely offers a kind portrayal of women. Mysterious and alluring, she commits all sorts of devious and despicable acts for her own gain, and the narrative invariably punishes her in the end. As misogynistic as this archetype is, the concept of a woman who seeks independence and agency through lethal means is certainly an intriguing one. It is easy to understand why John Copenhaver chose to reimagine the femme fatale in his coming-of-age mystery novel The Savage Kind (384 pages; Pegasus Crime). This dark, captivating novel follows two teenage girls […]

Continue Reading

‘Dante’s Indiana’ by Randy Boyagoda: A Severe Satire

by Shelby Hinte

We are living in an era of instant gratification—information accessible via our fingertips in a matter of seconds, food delivered to our doorsteps without so much as having to talk to another human being, fast-track degree programs, and attaining inner peace through a single weekend meditation retreat—not to mention the omnipresence of quick-fix drugs that can calm your nerves, kill your pain, eliminate excess weight, liven your libido, grant you access to euphoria, and, in general, make life a little less miserable. Randy Boyagoda’s newest novel, Dante’s Indiana (224 pages; Biblioasis), a standalone sequel to his novel Original Prin, is […]

Continue Reading

Q&A with Jenny Qi: ‘Focal Point’ and a Full Picture of Grief

by Chiara Bercu

Jenny Qi’s first poetry collection, Focal Point (98 pages; Steel Toe Books), sees release this week. Written over the course of Qi’s graduate study in oncology, and upon the loss of her mother to cancer, Focal Point quilts together meditations on memory, bereavement, racism, divinity, and motherhood. Victoria Chang describes the collection as a “book of crossing.” Its sixty poems forward a fresh, intertextual probe into experiences of transition and bring delicate attention to life in the wake of loss. Qi was the winner of the 2020 Steel Toe Books Poetry Award, and her essays and poems appear in the […]

Continue Reading