Seeing Anything Clearly in This Time and Place: Zachary Lazar’s ‘Vengeance’

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Published earlier this year to respectful notices, Zachary Lazar’s painstakingly crafted novel Vengeance (272 pages; Catapult) takes on the complicated issues of race, the socially constructed questions of guilt or innocence in late stage capitalism, cultural appropriation and redemption. “What ‘Vengeance’ really attempts to unravel is the problem of injustice, although it is not a protest novel,’’ Katy Waldman noted in The New Yorker. Prison reform has been in the air—just ask Kim Kardashian—but news cycles come and go. Regardless, Vengeance merits a more sustained look. The novel was inspired by the author’s visit to Angola, a Louisiana State Penitentiary (and former […]

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A River of Words to Capture the Nastiness of War: ‘The Land at the End of the World’

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If you like your narrators drunk, shell-shocked, adrift, and stricken with logorrhea, please read on. Following in the tradition of Coleridge’s The Rime of the Ancient Mariner and Knut Hamsun’s Hunger, Antonio Lobo Antunes’s The Land at the End of the World (Norton; 224 pages) is a book of anguished testimony. (Open Letter publisher Chad Post accurately grouped the author with Thomas Bernhard and Louis-Ferdinand Celine as an “author of complaint.”) Based on Lobo Antunes’s experiences as a medic in the Portuguese military, which, from 1961 to 1974, engaged in a failed pacification campaign in its African colonies, The Land […]

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