Let the record be clear: I am not now, nor have I ever been, a “Paulette,” the derisive term used for the camp followers of the late, great Pauline Kael, who slavishly faxed her advance copies of their reviews, hoping for her approval, encouragement and career advancement. But to be equally clear, I am a huge admirer of Kael’s body of work, starting with “I Lost It At The Movies,’’ her enormously influential early collection of pieces, many of them from her feisty days as a caustic commentator on KPFA, portions of which are excerpted in the massive, somewhat daunting […]