‘If You’re Going to Tell the Story of Slavery, I’m Going to Listen All Day’: Q&A with ‘Homegoing’ Author Yaa Gyasi

by

Yaa Gyasi’s recently released and critically acclaimed first novel, Homegoing (320 pages; Knopf) moves from late 18th century West Africa to 21st century California, tracking the repercussions of the Trans-Atlantic slave trade. Gyasi, a graduate from Stanford and the Iowa Writers Workshop, and whose book was just named to the longlist for the 2016 Center for Fiction First Novel Prize, illustrates how slavery and white supremacy shaped life in the African diaspora by exploring the history of a single family—one branch of which remains in what eventually becomes Ghana, while the other experiences the turbulent history of African America. By […]

Continue Reading

Poems Encounter the Absences in a Family’s Long History: Q&A with Tess Taylor

by

Tess Taylor’s first book of poetry, The Forage House (Red Hen Press; 88 pages), is a far-ranging exploration of a family’s role in the United States’s past. Called “brave and compelling” by U.S. Poet Laureate Natasha Trethewey, Taylor’s collection mediates the historical record that too often embellishes or deletes the legacy of slavery. Framed as a first-person lyrical attempt to understand family history, The Forage House contains no easy solutions to the problems of inherited guilt. Rather, Taylor’s poems outline emotional experience within archival reality, achieving a personal historicity that poet Timothy Donnelly calls “scrupulous and artful.” We talked with […]

Continue Reading