What About This, the title of the massive new edition of the Collected Poems of Frank Stanford (747 pages, Copperhead Press) announces, a cover picture of the late poet (dubbed the “swamp-rat Rimbaud’’ by Lorenzo Thomas) glaring at you. Well, what about it? First things first: If the romantic ideal of the poet is to live fast, love hard, and leave a good-looking corpse, Stanford did all of the above, and then some. It’s impossible to ignore the biography. Born August 1, 1948, in Richton, Mississippi, Stanford shot himself, after reportedly being confronted about multiple infidelities by his wife, Ginny, […]
Tag: David Orr
Poetry and Its Public: One Conversation Within A Long-Running Discussion
by Andrew David King
The debate on poetry’s responsibility, or lack thereof, to an audience is undoubtedly as old as the art itself. Recent movements have taken noted stances on the “for” and “against” poles, from hermetic aesthetic-worship to cries for accessibility. Critic and author David Orr took up the debate via a review of several new books in Poetry’s April issue — and continued the discussion by responding to my Letter to the Editor in the June issue regarding his essay. Using releases by Thomas Sayers Ellis, Timothy Donnelly, C.D. Wright, and Eleanor Wilner as points of departure, Orr’s original piece, “Public poetry?”, […]