‘Bank Repos for Sale,’ 2015 Best American Short Stories & Best American Nonrequired Reading Notable, Issue No. 101

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Elena Mauli Shapiro’s story “Bank Repos for Sale,” which appeared in Issue No. 101, accounts for two of the eleven Notables earned by our contributors from the Best American series this year—having been recognized by both Best American Short Stories and Best American Nonrequired Reading. It is a darkly comic story set in an America that, as its title suggest, couldn’t care less about a skyrocketing stock market or the newest app.

Shapiro is the author of two novels, “In the Red” and “13 rue Therese” (both published by Little, Brown). This is her second story published by ZYZZYVA. Her story “Commuting” was published in Issue No. 94. The following is an excerpt from “Bank Repos for Sale.”

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‘Hold On’: 2015 Best American Short Stories Notable, Issue No. 100

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Scott O’Connor’s “Hold On” is the third work of fiction from our Issue No. 100 to be named a Notable in the 2015 Best American Short Stories anthology. It is a story that movingly probes a fear specific to anybody living near a fault zone (which, in the U.S., means anybody living anywhere on the West Coast): namely, having to endure what an earthquake can wreak.

Scott O’Connor is the author of the novels “Half World” (Simon & Schuster) and “Untouchable” (Tyrus Books), winner of a Barnes & Noble Discover Award, and the novella “Among Wolves.” He lives in Los Angeles. The following is an excerpt from “Hold On.”

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‘The Dead Ones’: 2015 Best American Essays Notable, Issue No. 100

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Edie Meidav’s essay “The Dead Ones” is one of three in our 100th issue to receive a Notable from the 2015 Best American Essays. (The others are Katie Crouch’s “To Bloom, to Burst, to Blaze” and David L. Ulin’s “Green Shirt,” which we’ll be excerpting soon.) In richly textured prose, Meidav relates a homecoming to Berkeley and the end of life of a beloved mentor. “Then the question remains: must we carry the hearts of everyone until our heart,” she writes, “like a ship crowded with the memory of those who have left, eventually also sinks like they all did?”
Edie Meidav is the author of the novels “The Far Field,” “Crawl Space,” “Lola, California,” and the novel-in-progress “Dogs of Cuba.” She is the recipient of a Lannan Fellowship, a Howard Fellowship, the Kafka Prize for Best Fiction by an American Woman, the Bard Fiction Prize and other citations, and she teaches in the UMass Amherst MFA program.
Her essay “Cuba+Kids-Water” appeared in Issue No. 95. The following is an excerpt from “The Dead Ones.”

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‘One Quarrel’: 2015 Best American Short Stories Notable, Issue No. 100

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Three stories from our milestone Issue No. 100 received a Notable from the Best American Short Stories 2015 anthology. “One Quarrel” by Ron Carlson is one of them.

Ron Carlson is the co-director of the MFA Program in Writing (Fiction) at UC Irvine. He is the author of nearly a dozen books of fiction, most recently the novel “Return to Oakpine” (Penguin). His short stories have appeared in publications such as Esquire, Harpers, and Ploughshares. “One Quarrel,” his exquisitely evocative tale of young love set on a college campus in winter, showcases the craftsmanship for which Carlson has long been praised. This is the second story by Carlson published in ZYZZYVA to be named a Notable by the Best American Short Stories. His first was “Line from a Movie,” published in Issue No. 96.

The following is an excerpt from the story.

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‘To Bloom, to Burst, to Blaze’: 2015 Best American Essays Notable, Issue No. 100

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Three essays we published in our 100th issue received a Notable from the 2015 Best American Essays. The first of those we’re excerpting is Katie Crouch’s “To Bloom, to Burst, to Blaze.” A study on Sylvia Plath and a first-hand account of San Francisco during its first tech boom, Crouch’s essay is also a meditation on a friendship gone wrong and its accompanying guilt, which is felt many years later.

Katie Crouch has written numerous essays, which have appeared in The New York Times, Slate, the Rumpus, and Garden & Gun. She is also the best-selling author of the novels “Girls in Trucks,” “Men and Dogs,” and most recently, “Abroad” (Picador), now in paperback.

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‘Mendocino Fire’: 2015 Best American Short Stories Notable, Issue No. 100

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Since 2011, when ZYZZYVA underwent a redesign, a beefed up web site, and a change in masthead, work appearing in the journal has been attracting wide recognition. For its issues appearing in 2011 through 2014, ZYZZYVA has received twenty Notables from the Best American series, as well as inclusions in the Best American Short Stories, Best American Essays, Best American Poets, and Best Nonrequired Reading anthologies; the journal has also received two Pushcart Prizes and four Pushcart Special Mentions in that time.

This month, when the Best American anthologies are in stores, we’d like to excerpt the many stories and essays from 2014 that received Notables from that prestigious series. We’re starting with a story by Elizabeth Tallent, “Mendocino Fire,” from our celebrated 100th issue. The story of the peripatetic life of a young female tree-sitter, raised, and arguably forsaken, in the wilds of the forests of Northern California, it delves into the haunting ache of abandonment and an intense yearning for connection. (It’s also the title story of Tallent’s new collection, published by Harper this month.) Of Elizabeth Tallent’s work, Richard Ford has said, “Her ear is perfect; her gaze searing and unmistakable.” We think you’ll agree.

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Grassfire

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When I moved to California last year, water was far from my mind. Naturally, upon my arrival I was shocked by the severity of the drought, the messy status of water rights, and the endless bickering over an element that I considered a common occurrence, as well as a natural right. For Californians, however, these environmental threats are nothing new. Beyond the political scope, environmental issues, at their core, reveal the moral grappling of humankind, and yet a surprisingly few number of authors take on the subject.

In light of the current drought, John van der Zee’s “Grassfire,” which appeared thirty years ago in the first issue of ZYZZYVA, remains morally pertinent. The story, detailing a man’s struggle to put out a small wildfire, illuminates the essential crux of California’s environmental issues, which, thirty years later, are just as controversial. A wildfire presents a moral dilemma; though, with its rapid and unpredictable expansion, it ultimately contradicts the old adage that what is one person’s problem is not another’s. “Grassland” begins with gallantry before crumbling again into conflict.

Van der Zee’s prose is evocative and succinct. The wildfire is just as animated as the characters, animal-like, morphing into the irrepressible fears of our protagonist, inserting itself into the politically divided landscape. And though fire poses the greatest immediate peril in this story, the threat of drought looms ominously at its side. The descriptions of the burnt landscape and dry faucets, when read today, resemble the unheeded forewarnings of a prophet. — Sarah Cooolidge

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Green Shirt: ZYZZYVA No. 100

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David L. Ulin is the book critic at the Los Angeles Times, as well as the author of the books The Myth of Solid Ground: Earthquakes, Prediction, and the Fault Line Between Reason and Faith and The Lost Art of Reading: Why Books Matter in a Distracted Time, the novella Labyrinth, and the editor of the Library of America’s Writing Los Angeles: A Literary Anthology. He is also a ZYZZYVA contributing editor.

For the 100th issue, Ulin contributed “Green Shirt,” a riveting essay about (ostensibly) a deep-seated fear of flying and how the writer preps himself for boarding a plane. Erudite, roving, and surprising, “Green Shirt” touches upon Death Cab for Cutie and Elvis Costello, Kurt Vonnegut and Philip Roth, Gretel Ehrlich and Twiggy. “What are the rituals,” he writes toward the end, “… that contain us, even (or especially) if we cannot be contained? This is why stories are important; yes, they may be contradictions, but contradictions are what we have.”

The following is an excerpt from “Green Shirt.” The piece can be read in its entirety in the 100th issue, which you can get here.

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Hacks: ZYZZYVA No. 100

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Jim Gavin, the author of the critically acclaimed story collection Middle Men (which was long-listed for the 2014 PEN/Robert W. Bingham Prize), first appeared in ZYZZYVA No. 63 (“Recommendation”). For the 100th issue, he contributed a hilarious piece of nonfiction, the stinging “Hacks.”

The story of Gavin’s stint as a young man in the world of community newspapers, “Hacks” recalls the grubby lifestyle that comes with being a grunt on the sports desk: attending endless high school meets, living off of Mountain Dew and Del Taco, working with colleagues who could stand a shower. But it is also an early glimpse into what the writing life can mean—a calling of shabby nobility, a difficult vocation in which one tries to “record and instill with grandeur the lives of people who will never be famous.”

The following is an excerpt from “Hacks.” You can read the piece in its entirety, of course, in the 100th issue, which can order here.

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Normal Problems: ZYZZYVA No. 100

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Erika Recordon’s work first appeared in ZYZZYVA back in Issue No. 91 (Spring 2011), with the publication of two of her charmingly off-kilter yet genuinely serious stories, “Evolution” and “Our Brave Little Soldiers.” The elan that characterizes those short works is evident once again in her new (and much longer) story for our 100th issue, “Normal Problems.”

The tale—or perhaps even a fable?—of a woman trying to make her relationship work with a great guy who’s only fault is a long past as a serial killer (a literal “lady killer”), “Normal Problems” revels in dark humor. Incredibly, the story goes much deeper than this set up might lead one to believe is possible, freshly evoking the anxious rationalizations we make for wanting to stay with someone, for wanting to see what we so badly need to see.

 

The following is an excerpt from “Normal Problems,” which, of course, can be read in its entirety in Issue No. 100.

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From ‘Strange Attraction’: ‘Black Dress’ by Elizabeth Tallent

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Dipping into our anthology Strange Attraction: The Best of Ten Years of ZYZZYVA (338 pages; $20), we first excerpted for you Po Bronson’s story “Tracking the Family Beast.” We now offer an excerpt from Elizabeth Tallent’s story “Black Dress,” which originally appeared in ZYZZYVA Issue No. 25 (Spring 1991). (Most recently, Tallent’s story “Mendocino Fire” appears in our 100th issue.)

Tallent, who is a professor of English at Stanford and the author of several books, including the story collection Time of Children and the novel Museum Pieces, tells the story of Caro, a young pregnant woman getting ready to attend the funeral of her stepson’s teen girlfriend, who overdosed on pills. “She had taken the pills from their hiding place under her mother’s tissue-wrapped lingerie, snapped off the child-proof caps, and eaten them in handfuls. It can’t have been easy swallowing so many times; wouldn’t her body have been on the verge of refusing? Wouldn’t nausea have entered in? Ah, Caro thinks, and places her own nausea: with no sense of linear time, no conviction that things that have happened are irrevocably over, her own body is mimicking the girl’s nausea, the nausea she wishes the girl had felt. Caro’s pregnant body wants the girl to throw up. Caro’s secret sense, which she has not mentioned to her husband, is that death has alarmingly little respect for boundaries, that once tipped out it can spill through entire families. That she should stay away.”

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The Dead Ones

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A past contributor to ZYZZYVA (her essay “Cuba+Kids-Water” ran in Issue No. 95), novelist Edie Meidav makes another welcome appearance in our pages, this time in our 100th issue. Her essay, “The Dead Ones,” takes her back to the home of her youth, the Bay Area.

When asked about the background of “The Dead Ones,” Meidav writes, “Sometimes I feel we have these hearts that are like ships crowded with all the people we love or once knew well—so the question becomes how crowded can your ship become?—and every time I beat a path of return to the Bay Area, walking certain streets in that balmy air, I feel both cradled and pierced by memories: the Bay Area is something of my pastoral. (I remember, now, Philip Roth talking about walking Newark before writing American Pastoral.) In the last few years, I kept walking near my former mentor’s house in a state of disbelief that all that vitality had vanished, her wit, her stockinged legs.”

The following is an excerpt from “The Dead Ones.” Edie Meidav will also be one of the readers at ZYZZYVA’s All Star Summer Celebration at 6 p.m. on Thursday, July 17. You can RSVP your free ticket here. And you can order a copy of Issue No. 100 here.

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