Radical hope: ‘Not Too Late,’ edited by Rebecca Solnit and Thelma Young Lutunatabua

by Zoe Binder

Posted on by John McMurtrie

The sun has not yet set on climate activism and our potential for a bright future. So say Rebecca Solnit and Thelma Young Lutunatabua, the editors of a new collection of essays and interviews, Not Too Late: Changing the Climate Story From Despair to Possibility (200 pages; Haymarket Books). Not Too Late features the voices of advocates who have been through the mill in the fight against climate change; they show us that giving up is not an option. They have become thick-skinned and resilient, and their writing offers a guide for us to turn to when we need revitalization. […]

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5 Questions for Politics and Prose

by ZYZZYVA

Posted on by ZYZZYVA

Politics and Prose, Washington, D.C.’s, premier independent bookstore, has been in business since the Reagan Administration—to be precise, the fittingly novelistic year of 1984. Since that time, the store has grown from two employees (the original owners, Carla Cohen and Barbara Meade) to a staff of more than 100 in three locations. Among the store’s many patrons are two local authors: Barack and Michelle Obama. We talked to Wendy Wasserman, the store’s director of marketing and communications. ZYZZYVA: What’s the coziest spot in your store for reading? WENDY WASSERMAN: Cozy can mean so much. For the little ones, we have […]

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Q&A with Eileen Myles: Unwrapping time

by Valerie Braylovskiy

Posted on by John McMurtrie

Poetry can encompass many shapes and qualities, including the singular capacity to open new pathways of understanding ourselves. A poet who achieves this feat is unafraid to take risks and question the quotidian. Eileen Myles has consistently been one of those poets. Myles’ newest poetry collection, a “Working Life” (Grove Atlantic Press, 267 pages), is perhaps their deepest and most personal exploration of what it means to be human. Myles says that “maybe time is the real subject of language,” and uses temporality to explore personal and public moments within a broader sociopolitical landscape. Born in Boston and now living […]

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Bearing Witness: ‘Bone Country,’ by Linda Nemec Foster

by Gus Berg

Posted on by John McMurtrie

In Bone Country (110 pages; Cornerstone Press), the thirteenth poetry collection by Linda Nemec Foster, each poem is a snapshot, presented in a fragmented style that emphasizes the intensity of each image. Despite this fragmentation, the collection is united by a quick rhythm that propels the reader. Every piece is imbued with an intense sense of place in Europe. Warsaw, Krakow, Bratislava, the Tatra Mountains, Now Sac, Rzeszow, Tarnow, and the Baltic Sea all make early appearances. Poland is the central focus, from the beauty of natural landscapes to the horrors of war and occupation. The collection explores the tension […]

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5 Questions for Vroman’s

by ZYZZYVA

Posted on by ZYZZYVA

In 1894, the first-ever commercial motion picture house—a Kinetoscope parlor—opened its doors in New York City. That same year, in the region that would become the movie capital of the world, Adam Clark Vroman opened a bookstore in Pasadena, California. That business, now with two locations in Los Angeles County, remains open to this day—Vroman’s is the oldest and largest independent bookstore in Southern California. Guy Lopez is one of the store’s booksellers. ZYZZYVA: What’s the coziest spot in your store for reading? GUY LOPEZ: The whole store is cozy, but the coziest spot that comes to mind is a lovely […]

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Keeping It Light: ‘Always Alwaysland: New Poems’ by Stanley Moss

by Megan Luebberman

Posted on by John McMurtrie

Having written several volumes over half a century, the critically acclaimed American poet Stanley Moss continues to offer galvanizing ideas, images, and feelings in his work. His latest, Always Alwaysland (239 pages; Seven Stories Press), contains more than 100 poems covering a wide range of personal, philosophical, and political topics. Using fanciful free verse and occasional rhyme schemes, Moss takes readers through his vivid memories and endless imagination.             While Always Alwaysland has no unifying theme, there are recurring ideas, such as the concept of language, reading, and poetry itself. Moss continually comments about the nature of the poet and […]

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Broken Home: ‘Archipelago,’ by Laila Malik

by Zoe Binder

Posted on by John McMurtrie

            From the first piece in her debut poetry collection, Archipelago (86 pages; Book*hug Press), Laila Malik ponders the complexity and impermanence of home, a concept that sometimes stretches across continents. The metaphorical loss of place through multigenerational migration and the literal loss of land through climate change are connected in each of the collection’s four sections (“precambrian”; “petroleum by-products”; “half-life of exile”; and “kufic”).             Many of the pieces in Archipelago are written in the second person, interspersed with the expanded first-person perspective “we,” transforming a collection of personal reflections into a subtle set of instructions. Malik’s poems carry […]

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5 Questions for Elliott Bay Book Company

by ZYZZYVA

Posted on by ZYZZYVA

Elliott Bay Book Company opened as a small shop in Seattle’s Pioneer Square in 1973. A half-century later, Elliott Bay, now in the Capitol Hill neighborhood, is the city’s largest independent bookstore, housing more than 150,000 titles. Tracy Taylor is Elliott Bay’s co-owner (along with Joey Burgess and Murf Hall). ZYZZYVA: What’s the coziest spot in your store for reading? TRACY TAYLOR: Inside the castle in the kids’ section. It’s hidden and carpeted and when the store is quiet, it’s bliss. Z: What’s a little-known fact about your store? TT: Most of the windows at the bookstore were broken during […]

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World-Building: ‘The Nature Book,’ by Tom Comitta

by Zoe Binder

Posted on by John McMurtrie

In Tom Comitta’s new work of fiction, The Nature Book (272 pages; Coffee House Press), we never encounter a human being. Taking the form of a literary “supercut” that pieces together words from over 300 novels, Comitta’s collage redirects our attention to the life force that pulses through land, water, time, and outer space. Comitta (they/them) uses ornate prose to describe how time moves across seasons to paint a fresh picture of the world and how all nonhuman life fits into it. A standard fast-paced plot is replaced with a gentle rise and fall in action that decentralizes any characters—wolves, […]

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5 Questions for City Lights

by John McMurtrie

Posted on by John McMurtrie

City Lights, the San Francisco bookstore cherished the world over, is celebrating its 70th anniversary this year. Founded by Lawrence Ferlinghetti and Peter D. Martin as the first all-paperback bookstore in the country, the North Beach landmark today stocks a great variety of titles (no longer just paperbacks) on three floors. Elaine Katzenberger, the publisher of City Lights Booksellers & Publishers, has worked at the store since 1987. ZYZZYVA asked her to inaugurate our new weekly feature devoted to independent bookstores. She answered our questions from New York City, where she accepted the National Book Critics Circle’s Toni Morrison Achievement […]

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L.A. stories: ‘Boom Times for the End of the World,’ by Scott Timberg

by Marius Sosnowski

Posted on by John McMurtrie

Value is everything. You can tell a lot about a society by what it values. In America, things that move tenaciously with the bravura of a cha-ching—like buildings, prescription pills, and personal data—are big business, practically a national pastime. But what about the arts? The arts are trickier. Art is messy, it’s too human, and by virtue of provoking thought and reflection, too ambiguous (although the market for fine art makes capital use of ambiguity). How do you judge art? What’s it worth? What does it mean? Where’s it from? Who cares? Scott Timberg, former arts reporter for the Los […]

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