Issue No. 101 offers for your enjoyment more of the country’s finest stories, poetry, essays, and visual art:
Vauhini Vara’s “We Were Here”: Betwixt the fancy turkey meatballs and Ava Gardner (no, not that one) dying down the hall, there exists in an apartment building all that could ever matter.
Matt Sumell’s “Gift Horse”: Break into mom’s house, make sure you see Grams at her nursing home, and please, please try to keep it together.
Soma Mei Sheng Frazier’s “Mr. Chompers”: Honey, the single mother asks her hypothetical husband, why can’t it be enough that her young daughter’s smart? Why does she need her to be smarter?
Jim Krusoe’s “Traffic”: The author tries to fit the puzzling memories of his parents, his father’s drinking, and the accidental death of a child into some kind of truth.
And a portfolio from artist Ana Teresa Fernandez, whose featured paintings and photographs document scenes from performance art.
Also, fiction from Earle McCartney (a family farm gets unsettled by the constant presence of the teen son’s girlfriend), Ricardo Nuila (on a doctor’s spectacular crack-up), Elena Mauli Shapiro (the repo men come to take away a home), Peter Rock (incorporating the photography of artist Shaena Mallett) and Emily Fridlund.
Nonfiction from Jill Logan (“A Daughter’s Letter to Tamsen Donner”), and poetry by Kelly Cressio-Moeller, Joseph Di Prisco, Jeff Ewing, John Freeman, Casey Fuller, Troy Jollimore, Genevieve Kaplan, Alyse Knorr, Katie Peterson, Charles Harper Webb, and the Frankenstein Sonnets of Simone Muench and Dean Rader.