Gallagher Lawson’s first novel, The Paper Man (261 pages; Unnamed Press), opens with a scene you might expect in a coming-of-age tale: a sheltered young man has just arrived by bus to an unfamiliar city, eager and more than a little anxious to start the next chapter of his life. The difference here is that our protagonist, Michael, is a walking and talking paper mache’ construction. Given his unusual appearance, Michael is dreadfully concerned with fitting in his new surroundings. Fortunately for him, he might not be the strangest resident of the novel’s unnamed seaside province: his arrival in town […]