Discovering Shostakovich’s True Voice in His Fifteen Quartets


Before he could reach the keys of a piano, Dmitri Shostakovich showed a secret interest in music. “When our neighbors played quartets, I would put my ear to the wall and listen.”  As Wendy Lesser points out in her new book, Music for Silenced Voices: Shostakovich and His Fifteen Quartets (Yale University Press; 368 pages), this image — of the composer as an eavesdropping child — is an apt one for an artist who spent his life under surveillance by the Soviet regime. In her ninth book, Lesser, founding editor of The Threepenny Review, argues that the man best known […]

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