Mauro Gallardo is a writer and ukulelist living in Monterrey, Mexico, and recently completed his first novel, I Liked You Better When You Were A Junkie.
In Gallardo’s short story in ZYZZYVA’s Spring 2012 issue, “Get In and Toss the Gun in Back,” translated by ZYZZVA Managing Editor Oscar Villalon, we encounter a narrator who relies on good humor and quick thinking to deal with the mayhem that has come to define his city. (Monterrey is Mexico’s third largest city and one of the hardest hit by the ongoing drug war.) Coming back from a disastrous date, he diverts a carjacking into something like a joyride. Funny and surprising, Gallardo’s story could be viewed as one young man’s way of staying human amid a wretched situation.
The following is an excerpt from his story.
From mid-August through mid-September, the Caravan for Peace will wend its way across the United States, having started in San Diego and eventually arriving at Washington, D.C. Part of the Movement for Peace with Justice and Dignity, an organization in Mexico “dedicated to giving voice to the families of victims of [the drug war] and to publicizing the real costs of this war,” the MPJD believes “it is the Mexican government’s responsibility to provide justice and reparations” to the thousands upon thousands of victims of the drug war and is doing what it can to hold that government accountable.
The Caravan for Peace seeks the same from the United States, and will be traveling the country, meeting with various folks and organizations that agree several urgent issues must be addressed here, too, to help end the chaos. They are “the need to stop gun trafficking; the need to debate alternatives to drug prohibition; the need for better tools to combat money laundering; and the need to promote bilateral cooperation in human rights and human security in two priority areas: promotion of civil society and safety, as well as protection and safety for migrants.”
With that in mind, this month ZYZZYVA will run excerpts from our section on the drug war in the Spring 2012 issue. (The section is available as an ebook, too, from Byliner.) We begin with journalist and author John Gilber‘s introductory essay, presented in full. Gibler’s essay gives context to the various works appearing in the section (a couple of which he also translated). Published in April, the themes of the essay still hold true (though you can read an update to the essay here.) The statistics are grim, but they do not occlude the fact that there are valiant people–among them, poets, writers, and artists–peacefully seeking a change.