Matthew Baker’s characters nurture obsessions. In his story collection Hybrid Creatures (126 pages; Louisiana State University Press), each of his protagonists carries a passion for a particular field, whether it’s mathematics or music, to the point that their fixations bleed through into the text of their stories. The narrator of “Movements” is so buoyed by his love of the symphony he can’t wake up to a morning cityscape in Nashville without experiencing it in musical terms: “…a shopkeeper in cowboy boots heaved a security shutter up with a crash {piano}, somewhere a jackhammer was slugging {mezzo-forte} pavement, a sheet of […]
