In Thomas Dai’s essay collection Take My Name but Say It Slow (288 pages; Norton), Dai crafts deeply contemplative meditations on growing up Chinese American and navigating queer identity. The diptych of parallel reminisces that composes pieces such as “Running Days” and “Driving Days” evokes calm summers in Wenzhou made meaningful by his grandparents’ steady presence, as well as the particularities of traveling alone as an MFA student, styling himself after butterfly-lover Vladimir Nabokov and gay photographer Tseng Kwong Chi. Dai’s astute observations about identity fold back on themselves in Eastern-inflected asides on Chinese philosophy and nonbeing, and through nostalgic […]
A Map of Desire: Thomas Dai’s Take My Name but Say It Slow: Essays
by Danielle Shi
