In the Instagram era, the consumption of art can become conflated with narcissism. If you can’t take a selfie with, does it even exist? The flip side of this is art that warmly invites the viewer in. I thought of this as I was turning a music box handle at the FOG Art + Design Fair, which ran from January 16-19 at Fort Mason. The music box was part of Anri Sala’s 2016 installation No Window, No Cry, (Olavo Redig de Campos) displayed by the Marian Goodman Gallery. A freestanding white wooden frame encloses a clear glass pane that is […]