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The Manuscript in the Corner: A Conversation with Wendy C. Ortiz
David L. Ulin
Wendy C. Ortiz and I met when she was an MFA student and I became her graduate mentor. She was working on the first draft of the manuscript that would eventually become Excavation (Future Tense; 2014), and even then, it was clear that this was remarkable work. Ruthless, self-interrogating, resolute in its unwillingness to look away, Ortiz’s book—which involves the sexual relationship she had with a teacher when she was an adolescent—represents an astonishing act of reclamation, an author writing her way back to her own life. Ortiz is not looking to lay blame so much as she is interested
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