The Third Daughter

by Vanessa Hua

The Chairman is dead. Outside, the people of Chinatown are cheering. They light firecrackers and beat pots and pans, chanting as they march three floors below the window of my apartment. Their signs say, “Smash the Emperor!” Drips of paint spoil the sweep and curve of the calligraphy, the characters bleeding as if shot.Shouts and

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Love Story, With Cocaine

by Tom Bissell

ZYZZYVA Fall 2011 Cover

Maarit’s father had given her a dog because he hoped it would provide her with something to do. It was true that Maarit did not have much to do, though she always felt busy, which was, perhaps, a natural consequence of waking up daily at 3:00 p.m. Most of her activities involved spending her father’s

Subscribers only: to access this content, you must be a member of ZYZZYVA Studio. Membership is included with any subscription. Subscribe today, or if you are already a subscriber, log in to continue reading. (Read our FAQ for more details, and contact us if you have any trouble logging in.)

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Final Letter from a Crossing Guard

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Patrick McGinty, who was born in Pittsburgh, Pennsylvania, is a graduate assistant in the MFA program at Portland State University. His story “Final Letter from a Crossing Guard,” published in ZYZZYVA’s Winter ’11 issue, marks his first time in print.

A dark but humorous missive from a mother at the end of her rope, “Final Letter” does carry emotional heft, despite the narrator’s occupation, which could lend itself to easy ridicule but doesn’t here. The following is an excerpt from McGinty’s story.

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Terra Incognita

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Melina Draper is a poet living in Fairbanks, Alaska. Her most recent book is Lugar de Origen–Place of Origin (Oyster River Press), a bilingual book of poetry co-written with Elena Lafert.

“Terra Incognita” is one of her two poems published in ZYZZYVA’s Winter ’11 issue. Both poems take Charles Darwin’s travels through Argentina in the 19th century as their theme. In “Terra,” as Darwin uncovers fossils in a place that “quaffed blood, ingested gristle, guts, and bone,” it’s hard not to think of Los Desaparecidos, the thousands upon thousands of people who “disappeared” during Argentina’s so-called Dirty War of the late ’70s and early ’80s.

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The Bull

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Josh DuBose, who lives in North Hollywood, is an actor and and a writer, as well as the owner/operator of a small transcription firm catering to entertainment journalists. His story “The Bull,” published in ZYZZYVA‘s Winter ’11 issue, is his first work to appear in print.

A riff on the Ugly American, “The Bull” details a honeymoon destined to go wrong. Bawdy but thoughtful, the story ultimately goes to a surprising place, playing the narrator’s laugh-out-loud misadventures against a yearning he can’t quite define. The following is an excerpt.

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The Winning Crowd

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The recipient of a Guggenheim Fellowship, an Andrew Carnegie Medal, and PEN Center West Best Book Award, Gary Soto is the author of thirty-five books. His most recent are the e-novel When Dad Came Back (University Press of New England) and the YA story collection Hey 13! (Holiday House).

“The Winning Crowd,” his nonfiction piece in ZYZZYVA‘s Winter 2011 issue, is Soto’s account of attending a 49ers game (pre-Harbaugh era) with a friend, arriving at the stadium dressed “to the nines.” Funny and sinister, the piece could be read as a straight-ahead story of civility and elegance stirring the wrath of slovenly, crude sports fans. (As anybody who attended games at Candlestick Park last season could tell you, there was plenty of uncivil behavior at Niners games.) But it also works as a broader tale of how signs of culture and style can upset the very community you consider yourself part of.  The following is an excerpt.

Soto reads with Faith Gardner and Blossom Plum at 7 p.m. on Thursday, March 8, at Mrs. Dalloway’s Bookstore in Berkeley.

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Self Portrait as Wikipedia Entry

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Dean Rader is a professor in the English department at the University of San Francisco and author of Works & Days (Truman State University Press), which won the 2010 T.S. Eliot Poetry Prize. His forthcoming book is Engaged Resistance: American Indian Art, Literature, and Film from Alcatraz to NMAI (University of Texas Press).

“Self Portrait as Wikipedia Entry” is one of his two poems in ZYZZYVA‘s Winter issue. The piece, in print, appears with sections of underlined words, denoting what would be a hyperlink if read on a screen. We reproduce the poem here with the actual links.

Rader will be reading tomorrow night at 7 p.m. with Herbert Gold, another Winter issue contributor, at City Lights Bookstore in San Francisco, as part of a ZYZZYVA/Granta event.

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Melinda, Doing Her Best

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Herbert Gold is the author of such novels as Birth of a Hero (1951), The Man Who Was Not With It (1956), and Fathers (1967), as well as of the nonfiction works Haiti: Best Nightmare on Earth (2001) and the memoir Still Alive! A Temporary Condition (2008).

“Melinda, Doing Her Best,” which appears in ZYZZYVA’s Winter 2011 issue, is a story set sometime in ’90s San Francisco, back when Moose’s was open in North Beach and when dot-com money was pouring into the city. That the title character is a computer programmer on the outs, then, is particularly striking. It’s tempting to read Melinda as a harbinger of the high tech good times gone sour. But the story is primarily a troubling depiction of a woman everybody wants something from, a person truly alone.

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Enter Harlow

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Karen Joy Fowler is the prize-winning author of many books, including the novels Sister Noon, Wit’s End, and the best-seller The Jane Austen Book Club. Her most recent book is the story collection What I Didn’t See (Small Beer Press).

“Enter Harlow,” her new fiction in ZYZZYVA‘s Winter issue, is further testament to what Michael Chabon has said about her work: “No contemporary writer creates characters more appealing, or examines them with greater acuity and forgiveness, than she does.” Set at UC Davis during the ’90s, the story, which comes from the opening pages of a novel-in-progress, follows a young woman “meandering” through her fourth year of school. “Enter Harlow” tells how that meandering is suddenly, spectacularly interrupted — in the school cafeteria. The following is an excerpt from the story.

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Get Lost

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Faith Gardner is a writer and musician living in Oakland. She plays guitar and sings in the bands Hooray for Everything and Dark Beach, and performs solo as Scarlett O’Hara. Her writing has appeared in PANK, Word Riot, McSweeney’s Internet Tendency, and many other places.

“Get Lost” appears in the Winter 2011 issue of ZYZZYVA. About a young woman who is suddenly without her best friend, who moved with her to San Francisco, Gardner’s story is appealingly downbeat, somewhat sinister, and surprisingly humorous as it follows a person gone adrift in an unfamiliar city and looking everywhere for her bearings. The following is an excerpt from the story.

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The Slippery Nature of Nonfiction: Q&A with Jackie Bang

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Jackie Bang’s story “Silver Mailbox,” which appears in the Winter 2011 issue of ZYZZYVA, is either a heavily fictionalized piece of nonfiction or a heavily factual piece of fiction. Or perhaps something else. The story of a Washington couple — the Miner and the Collector — and the recently-arrived infants brought into their brood, it’s a stylized piece of writing that leaves you eager to learn of the fates of these strange but compelling people. We talked to Jackie Bang via email about her story and the larger work of hers from which it’s taken. ZYZZYVA: “Silver Mailbox” is the […]

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Princess

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San Francisco writer Malena Watrous first novel, If You Follow Me (HarperPerennial), was published last year. Her stories and essays have appeared in The Alaska Quarterly Review, The Believer, GlimmerTrain, The Massachussetts Review, Salon.com, StoryQuarterly, TriQuarterly, and elsewhere. She now works for Stanford as a head instructor in the Online Writer’s Workshop.

“Princess,” which appears in ZYZZYVA’s Fall issue, is a ruefully wise story about parenting — its joys, its limitations — couched in that most seemingly innocuous of events: a child’s birthday party. The following is an excerpt from Watrous’ story.

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