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  • “Thinking Ahead” by Joan Silber:
    “How does a person behave when he knows he’s dying? There’s a myth that people go off and do what they’ve always wanted to do—sail to Spain, buy a horse, eat at the world’s most famous restaurant. ‘They never do that,’ my mother said, ‘that I’ve seen. They don’t even remember why they wanted to do it.’”
  • “Seabreeze” by Korey Lewis:
    Jojo and Jaz wait for The Defendant to pick them up from their mother’s place and take them to Seabreeze. “If Disney is where dreams come true, then Seabreeze is where they give up.”

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  • “Eau de Nil” by Chloe Wilson:
    “It was a website called Geriatrix. On it were women my age, in various states of undress. I saw breasts droopier and flatter than mine, necks that were crêpier, bellies that bulged and hung. But what really struck me was how happy they looked.”
  • “Country Furnishings” by Earle McCartney:
    The equilibrium in a tetchy blue-collar workshop gets jostled with the arrival of Frank Wonderwood—future son-in-law of the business’s new co-owner and future woodworking graduate from Del Tech.


  • Karen Leona Anderson, Stuart Dybek, Johanna Carissa Fernandez, Mike Good, Cleo Qian, Sarah Lynn Rogers, Joel M. Toledo


  • Laura M. Furlan on her birth parents, identity, and butterflies. Adam Foulds on the home-turned-museum of one of England’s greatest architects, Sir John Soane. Sam McPhee on the singular fascination hands have on his attention. Jessica Francis Kane on her lifelong affinity with the fascinating James Boswell. And Devon Brody’s “Beth”: “I’m glad to be with only Beth and her long hair that meets the hair on my arms, and the hair on her arms that meets the hair on my arms.”

In Conversation

  • Ricardo Frasso Jaramillo delves with Justin Torres into Torres’s career and his new novel, Blackouts, a finalist for the National Book Award.


  • Wangari Mathenge

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