Monthly Archives: November 2019

‘Session Drummer’ by Tommy Orange, ZYZZYVA No. 116

This holiday, we present Tommy Orange’s short story “Session Drummer” from Issue 116 in its entirety. I’m on a train and it’s Saturday so I don’t have to work, but when I’m not working Saturday I’m usually working. I mean it’s work only because I get paid and need the money, but it’s playing drums—like a drum set in a studio. I’m a sometimes session drummer working mainly at this studio in West Oakland where people know me as a good enough drummer to call when they need a good enough drummer for a usually mediocre album project. What I …Continue reading

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The Bay Area Issue: Editor’s Note

One day in July I ran into a colleague on my way to lunch. We commiserated about the state of the world, briefly, and then he asked me if I’d been to the Flower Piano program at the San Francisco Botanical Garden yet. He said he’d just been, and that after one of the professional performers finished her set, a few of the people milling around took turns playing. One played David Bowie’s “Life on Mars,” singing softly under his breath. Another, a child of about ten, played a classical sonata, with astonishing beauty. There’s still art here, he said …Continue reading

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ZYZZYVA Recommends November 2019: What to Read, Watch, & Listen to

With Thanksgiving nearly upon us, we thought we’d add a special wrinkle to our Staff Recommends this month: alongside our usual selection of films, books, and music, we’re including Thanksgiving recipes (or drink pairings) you might want to give a try this holiday. Enjoy! Lindsey Pannor, Intern: I can already envision my trip home this Thanksgiving: filing into a huge jet plane, (hopefully) sleeping through the red eye, waking up hovering right over home, and watching the deep orange of the sunrise scatter the thick winter night. I’ll have my headphones on, listening to Lætitia Tamako’s self-titled album by her …Continue reading

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‘On Valencia Street: Poems & Ephemera’ by Jack Micheline: A Return to San Francisco’s Core

“The art world is so fucking boring it could make your heart cry,” writes the late Jack Micheline in On Valencia Street: Poems & Ephemera (133 pages; Lithic Press; edited by Tate Swindell), and it’s a phrase that neatly captures the vibrancy of Micheline’s gut-wrenching artistic project. On Valencia Street contains an array of unpublished work by the honorary Beat (Micheline purportedly derided the label of “Beat poet” as a “product of media hustle), as well as varying pieces of memorabilia, including drawings of a Basquiat-Johnston lovechild, posters for live readings, and nearly illegible notes written on napkins. Micheline’s aesthetic …Continue reading

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‘We, the Survivors’ by Tash Aw: A Grim Portrait of Life Under Late Capitalism

The latest novel by Man Booker long-listed author Tash Aw offers a grim portrait of contemporary Asia under late capitalism. We, the Survivors (336 pages; FSG) traces the life of Ah Hock, a Malaysian-born citizen of Chinese heritage living a quiet life of solitude on the other side of a murder sentence. Ah Hock relays his story to a young journalist looking to shed light on the circumstances that led to Ah Hock’s violent crime, a crime he himself doesn’t quite understand. The murder is ultimately connected to Ah Hock’s former career as second-in-command at a local fish farm, as …Continue reading

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In the Winter Issue

In this issue: New writing from the East Bay to San Francisco, from the North Bay to the Peninsula Fiction “This Is Why We Can’t Have Nasty Things” by Charlie Jane Anders: “San Francisco used to have a million pockets and folds in her long flowery skirts, where the strange and barely loved could create their own reality. But lately, not so much.” “Andi Taylor vs. Artemis Victor” by Rita Bullwinkel: “The fact of the two girls’ bodies was not lost on Artemis Victor or Andi Taylor or on any of the young women in the Daughters of America tournament. …Continue reading

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‘In the Dream House’ by Carmen Maria Machado: No Mere Confessional

Carmen Maria Machado’s new book, In the Dream House (264 pages; Graywolf Press), begins with a statement of intention. Machado, the author of the acclaimed story collection Her Body and Other Parties, tells us she has written a memoir to add her story of queer domestic violence to the catalog of contemporary literature: “I enter into the archive that domestic abuse between partners who share a gender identity is both possible and not uncommon,” she writes, “and that it can look something like this.” Depictions of intimate partner violence between women have been largely left out of our collective culture, …Continue reading

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‘The Promise’ by Silvina Ocampo: Remembering How to Die

In The Promise (120 pages; City Lights Publishers; translated by Suzanne Jill Levine and Jessica Powell) the nameless narrator, after falling over the handrail of a transport ship, recollects her life in a disparate series of largely character-based vignettes as she waits to drown or be rescued at sea. As she comes to in the ocean, she promises Saint Rita that in exchange for her life she will commit to publishing a book documenting a “dictionary of memories that are at times shameful, even humiliating.” And so the lone novel by the prolific Argentine author Silvina Ocampo (1903-1993) becomes a …Continue reading

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Q&A with Heather Christle: ‘The Crying Book’ and a Nourishment from Sharing

Over the course of The Crying Book (208 pages; Catapult Press), Heather Christle examines the phenomenon of crying from every possible angle: social, cultural, biological, and historical. She asks the tough questions, ones that science still can’t answer: Why do we cry? And what does it mean to cry? Christle’s inquiry is rigorously researched, but it is also deeply personal. While she was writing The Crying Book, she was doing a lot of crying herself, grappling with depression, mourning the passing of a dear friend, and preparing to become a mother. The scope of The Crying Book is surprisingly vast—we …Continue reading

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