ZYZZYVA EventsJanuary 9, 2020
Joan Didion: The 1960s & '70s: A Conversation
Time: 6:30 pm
– 7:30 pm
Location: The Mechanics' Institute, 57 Post Street, San Francisco
Description: ZYZZYVA Contributing Editor David L. Ulin will be in conversation with Managing Editor Oscar Villalon about Didion and the first volume of her work published by the Library of America and edited by Ulin. For more info: https://bit.ly/33kqu47January 14, 2020
Bay Area Issue Celebration
Time: 7:00 pm
– 8:00 pm
Location: City Lights Bookstore, 261 Columbus Ave., San Francisco.
Description: Featuring Ingrid Rojas Contreras, Kevin Simmonds, Rita Bullwinkel, Chia-Chia Lin, Meg Hurtado Bloom, and Paul Wilner. Free. More info here: https://bit.ly/2pOClJNJanuary 24, 2020
Bay Area Issue Celebration, East Bay
Time: 6:00 pm
– 7:00 pm
Location: East Bay Booksellers, 5433 College Ave., Oakland
Description: Featuring Matthew Zapruder, Lydia Conklin, Nina Schulyer, sam sax, Andrew Roe, and Sara Mumolo. Free.February 6, 2020
Bay Area Issue Celebration
Time: 6:00 pm
– 7:00 pm
Location: Mechanics' Institute, 57 Post Street, San Francisco
Description: Featuring Luiza Flynn-Goodlett, Michael Sears, Gloria Frym, and W.S. Di Piero. Free.
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Monthly Archives: July 2018
In Bernardo Atxaga’s autobiographical novel Nevada Days (352 pages; Graywolf Press), the gaudy emptiness of the Biggest Little City stands as an insufficient guard against the encroaching desolation surrounding it. Upon arriving in Reno, the acclaimed Basque author is struck by the suffocating silence of the place. Often enough, Reno appears just as much a ghost town as the actual ones Atxaga visits. To use the Daniel Sada metaphor he frequently invokes, the city appears as a stage-set version of the desert and, by extension, reality. Nevada Days (which was first published in 2013, but now sees an English translation …Continue reading
Published earlier this year to respectful notices, Zachary Lazar’s painstakingly crafted novel Vengeance (272 pages; Catapult) takes on the complicated issues of race, the socially constructed questions of guilt or innocence in late stage capitalism, cultural appropriation and redemption. “What ‘Vengeance’ really attempts to unravel is the problem of injustice, although it is not a protest novel,’’ Katy Waldman noted in The New Yorker. Prison reform has been in the air—just ask Kim Kardashian—but news cycles come and go. Regardless, Vengeance merits a more sustained look. The novel was inspired by the author’s visit to Angola, a Louisiana State Penitentiary (and former …Continue reading
Strawberry Fields (Fence Books; 224 pages), the breathtaking new novel from Hilary Plum, and winner of the Fence Modern Prize in Prose, opens with what might be the common denominator in humanitarian crises around the world: a nameless American at a refugee camp in a nameless country. “The children’s suffering has been unimaginable,” the American begins—as if we did not already know this. But soon, one of the children is telling the gathered reporters and NGO representatives at the camp what he learned in school: the towns of his country, the names of its leaders, even the locations of rebel …Continue reading
Since the summer is a time especially suited for travel, we’ve put together a collection of the ZYZZYVA team’s favorite works centered on the subject. Ranging from books thematically concerned with journey to ones that are simply perfect for reading in transit, we hope these picks will transport you––from an armchair at home or from one exciting locale to another. Caleigh Stephens, Intern: A word of advice to those embarking on road trips or other travels this summer—give a second thought before hurtling down that seemingly abandoned dirt path in rural Georgia at the behest of a grandmother’s nostalgia. However, don’t hesitate to pay a visit to the …Continue reading
guns and roses, money, honey, what’s the point. raise, hold, stay, fold, left out standing in the cold. If I had a thought, I’d tell you, bow my head if there’s a prayer. no such luck, no such mercy i am waiting, I am old. give us this day our daily bread, maybe we’ll feed it to the dead. Paul Wilner’s work has appeared in The Paris Review, the San Francisco Chronicle, and elsewhere. You can read more of his writing in ZYZZYVA No. 106 and No. 109.
The Japanese word “Irrashaimasse” is an honorific expression used most often as a stock welcome in places of business. The spirit of the word is reflected throughout award-winning author Sayaka Murata’s novel Convenience Store Woman (translated by Ginny Tapley Takemori; 176 pages; Grove Press), which invites readers to re-examine contemporary society’s absurdities through the idiosyncratic worldview of its narrator, 36-year-old Keiko Furukura. Murata perfectly portrays this unconventional woman who has been leading a stagnant life working at the Hiiromachi Station Smile Mart since its opening 18 years ago. In the meantime, her friends are getting married and having children. Furukura …Continue reading
Published in a year defined by women’s activism, Rupert Thomson’s new novel, Never Anyone But You (368 pages; Other Press), succeeds in reimagining the lives of two of the most intriguing, elusive, and under-appreciated figures of the Parisian Surrealist movement, Claude Cahun and Marcel Moore. As lovers, anti-fascist activists, and even step-sisters, the two were an inseparable creative force during their more than forty years of partnership. Originally born Lucy Schwob (Cahun) and Suzanne Malherbe (Moore), the pair hailed from two affluent and, well educated families that encouraged their artistic pursuits; introduced as teenagers in 1909, they began an artistic …Continue reading
This Independence Day week, champion vision and perseverance with a subscription to ZYZZYVA—one of the nation’s few independent literary journals. Your subscription will include a FREE copy (a $15 value) of our acclaimed Art & Resistance Issue (No. 111), featuring essays, poetry, and stories by T.J. Stiles, Dana Johnson, Robin Romm, Victoria Chang, Krys Lee, Dorthe Nors, Dean Rader,Ruth Madievsky, Jenny Xie, David Hernandez, and many more. (A subscription starts with our current issue, Spring/Summer, which will be delivered to you with the Art & Resistance Issue.) Subscribe before July 9th, and see for yourself why ZYZZYVA is so widely enjoyed. And have a Happy Fourth of July!