The Immense Presence of the Mist: Q&A with ‘The Red Arrow’ author William Brewer

by Kristen Iskandrian

It’s probably fitting that I thought often of Keats while reading William Brewer’s The Red Arrow (Knopf; 272 pages), specifically, the odes, all of which seek to create vessels into which the unknowable and unnamable—the “alien corn” of existence—can be contained. Brewer is a poet, after all, whose brilliant collection I Know Your Kind, about

Subscribers only: to access this content, you must be a member of ZYZZYVA Studio. Membership is included with any subscription. Subscribe today, or if you are already a subscriber, log in to continue reading. (Read our FAQ for more details, and contact us if you have any trouble logging in.)

[…]

Continue Reading

Spotlight on Issue 120: Q&A with William Brewer

by Chris Carosi

As a poet originally from a former steel-town outside of Pittsburgh, I have a thirst for stories and writers coming out of the area, especially Appalachia and what is known, by turns accurately and inaccurately, as the “Rust Belt.” I am most interested in the writers from this part of the country that have been writing essential books that highlight the personal experiences of working-class communities. I’m thinking of presses like Belt Publishing and West Virginia University Press, not to mention the dozens of books from other small and university presses that seek to give writers from these areas platforms […]

Continue Reading

National Poetry Month: A Q&A with ‘I Know Your Kind’ author William Brewer

by

It’s rare that any book of poems, not to mention a first book, is as powerful as I Know Your Kind (96 pages; Milkweed) by William Brewer. This book, rooted in the physical and spiritual landscape of West Virginia, tackles the opioid epidemic in verse. Focusing on the small town of Oceana (nicknamed Oxyana for the record number of overdoses there), Oceana acts as a stand-in for West Virginia as a whole, which has the highest OD rate in the country. The book is at once dreamlike and visceral, and the images in it draw on the beauty and pain […]

Continue Reading