Tag Archives: Texas

Last Man in the West: ‘A Texas Trilogy’ by Larry McMurtry

I once talked to Larry McMurtry on the telephone. I was doing a piece for the Los Angeles Herald Examiner, pegged to Terms of Endearment, on why his works were so compulsively suitable for adaptation to the big (and little) screen – this was after Hud and The Last Picture Show, but before Lonesome Dove or Brokeback Mountain. I was getting nowhere trying to reach him, until a friend tipped me off that he was staying at the Beverly Wilshire with his son, on a stopover before a skiing trip. When I got connected to McMurtry’s room, and explained what …Continue reading

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‘Revision’ by Mar Colón-Margolies, ZYZZYVA No. 108, Winter Issue

openroadintexasMar Colón-Margolies is a former editor at Nation Books. Her reporting has appeared in The Nation, the Columbia Journalism Review online, and on Rhode Island Public Radio. Her story “Revision” appears in the new issue of ZYZZYVA.

Set in Texas, “Revision” is the tale of a journalist on assignment writing about that state’s draconian abortion laws. In the course of his work he faces questions of professional and even personal ethics as he re-connects with a past love. The following is an excerpt, but you can read the story in its entirety by getting a copy here. (Also, Mar Colón-Margolies will be reading from her work at ZYZZYVA’s Winter Issue Launch at Greenlight Bookstore on January 12.)

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The West as ‘Lonely, Heartbreaking, Scary, Sacred’: Q&A with Rubén Martínez

In her 1985 book, Desert Passages: Encounters with the American Deserts, historian Patricia Nelson Limerick pondered the reactions to the desert from people such as Mark Twain, explorer and surveyor John C. Frémont, irrigation promoter William Ellsworth Smythe, and art historian John Van Dyke. In her introduction she writes, “While the actual landscape is of considerable importance in this story, the intellectual focus rests on the different appearance and meaning available to different viewers.” That passage could describe the running theme of Rubén Martínez’s riveting new book, Desert America: Boom and Bust in the New Old West (Metropolitan Books). “The …Continue reading

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A Little Bit of Fun Before He Died

Dagoberto Gilb is the author of six books, most recently the story collection Before the End, After the Beginning (Grove). The recipient of many awards and fellowships, he is the executive director of Centro Victoria: Center for Mexican American Literature and Culture.

Gilb’s literary essay, “A Little Bit of Fun Before He Died,” which appears in ZYZZYVA’s Fall issue, is both a meditation on his relationship with the late writer Bill Ripley (“my first fiction-writer role model”) and on the vagaries of life—the writing life, in particular. Ripley gained some renown because of the Sheryl Crow song “All I Wanna Do,” which was based on a poem about him. The essay examines Ripley’s intoxicated misadventures even as it details Gilb’s understanding of himself as a writer, one who doesn’t come from a world of privilege and its received notions of what the writing life is. “I knew nothing about creative writing,” he states early on. “What I knew of the contemporary writing business came out of a used copy of Writer’s Market.”

The following is an excerpt from “A Little Bit of Fun Before He Died.”

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