ZYZZYVA EventsOctober 18, 2018
Word for Word: Octavio Solis
Location: 7 p.m., Elbo Room, 647 Valencia St., San Francisco
Description: Word for Word Performing Arts Company stages an excerpt from Solis's book of fiction, "Retablos," followed by an interview of Solis and director Sheila Balter with Managing Editor Oscar Villalon. Co-presented by Litquake and City Lights Bookstore and Booksellers. For ticket info: http://sched.co/FQRmNovember 3, 2018
ZYZZYVA Creative Nonfiction Workshop with Caille Millner
Location: Mechanics's Institute Building and ZYZZYVA Offices, 57 Post St., San Francisco
Description: A one-day intensive workshop with Millner, author of the memoir "The Golden Road: Notes on My Gentrification" and a columnist at the San Francisco Chronicle. Applications are closed.November 6, 2018
Election Night with ZYZZYVA
Location: 6:30 p.m., City Lights Bookstore, 261 Columbus Ave., San Francisco
Description: Follow the election results from across California and the country, and enjoy short readings through the night by Nestor Gomez, Matthew Zapruder, Caille Millner, Dean Rader, Ismail Muhammad, Vanessa Hua, and D.A. Powell. Hosted by Managing Editor Oscar Villalon. For more info: https://bit.ly/2CRQXhe
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Tag Archives: story
Originally from south New Jersey, Earle McCartney is a San Francisco writer. The recipient of the Joseph Henry Jackson Award in 2013, his stories “Sawmill” and “Rhizomes” appeared in ZYZZYVA Issues No. 96 and No. 101, respectively. His newest story, “Artificial Islands,” can be found in the Fall issue.
As with McCartney’s last two stories in ZYZZYVA, “Artificial Islands” beautifully captures people in close relationship to the natural world—in this case, it’s the ocean, as an adolescent girl goes fishing for sharks with her older brother, her father, and a family friend. The following is an excerpt from the story. You can read in its entirety by getting a copy here. (Note: Earle McCartney will be part of the lineup for our ZYZZYVA Fall All-Stars event at Litcrawl.)
Fatima Bhutto is the author of several books, including the memoir Songs of Blood and Sword (Nation Books) and the novel The Shadow of the Crescent Moon (Penguin Press). Her work has also appeared in the New Statesmen, the Daily Beast, the Guardian, and other publications. She lives in Karachi, Pakistan.
Her story “Kabul” appears in the Fall issue. The tale of Sheryar, a feckless young man, and Soraya, his pregnant—and even younger—lover, Bhutto’s story casts a cold (though not unsympathetic) eye on people trapped by circumstances seemingly beyond their power to change. The following is an excerpt from her story, but it can be read in full in our Fall issue, which you can order here.
Adrienne Celt’s first novel, The Daughters (W.W. Norton/Liveright), won the 2015 PEN Southwest Book Award and was named a Best Book of the Year by NPR. Her writing has been recognized by the PEN/O. Henry Prize, and her fiction has appeared in Esquire, The Kenyon Review, Epoch, Prairie Schooner, and Ecotone, among other places. She also publishes a webcomic at loveamongthelampreys.com.
Her work of fiction, “Big Boss Bitch,” which she describes as “my horror story about the first female president,” appears in the Winter issue. The “horror,” by the way, isn’t in the fact of having a female president, but what happens to said female president. The following is an excerpt, but if you’d like to read Celt’s story in its entirety, you can get a copy here.
Ann Cummins is the author of the story collection Red Ant House (2003) and the novel Yellowcake (2007). A former Lannan fellow, her work has been published in The New Yorker and McSweeney’s and in Best American Short Stories 2002.
Her story “Divination” is set in the Southwest region in which Cummins was born, but takes place in a distant era, one that places the narrative in the category we would call a Western (and as anybody who has read Stegner, Cather, McCarthy, or Oakley Hall knows, what a wide and rich category it is). A story about the uncompromising realities of family and laboring from the land, “Divination” is another welcome example of Cummins artistry. The following is an excerpt from her story. It can be read in its entirety in Issue No. 107, which you can order here.
Over the course of a relatively short but extremely productive literary career, Christine Sneed has already achieved a substantial, and enviable, body of work. Her first story collection, 2009’s Portraits of a Few of the People I’ve Made Cry, was awarded the AWP Grace Paley Prize and long listed for the Frank O’Connor International Short Story prize. Both for its attention to detail, and its close, caring, but unsentimental attention to the complicated lives of women (and men), Portraits is in Paley’s spirit at the same time as it honors the tradition of what O’Connor called “the lonely voice’’ that …Continue reading
Etan Nechin is an Israeli-born writer currently living in New York. His work has appeared in such publications as Gravel Magazine, MonkeyBicycle, Entropy, and the Huffington Post, and several other publications in Hebrew. “Stealth” marks his First Time in Print for fiction in English.
Set at the beginning of the Persian Gulf War of the early ’90s, “Stealth” is narrated by a school boy living among a community of artists in Israel. Amid the gas masks, safety drills at school, and trading of U.S. military-themed bubble gum cards, there’s the everyday (and comic) life of a child trying to make sense of the world and his place in it. The following is an excerpt of “Stealth.” You can read the story in its entirety in Issue No. 106, which you can order here.
Ariel Dorfman is the acclaimed novelist, playwright and author of Death and the Maiden. His writing frequently appears in The New York Times, The Guardian, and The New Republic, as well as numerous other magazines internationally. He is a professor of literature and Latin American Studies at Duke University, and his most recent book is the memoir Feeding on Dreams: Confessions of an Unrepentant Exile.
In his story “Amboise,” Dorfman gives us Lucy and Leo, a couple visiting France, on their way from Paris to see Chenonceau. As they deal with the various hiccups keeping them from getting to their destination, Leo’s determination to see the famous castle before the day is through is fueled by a single thought: “Tomorrow I wouldn’t be alive.” Leo, whose health has been failing, is resolute on killing himself before then. The following is an excerpt of Dorfman’s story. You can read it in its entirety in Issue No. 106, which you can order here.
Ron Carlson is the author of several books of fiction, including Return to Oakpine (Viking) and The Signal (Penguin). He is the director of the MFA Program in Fiction at the University of California at Irvine. His fiction appeared in ZYZZYVA Issues No. 96 and No. 100.
His latest story for ZYZZYVA, “Who Will Help the Queen of the Rodeo?,” savors that time when families have just begun: the children are still children, the time spent together is uncomplicated, and the goodness of the world is palpable—even if we can’t help but know that this idyll is fleeting. Set at the beginning of a summer vacation, reading Carlson’s story now is apt. But it’s the story’s tenderness that makes it a particularly welcoming world in which to enter. The following is an excerpt of Carlson’s story. You can read it in its entirety in Issue No. 106, which you can order here.
An internal refugee crisis in the United States; a modern America that tolerates decades-old, interfamilial vendettas; a city that keeps burning down year after year—these are the kinds of warped worlds captured in Katie Chase’s story collection, Man & Wife (220 pages; A Strange Object). Within these surrealities, Chase exaggerates societal traditions into distended proportions, focusing on the experiences of women at pivotal moments in their youth, examining their family dynamics, and, concurrently, their strange societies’ shifting norms. What’s even more unsettling is how eerily similar these worlds (and all the dramas that exist within them) are to our own. …Continue reading
In the aftermath of Greece’s 2010 debt crisis, amid the hardship in his country, Christos Ikonomou wrote Something Will Happen, You’ll See (Archipelago Books, 250 pages, translated by Karen Emmerich). A recipient of some of Greece’s highest literary honors, as well as praise from across Europe, Ikonomou’s collection of interconnected stories focuses on people with barely a hope for attaining something better than what they’ve been given: a son stays up all night to watch the streets so his neighbors can get some sleep; a group of elderly industrial workers, recently laid off, huddle around an oil-drum fire outside the …Continue reading