“Family,” “Love,” and “Time and Space” comprise the three sections of Xuan Juliana Wang’s first story collection, Home Remedies (204 pages; Hogarth). These categories describe this book better than much else could: Wang conjures an incredibly wide range of characters and plotlines, all tied together through notions of familial bonds, love, and temporality. There are no broad strokes or homogenizing glances in Wang’s work. These stories, concerned with Chinese young people and their engagements with culture, curiosity, and identity are complicated and specific, personal and detailed, messy and absurd. Each story Wang creates is so perfectly and wholly its own […]
Tag: story collection
‘Diary of a Murderer’ by Young-ha Kim: Offbeat and Darkly Rewarding
by Zack Ravas
With a title like Diary of a Murderer (200 pages; Mariner; translated by Krys Lee), the latest English release of Young-ha Kim’s work might attract some strange looks while you’re holding it on the subway. But it’s a feeling more adventurous readers will be used to by now, and this story collection boasts precisely the kind of offbeat and darkly rewarding fiction that should appeal to such readers. An award-winning author in his native Korea, Young-ha Kim has already seen several of his novels translated into English, though Diary of a Murderer is his first story collection to be published […]
‘Floyd Harbor’ by Joel Mowdy: Harbor Lights, Suburban Sights, and Mean Streets
by Paul Wilner
The inhabitants of Joel Mowdy’s Long Island spend their days and nights far from the affluent Hamptons, let alone Fitzgerald’s East Egg. Floyd Harbor (256 pages; Catapult Press), Mowdy’s debut collection of twelve interlinked stories, pays pitiless homage to youths trapped in dead-end jobs, killing time with video games and petty crime, blotting out the boredom with cheap liquor and designer drugs. Oh yeah, it’s not really a “harbor,’’ as the narrator of a story titled “Stacked Mattresses’’ explains. “There were all kinds of cars in the diner parking lot. From this vantage point, I also had a view of […]
‘Instructions for a Funeral’ by David Means: A Location of Deeper Grace
by Arianna Casabonne
David Means’ latest collection, Instructions for a Funeral (208 pages; FSG), further secures his position as a standout writer of short fiction. Featuring Means’ customary idiosyncratic style, with sentences that span halfway down the page—or more—the book’s prose takes you on a trek, one that demands complete attention from the reader, but repays that attention. Through his dense, carefully crafted sentences, Means transports us through time and place, interweaving action with his characters’ inner ruminations and flashbacks, and in the process touching on the most tender and enigmatic parts of existence. In a section titled “Confessions,” the author discusses what […]
‘Mothers’ by Chris Power: The Fragility of Connection
by Zack Ravas
The characters in Mothers (287 pages; FSG), the debut story collection by London writer Chris Power, occupy tenuous positions in their personal lives. Many of the ten stories here hone in on the bitter resentments and petty debates that arise when a romantic relationship has barely formed or, alternately, reached its breaking point. In “The Crossing,” protagonist Ann comes to regret her backpacking weekend with recent lover Jim: Several times, in the weeks since she had met him, Ana had thought Jim was telling her what she had wanted to hear. Even before she agreed to this weekend away the […]
‘Rag’ by Maryse Meijer: Refusing to Flinch
by Katie O'Neill
In Maryse Meijer’s new collection, Rag (144 pages; FSG), the final and eponymous story is written from the point of view of a rag stuffed down a woman’s throat, slowly killing her. Reading Rag feels a bit like this, as the fourteen unsettling stories leave you gasping for air. With terse, dark prose, Meijer has created a cohesive set of stories which seem to delight in exploring taboos and destroying expectations. These stories are unsettlingly honest, with the most twisted inner thoughts of each principal character laid bare for the reader. Rag is at its strongest when delving into the […]
Burn It All Down: ‘Days of Awe’ by A.M. Homes
by Zack Ravas
A.M. Homes first made her mark on the literary scene with 1990’s The Safety of Objects, a dark and dynamic collection that established her as one of our foremost chroniclers of suburban dysfunction. Even more astonishing was the fact that Homes wrote most of the stories while still in graduate school. A movie adaptation followed in 2001, but its tacked-on ending—featuring the book’s assortment of characters all grinning warmly for the camera at a backyard barbecue—felt disingenuous. Homes’s stories are rarely the kind where troubles can be resolved with group therapy sessions or summer cookouts; her method is much closer […]
No Escaping the Entanglements: ‘Certain American States’ by Catherine Lacey
by Caleigh Stephens
A self-described “not-widow” brings a newlywed couple to the grave of her ex-husband; a cartoonist with a massive trust fund tries to teach law students to watercolor as his marriage falls apart; a recent divorcee obsesses over whether his ex-wife’s latest fiction is about him. The characters in acclaimed novelist Catherine Lacey’s debut story collection, Certain American States (208 pages; FSG), grapple with grief and their own loneliness. The collection is a deep dive into the human psyche, focusing on a memorable and flawed cast of narrators and their connections to others. There’s an emotional richness to these stories as […]
The Wilds of Embarrassment: Q&A with ‘For Single Mothers Working as Train Conductors’ author Laura Esther Wolfson
by Angela Yin
Laura Esther Wolfson’s debut memoir is eye-catchingly titled For Single Mothers Working as Train Conductors (176 pages; University of Iowa Press). Wolfson is a translator, not a train conductor, yet both professions lend themselves to traveling across borders while maintaining a certain distance—throughout the collection of short stories, Wolfson moves between countries, from the USA to France to Georgia; between languages, from Russian to French to Yiddish; and between her own story and the stories of others. Wolfson’s crossings are propelled and connected by a variety of forces, including her love for her two ex-husbands, her research into her previously […]
Breaking the Cycle: ‘Fight No More: Stories’ by Lydia Millet
by Angela Yin
In “Libertines,” the opening story of Lydia Millet’s Fight No More: Stories (211 pages; W. W. Norton), the reader is introduced to a paranoid real estate agent, who becomes convinced that a prospective buyer is an African dictator. At one point, this supposed dictator (who is, in fact, a musician) randomly attempts to commit suicide by falling into the property’s pool. So yes—it’s an intriguing, albeit slightly discombobulating start for Millet’s first story collection since Love in Infant Monkeys, which was a finalist for the Pulitzer Prize This sense of the bizarre and frequently surreal pervades the entire book: in […]
Heart Pangs: ‘Night Beast and Other Stories’ by Ruth Joffre
by Angela Yin
“I think part of me has always believed love should be like this — painful and hidden, only making itself known when you least expect it and are unprepared for the damage it can do,” confesses Gemma in the titular story of Ruth Joffre’s Night Beast and Other Stories (190 pages; Grove Press). Many of the characters in this collection share Gemma’s belief, which is perhaps why they ultimately resign themselves to finding comfort in a lack of fulfillment, to being abandoned, to having their affections go unreciprocated — after all, love not only must be, but should be like […]
This Shifting Web: ‘Stream System and ‘Border Districts’ by Gerald Murnane
by Andrew Hungate
“The writers of the present century have lost respect for the invisible,” says one of the narrators of Stream System: The Collected Short Fiction of Gerald Murnane (560 pages; FSG). “They have tried to describe what they had better have left unreported.” Perhaps we are fortunate, then, that Gerald Murnane has not lost this connection, for his writing is unlike anything being published today. It could be the way Murnane works his prose, filling it with repetitions and pulling out commas so the syntax shines like glass; or it could be something about all these nameless men and boys walking […]