Righteous Passion: S.F. Ballet’s Program 3 — ‘Trio,’ ‘Animaux,’ and ‘da Rimini’

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Helgi Tomasson, the San Francisco Ballet’s artistic director and principal choreographer, combined elements of modern and classical ballet to create “Trio,” set to Tchaikovsky’s Souvenir de Florence. While much of the ballet recalls the aggrandized ballroom prancing one sees so often, softened arm positions and unusual footwork modernized the movements. The women’s richly autumnal-colored dresses, though shaped like a slightly less stiff version of the lampshade skirt (ballet’s frumpiest costume), were slit to the hip, and allowed a leg to swing out in many steps and kept the piece from looking as primly traditional as it might have otherwise. But […]

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How Do You Dance ‘Honor’?: SF Ballet’s ‘Onegin’ by John Cranko

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Often, the thing we love about the work of a great author is the ability to describe a moment, an emotion, some nuance of experience, in such a way that it is immediately recognizable to us, however foreign to our experience it actually is. We feel they somehow rummaged around in our mind and conveyed our lives back to us with different plots and more elegant language. The months after I graduated from college and was struggling to find work, feeling like I was both fabulous and doomed to uselessness, was probably the worst time to read The House of […]

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