ZYZZYVA Events
- May 17, 2013
ZYZZYVA Spring Release at Diesel
Location: 7 p.m., Diesel Bookstore, 5433 College Ave., Oakland
Description: Come celebrate the release of Issue No. 97 with readings from contributors Molly Giles, Marianna Cherry, Alexandra Teague, & Aaron Jae-Ho Shin. Editors Laura Cogan & Oscar Villalon host. Free. For more info, visit http://bit.ly/15REYYI
- May 22, 2013
Luis Negron in Conversation with Oscar Villalon
Location: 7 p.m., City Lights Bookstore, 261 Columbus Ave., San Francisco
Description: Negron, an acclaimed Puerto Rican journalist, editor, and writer, will discuss his debut story collection, "Mundo Cruel" (Seven Stories), with ZYZZYVA's managing editor. Free. For more info, visit http://bit.ly/1449E5v
- June 13, 2013
National Book Critics Circle Mixer at ZYZZYVA
Location: 6 p.m., ZYZZYVA, 466 Geary St., Suite 401, San Francisco
Description: Celebrate the summer with an informal mixer hosted by the NBCC and ZYZZYVA editors Laura Cogan and Oscar Villalon. Free to NBCC members and those interested in learning more about the organization.
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Tag Archives: San Francisco
The Mind Is a Dangerous Country: ‘The Chairs’ at the Cutting Ball Theater
I heard somewhere that it’s easier to dream lucidly as a couple. If, before going to sleep, you turn to your lover and say, “Darling, tonight let’s dream of boats,” and then you both go to sleep, the odds are much greater that you will both dream of boats. The Cutting Ball Theater’s production of Eugene Ionesco’s The Chairs (a new translation by Rob Melrose, directed by Annie Elias) is the story of a superannuated couple who create a new reality together as they fight off the tedium and irrelevance of old age. They live in a crumbling apartment building …Continue reading
Documenting Life Amid the ‘Dragon’s Jaws’: Q&A with Thomas Alleman
From 1985 to 1988, photographer Thomas Alleman worked in a jimmy-rigged laundryroom-cum-darkroom to document the life, passion, and spirit of one of the most prominent and historic gay neighborhoods in the world—San Francisco’s Castro District—in the face of AIDS. His latest show, “Dancing in the Dragon’s Jaws: Gay San Francisco, 1985-1988,” runs at the Jewett Gallery in the San Francisco Main Library from December 1 though February 10. His photographs—stirring, necessary, and often deeply joyous—depict a brave set of San Franciscans propelled by a spirit that was unable to “be extinguished by something as dispassionate as a plague.” We spoke …Continue reading
Rural Doesn’t Equal Empty: Lisa M. Hamilton’s ‘I See Beauty in This Life’
I See Beauty In This Life, photographer Lisa M. Hamilton’s exhibition of her own work as well as images she pulled from the California Historical Society’s vast archives, attempts something seemingly impossible: in Hamilton’s words, to “cover a history dating from 2012 all the way back to a time when California was essentially nothing but rural” in about 150 pictures. This presents a gargantuan curatorial challenge. How do you address California’s geographical vastness, the scope of its industries, and the numerous complexities of its rural labor history? “Rural” is different than “empty,” and the exhibition’s images nearly all emphasize the …Continue reading
A Program for Fulfillment: Scott Hutchins’s ‘A Working Theory of Love’
Scott Hutchins’s first novel, A Working Theory of Love (The Penguin Press, 328 pages), is a refreshing exploration of how the many relationships every person has can shape who we are. It is a reflection on failure, fear, grief, hope, and, of course, love. Lovers, friends, family, coworkers, and even the city in which one lives: Hutchins demonstrates what these connections can mean in our search for fulfillment. Neill Bassett Jr., a San Franciscan divorcee, is trapped in “the doldrums of physical isolation,” stuck in a dull cycle of unsatisfying bachelor routines and a Silicon Valley job. He works at …Continue reading
Bohemian Rhapsody: ‘Jubilee Hitchhiker: The Life and Times of Richard Brautigan’ by William Hjortsberg
To simplify, Jubilee Hitchhiker: The Life and Times of Richard Brautigan (Counterpoint; 880 pages), William Hjortsberg’s massive new biography of the late, once-iconic poet and novelist, can be roughly divided into three parts: BUMMER. Brautigan’s childhood years, growing up poor and alienated in a dysfunctional family in the eternally drizzly Pacific Northwest. Highlights included the poet’s hospitalization—and treatment with electric shock—after throwing a rock into the local police station after a girl he had a crush on rejected him. TRIPPY. Brautigan’s arrival in San Francisco, well ahead of the Summer of Love, whose spirit he briefly seemed to embody, and …Continue reading
Ghosts in the Archive: Five Notes on the Asian Art Museum’s ‘Phantoms’
I. The first thing I see when I enter the Asian Art Museum on opening night of “Phantoms of Asia”—before the scrolls, the photographs, the paintings, and the artifacts—is a sculpture of an upside-down “A” crawling with graffiti. Who’s the artist? I ask a staff member. Everyone, I’m told. The freestanding letter serves as a meeting point for the museums’ thousands of guests, each of whom can add to the piece. Some sign their names, others draw hearts. Dates and initials on white. From a distance, nothing’s legible; all that comes through is the letter itself. BE A CITIZEN OF …Continue reading
The Messiness of Love, Family, and Identity: Q&A with Lysley Tenorio
The people of Lysley Tenorio’s story collection, Monstress (Ecco), are straddlers. Most obviously, they straddle cultures. Filipino immigrants in America pine for their native land or wish, often hopelessly, to assimilate indistinguishably into the culture of their adopted home. Life in the Philippines seems just as conflicted; the West’s exported culture muscles out the endeavors of Filipinos, with the Beatles and Hollywood dominating the collective imagination there just as much as they do here. But Tenorio’s characters also seem to straddle the high and low. He imbues them with profound (but never cheaply sentimental) longings, and with refinement of feeling …Continue reading
Soaring in the Air, Writhing on the Ground: Bad Unkl Sista’s ‘First Breath, Last Breath’
I could tell the performance I was about to witness late last month was extraordinary even before entering the auditorium, just from watching the audience trickle into Z Space in San Francisco. There was a man who had somehow fused his beard with a slinky-like spiral pipe and wrapped it around his neck like a scarf. There were a few women in Betty Page/rockabilly outfits and the attendant shellacked beehive and Winehouse eyeliner. One girl’s hair resembled a Pantone swatch sheet—literally—small squares of dye checkered her shoulder-length crop. One man, who we found out later was the set designer for …Continue reading
Studies in Sinister Toys and Figurines: Q&A With Michael Brennan
If you’ve dined at any number of swanky Bay Area establishments, you might have unwittingly enjoyed your meal in a restaurant designed by one of the few people who is as well known and well respected for his fine art as for his commercial work. Michael Brennan has designed the interiors of such San Francisco hotspots as Farallon, Zero Zero, Fleur de Lys, and Bruno’s, and Alameda’s Miss Pearl’s Jam House, as well as Revival in Berkeley. He’s painted murals for many more places, too, including the Cliff House (also in San Francisco). ZYZZYVA’s Winter ’11 issue features images of …Continue reading
The Staying Power of Joan Baez: Marianne Aya Omac at Yoshi’s in San Francisco
As diverse as the music performed in concerts is, so are the appearances of the audiences. James Mollison documented a spectrum of what he calls the “tribes” of attendees in his photography project and book The Disciples, a rough census of personae that converge around the archetypes represented by the musical acts Mollison followed. The grouped images of said disciples invite one to guess, before reading the captions, which performers each had come out for. It’s not hard: men in trucker hats and denim overalls, Merle Haggard. Men holding up sagging jeans by the crotch and women whose skirts barely …Continue reading
Who’s Afraid of the Light?: The Cutting Ball Theater’s ‘Pelleas and Melisande’
The Cutting Ball Theater’s production of Maurice Maeterlinck’s Pelleas and Melisande (translated by director Rob Melrose) exploits a long, narrow, catwalk-style stage (designed by Michael Locher) to set up intense relationships among the characters. In an early scene, Golaud (Derek Fisher), the prince of Allemonde, comes upon Melisande (Caitlyn Louchard) weeping by a spring. Melisande kneels over a small rectangular pool set into the stage floor while Golaud stands far away from her at the opposite end—this relationship, in different permutations, is revisited again and again. Charmed by her beauty and strangeness, Golaud marries Melisande and takes her to live …Continue reading
Embedding the Reader in Places He May Not Want to Be: Q&A with Joshua Mohr
Critics have compared the writing of Joshua Mohr to that of Dostoevsky and Bukowski’s for the imagination with which he depicts grimy people clawing through a downward spiral. Following suit, Joshua Mohr’s third and most recent book, Damascus (Two Dollar Radio, 208 pages), rolls out a sooty cast of compelling characters including a Santa suit-wearing bartender, a memory haunted ex-Marine, a controversial performance artist looking to hit it big, and Shambles, “the patron saint of hand jobs.” They all struggle with emotional scars, addictions, and a litany of pathological neurosis. As in all three of Mohr’s books, what elevates Damascus …Continue reading
