The Mind Is a Dangerous Country: ‘The Chairs’ at the Cutting Ball Theater

by

I heard somewhere that it’s easier to dream lucidly as a couple. If, before going to sleep, you turn to your lover and say, “Darling, tonight let’s dream of boats,” and then you both go to sleep, the odds are much greater that you will both dream of boats. The Cutting Ball Theater’s production of Eugene Ionesco’s The Chairs (a new translation by Rob Melrose, directed by Annie Elias) is the story of a superannuated couple who create a new reality together as they fight off the tedium and irrelevance of old age. They live in a crumbling apartment building […]

Continue Reading

Death and Jealousy: Q&A with Strindberg Translator Paul Walsh

by

On the occasion of the centennial of Swedish writer August Strindberg’s death, San Francisco’s Cutting Ball Theater will be performing all five of Strindberg’s Chamber Plays (Storm, Burned House, The Pelican, The Ghost Sonata, The Black Glove) in repertory from October 12 to November 18. The production will feature new translations of the Chamber Plays by Paul Walsh, professor of Dramaturgy and Dramatic Criticism at the Yale School of Drama. ZYZZYVA talks with Walsh, whose new translations are available from Exit Press, about the Strindberg Cycle and Strindberg’s significance to the arts. ZYZZYVA: How did you become a scholar and […]

Continue Reading