ZYZZYVA EventsApril 29, 2018
Creating Home: On Finding Yourself in Another Culture
Location: 4:30 p.m., The Brower Center, Tamalpais Room, 2150 Allston Way, Berkeley
Description: Bay Area Book Festival panel featuring authors Hernan Diaz (2018 Pulitzer Prize finalist), Rodrigo Hasbún, and Tommy Wieringa, moderated by Managing Editor Oscar Villalon. For more information, https://baybookfest.secure.force.com/ticket/#sections_a0F1N00000ohJDpMay 3, 2018
ZYZZYVA Spring Issue Celebration, San Francisco
Location: 6:30 p.m., Mechanics's Institute Library, Fourth Floor, 57 Post St., San Francisco
Description: Featuring readings by contributors Natalie Serber, Christopher J. Adamson, Greg Sarris, Tom Barbash, and Mackenzie Evan Smith. Emceed by Managing Editor Oscar Villalon. Free for ZYZZYVA readers.May 12, 2018
ZYZZYVA at the Petaluma Arts Center
Location: 7 p.m., Petaluma Arts Center, 230 Lakeville Street, Petaluma
Description: Featuring readings by current and past contributors Tom Barbash, Vanessa Hua, Soma Mei Sheng Frazier, Molly Giles, and Maddy Raskulinecz. For tickets, visit https://petalumaartscenter.org/events/?eid=11045June 15, 2018
Summer Dance Party 2018
Location: 6 p.m., Make-Out Room, 3225 22nd Street, San Francisco.
Description: ZYZZYVA's annual fundraiser, featuring Glen David Gold and Paul Beatty. Dancing, drinks, silent auction, and raffle. Tickets start at $25. For more info: https://www.brownpapertickets.com/event/3379094August 11, 2018
ZYZZYVA Fiction Workshop with Anthony Marra
Location: Mechanics's Institute Building and ZYZZYVA offices, 57 Post Street, San Francisco
Description: A one-day intensive workshop with Marra, award-winning author of "A Constellation of Vital Phenomena" and "The Tsar of Love and Techno." Class size is very limited. Applications are due June 15. For more information, visit https://zyzzyva.submittable.com/submit/111999/fictionAugust 18, 2018
ZYZZYVA Poetry Workshop with Dean Rader
Location: Mechanics's Institute Building and ZYZZYVA Offices, 57 Post St., San Francisco
Description: A one-day intensive workshop with Rader, author of the poetry collections "Self-Portrait as Wikipedia Entry," "Landscape Portrait Figure Form" and "Works & Days." Class size is very limited. Application are due by June 18. For more information, visit https://zyzzyva.submittable.com/submit/106864/poetrySeptember 22, 2018
ZYZZYVA Creative Nonfiction Workshop with Caille Millner
Location: Mechanics's Institute Building and ZYZZYVA Offices, 57 Post St., San Francisco
Description: A one-day intensive workshop with Millner, author of the memoir "The Golden Road: Notes on My Gentrification" and a columnist at the San Francisco Chronicle. Class size is very limited. Applications are due by July 23. For more information, visit https://zyzzyva.submittable.com/submit/106865/creative-non-fiction
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Tag Archives: Poetry
Poet Troy Jollimore hurtled onto bedside tables everywhere when his widely celebrated debut, Tom Thomson in Purgatory, won the National Book Critics Circle Award in 2006. Since then, his tightly wound, exploratory poetry has touched on everything from the the nature of beauty to meeting Charlie Brown in a bar. We are pleased to say Jollimore will be leading ZYZZYVA’s first ever Poetry Workshop. The deadline to submit your work is September 15th. The poet, who has appeared in ZYZZYVA No. 92, 101, and soon in 111, recently took time out of his busy schedule to talk with us about Writing Workshops, living …Continue reading
W.S. Di Piero is the author of several books of poetry and essays. His most recent book, Mickey Rourke and the Bluebird of Happiness: A Poet’s Notebook (Carnegie-Mellon University Press), will be published in the fall.
The following is his poem “Alfonso’s Shadow Gets Away From Him” in its entirety. You can read two other poems from W.S. Di Piero, as well as an interview with him conducted by Andrew David King, by purchasing a copy of 109 here.
In her first collection of poetry, What It Done to Us (66 pages; Lost Horse Press), Essy Stone writes about an early life spent immersed in a Southern culture she deems toxic, where oppression and tradition are rooted in the collective mentality, often at the expense of women and minorities. She describes a landscape that is as suffocating as it is unsettling, where mountains have “heavy hands” and the valleys lie “cursed by generations of sunburned famers.” Her poems address the unstated yet generally understood rule that if you are born in the South you are somehow fated to stay …Continue reading
“My fear is the common one, that her poetry should be lost,’’ Rodney Jones writes in the introduction to Lost Addresses: New and Selected Poems (100 pages; Salmon Poetry), a posthumously released collection by his friend and fellow Southerner, Diann Blakely. “There are ample reasons for a poet to be neglected, temporarily submerged in a trend, or permanently effaced, for poetry is a cold media and the music that the claim of poetry rests on may not always be acknowledged,’’ he adds. “This book is proof against forgetting.” Indeed. Blakely, who died in 2014, had a light that burned brightly, …Continue reading
Somewhere along the way, confessional poetry developed a bad rap. Perhaps it was the result of ubiquity: by 2003, every other turn of the radio dial delivered a soul-baring lyric to one’s ears (“On the way home this car hears my confessions,” went a lyric from a band literally called Dashboard Confessional), and college freshman creative writing classes were inundated with impressionable students expressing their angst through pen and paper. (You may have sat next to one, you may have been one yourself.) These days, mediums such as Facebook, Tumblr, and, well, Medium allow us to broadcast our inner lives …Continue reading
In the introduction to Felicia Zamora’s collection of new and selected poems, Of Form & Gather (62 pages; University of Notre Dame Press), Edwin Torres writes that “A poem’s burden is to live inside its creation, where the organized singularity of its gathering is what brings the reader to the reader’s own voice.” This is an accurate description of how Zamora’s poems work, and what they do to the reader. The book is divided into four sections, titled “circles & circulations,” “that that that; this this this,” “in in; gather gather,” and “To be out of- dually other.” Each section …Continue reading
Whereas (120 pages; Graywolf) is Layli Long Soldier’s first book of poetry, and what an exquisite book it is. Gathered in one volume, Long Soldier’s poems clearly expose the ways language—either English or Lakota/Lakȟótiyapi—is used to create and destroy opposing politics. She does not shy away from political speech in Whereas, and indeed, she can’t—not as long as Native people continue to suffer under continued settler colonialism, or as the various languages and traditions of the thousands of indigenous ethnic groups are continually stomped out yet revitalized in specific Native spaces. Divided into two parts, the book begins with “These …Continue reading
Abdellatif Laâbi is perhaps Morocco’s most well-known poet-activist-writer, and a well-respected Francophone poet as well His personal history—founder of leftist Moroccan/Maghrebi magazine Souffles (Breaths) in 1966, imprisoned for “crimes of opinion” against King Hassan II from 1972 to 1980, and exiled to France since 1985—is staggering on its own, and his writing reflects each stage of his life in haunting and affective ways. This is perhaps what makes In Praise of Defeat (824 pages; Archipelago; translated by Donald Nicholson-Smith) so incredible. The book is a veritable brick—it’s almost intimidating in its scale, refusing to let the reader forget Laabi’s illustrious …Continue reading
Matthew Zapruder is editor-at-large for Wave Books, the poetry editor for The New York Times Magazine, and an associate professor in the MFA program at Saint Mary’s College. Next August, his book Why Poetry? will be published by Ecco. Two of his poems—”Poem for Noguchi” and “Stari Trg”—appear in the new issue of ZYZZYVA, which you can get here.
The following is “Poem for Noguchi” in its entirety. You can hear Zapruder read from his work, along with ZYZZYVA contributors Kathleen Alcott, Scott O’Connor, and Ella Martinsen Gorham, at the Winter Issue Celebration at Diesel in Oakland on Thursday, January 26.
…there is the poem as a unit-like thing, and then there is the poem that pervades existence, which is much more like the wind, and that is the poem everyone senses from time to time, whether they can read or not, whether they ‘care’ about the unit-like thing or not.—Mary Ruefle, from a 2013 interview with Andrew David King in Kenyon Review It’s hard to define a poem these days. But whether you call the short pieces in Mary Ruefle’s new book, My Private Property (128 pages; Wave Books), poetry or prose poems or essays or flash fiction or mediations or whatever, …Continue reading
Kaveh Akbar founded and edits Divedapper. His chapbook, Portrait of the Alcoholic, will be published in January by Sibling Rivalry Press, and his first full-length collection, Calling a Wolf a Wolf, is forthcoming from Alice James Books next fall. He is the recipient of a 2016 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and the Lucille Medwick Memorial Award from the Poetry Society of America.
Three of Akbar’s poems appear in the Winter issue, including this one, “Portrait of the Alcoholic with Relapse Fantasy.” We provide the poem in full, but you can read Akbar’s other poems—”Against Idleness” and “You Came to Feel the Fur But Didn’t Expect the Snout” in Issue No. 107, which you can buy here.
Max Porter’s experimental novel Grief Is the Thing with Feathers (128 pages; Graywolf) follows a father and his two sons as they come to grips with their wife and mother’s sudden death. They do so with the help of an unusual houseguest: Crow, an anthropomorphic projection of the father’s obsession with Ted Hughes’ 1970 poetry collection Crow. Part mythic trickster, part grief counselor, Crow leads the family through an idiosyncratic and irreverent mourning. His air of mischievousness colors the entire novel, lending it a kaleidoscopic tone that renders the mourning process unrecognizable. For Porter, who works as an editor at …Continue reading