Tag Archives: Poetry

ZYZZYVA Interview Series: Matthew Zapruder

Poet, translator, professor, and editor Matthew Zapruder was born in Washington, DC. in 1967. He earned a BA in Russian literature at Amherst College, an MA in Slavic languages and literature at the University of California, Berkeley, and an MFA in poetry at the University of Massachusetts, Amherst, where he studied with Dara Wier, James Tate, and Agha Shahid Ali. Zapruder is the author most recently of Sun Bear (Copper Canyon, 2014) and Why Poetry, a book of prose about poetry (Ecco/Harper Collins, 2017). An Associate Professor in the MFA at Saint Mary’s College of California, he is also editor …Continue reading

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My American Self: Q&A with ‘Human Interest’ author Valerie Bandura

“When the Kardashians talk/at once at each other/I hear an aria/to the first-person pronoun, an icon/as sleek as the four-inch stilettos,” Valerie Bandura writes early in her latest poetry collection, Human Interest (Black Lawrence Press; 75 pages). As a poet, her lens is trained on the America where millions live paycheck-to-paycheck and dream of game-show winnings even as television and our social media peddle visions of unobtainable celebrity. Bandura’s poems are not removed from the daily experience of most people, rather they are our experience, whether we’re wondering in traffic about the life of the driver who proudly displays his “Take the Migrant out of …Continue reading

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Talking Shop: Troy Jollimore on Workshops, Content on Demand, & the Poetic Craft

Poet Troy Jollimore hurtled onto bedside tables everywhere when his widely celebrated debut, Tom Thomson in Purgatory, won the National Book Critics Circle Award in 2006. Since then, his tightly wound, exploratory poetry has touched on everything from the the nature of beauty to meeting Charlie Brown in a bar. We are pleased to say Jollimore will  be leading ZYZZYVA’s first ever Poetry Workshop. The deadline to submit your work is September 15th. The poet, who has appeared in ZYZZYVA No. 92, 101, and soon in 111, recently took time out of his busy schedule to talk with us about Writing Workshops, living …Continue reading

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‘Alfonso’s Shadow Gets Away From Him’ by W.S. Di Piero: ZYZZYVA No. 109, Spring/Summer Issue

Alfonso's Shadow Gets Away From HimW.S. Di Piero is the author of several books of poetry and essays. His most recent book, Mickey Rourke and the Bluebird of Happiness: A Poet’s Notebook (Carnegie-Mellon University Press), will be published in the fall.

The following is his poem “Alfonso’s Shadow Gets Away From Him” in its entirety. You can read two other poems from W.S. Di Piero, as well as an interview with him conducted by Andrew David King, by purchasing a copy of 109 here.

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When Home Isn’t Quite Home: ‘What It Done to Us’ by Essy Stone

In her first collection of poetry, What It Done to Us (66 pages; Lost Horse Press), Essy Stone writes about an early life spent immersed in a Southern culture she deems toxic, where oppression and tradition are rooted in the collective mentality, often at the expense of women and minorities. She describes a landscape that is as suffocating as it is unsettling, where mountains have “heavy hands” and the valleys lie “cursed by generations of sunburned famers.” Her poems address the unstated yet generally understood rule that if you are born in the South you are somehow fated to stay …Continue reading

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Lost Addresses, Found Poems: Collections from Diann Blakely & Hélène Cardona

“My fear is the common one, that her poetry should be lost,’’ Rodney Jones writes in the introduction to Lost Addresses: New and Selected Poems (100 pages; Salmon Poetry), a posthumously released collection by his friend and fellow Southerner, Diann Blakely. “There are ample reasons for a poet to be neglected, temporarily submerged in a trend, or permanently effaced, for poetry is a cold media and the music that the claim of poetry rests on may not always be acknowledged,’’ he adds. “This book is proof against forgetting.” Indeed. Blakely, who died in 2014, had a light that burned brightly, …Continue reading

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Testaments to Our Will to Live: ‘Objects From a Borrowed Confession’ by Julie Carr

Somewhere along the way, confessional poetry developed a bad rap. Perhaps it was the result of ubiquity: by 2003, every other turn of the radio dial delivered a soul-baring lyric to one’s ears (“On the way home this car hears my confessions,” went a lyric from a band literally called Dashboard Confessional), and college freshman creative writing classes were inundated with impressionable students expressing their angst through pen and paper. (You may have sat next to one, you may have been one yourself.) These days, mediums such as Facebook, Tumblr, and, well, Medium allow us to broadcast our inner lives …Continue reading

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Tangles, Erasures, and Connections: ‘Of Form & Gather’ by Felicia Zamora

In the introduction to Felicia Zamora’s collection of new and selected poems, Of Form & Gather (62 pages; University of Notre Dame Press), Edwin Torres writes that “A poem’s burden is to live inside its creation, where the organized singularity of its gathering is what brings the reader to the reader’s own voice.” This is an accurate description of how Zamora’s poems work, and what they do to the reader. The book is divided into four sections, titled “circles & circulations,” “that that that; this this this,” “in in; gather gather,” and “To be out of- dually other.” Each section …Continue reading

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History and Poetry as Unending Things: ‘Whereas’ by Layli Long Soldier

Whereas (120 pages; Graywolf) is Layli Long Soldier’s first book of poetry, and what an exquisite book it is. Gathered in one volume, Long Soldier’s poems clearly expose the ways language—either English or Lakota/Lakȟótiyapi—is used to create and destroy opposing politics. She does not shy away from political speech in Whereas, and indeed, she can’t—not as long as Native people continue to suffer under continued settler colonialism, or as the various languages and traditions of the thousands of indigenous ethnic groups are continually stomped out yet revitalized in specific Native spaces. Divided into two parts, the book begins with “These …Continue reading

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Poems of a Man ‘Robbed of His Country’: ‘In Praise of Defeat’ by Abdellatif Laâbi

Abdellatif Laâbi is perhaps Morocco’s most well-known poet-activist-writer, and a well-respected Francophone poet as well His personal history—founder of leftist Moroccan/Maghrebi magazine Souffles (Breaths) in 1966, imprisoned for “crimes of opinion” against King Hassan II from 1972 to 1980, and exiled to France since 1985—is staggering on its own, and his writing reflects each stage of his life in haunting and affective ways. This is perhaps what makes In Praise of Defeat (824 pages; Archipelago; translated by Donald Nicholson-Smith) so incredible. The book is a veritable brick—it’s almost intimidating in its scale, refusing to let the reader forget Laabi’s illustrious …Continue reading

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‘Poem for Noguchi’ by Matthew Zapruder, ZYZZYVA No. 108, Winter Issue

matthew-zapruderMatthew Zapruder is editor-at-large for Wave Books, the poetry editor for The New York Times Magazine, and an associate professor in the MFA program at Saint Mary’s College. Next August, his book Why Poetry? will be published by Ecco. Two of his poems—”Poem for Noguchi” and “Stari Trg”—appear in the new issue of ZYZZYVA, which you can get here.

The following is “Poem for Noguchi” in its entirety. You can hear Zapruder read from his work, along with ZYZZYVA contributors Kathleen Alcott, Scott O’Connor, and Ella Martinsen Gorham, at the Winter Issue Celebration at Diesel in Oakland on Thursday, January 26.

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Resisting Easy Definition: ‘My Private Property’ by Mary Ruefle

…there is the poem as a unit-like thing, and then there is the poem that pervades existence, which is much more like the wind, and that is the poem everyone senses from time to time, whether they can read or not, whether they ‘care’ about the unit-like thing or not.—Mary Ruefle, from a 2013 interview with Andrew David King in Kenyon Review It’s hard to define a poem these days. But whether you call the short pieces in Mary Ruefle’s new book, My Private Property (128 pages; Wave Books), poetry or prose poems or essays or flash fiction or mediations or whatever, …Continue reading

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