Tag Archives: poem

‘Pack Time’ by Christina Olson: ZYZZYVA No. 111, Winter Issue

Christina Olson is the author, most recently, of the poetry collection Terminal Human Velocity (Stillhouse Press) and Before I Came Home Naked (Ankylosaurus Press). She teaches creative writing at Georgia Southern University. Two of Olson’s poems are featured in ZYZZYVA No. 111. Presented here in its entirety is the poem “Pack Time”: In late May, the men succumbed to winter madness, shaving their heads and posing amid great hilarity while Hurley immortalized the moment with a photograph. —from Endurance: Shackleton’s Legendary Antarctic Expedition Who can blame them—their ship sunk in pack ice. The dark days looping like a tape reel. The sled dogs snoozing away in their dogloos. …Continue reading

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‘Still Life with Cacography’ by Dean Rader: ZYZZYVA No. 111, Winter Issue

  Dean Rader is a professor of English at the University of San Francisco. His most recent poetry collections are “Self-Portrait as Wikipedia Entry” (Copper Canyon Press) and “Suture” (Black Lawrence), written with Simone Muench. You can see him in conversation with other ZYZZYVA contributors tomorrow at East Bay Booksellers. Two of Rader’s poems are featured in ZYZZYVA No. 111. Presented here in its entirety is the poem “Still Life with Cacography”: “If some of those wonderful people had guns strapped right here— right to their waist or right to their ankle—and one of the people in that room happened to have …Continue reading

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‘What If My Mother’ by Victoria Chang: ZYZZYVA No. 111, Winter Issue

Victoria Chang is the author of four books of poems, the most recent being “Barbie Chang,” published by Copper Canyon Press in November. Two of her poems are featured in ZYZZYVA No. 111. Presented here in its entirety is the poem “What If My Mother”:  What if my mother never protested was never pro anything never probed beyond the small yard where the bees lived with their constant buzzing what if my mother matched the bees in their compliant striped dresses minding their own business afraid to wander too far from the work that paid honey afraid to wander too …Continue reading

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Frost Bit

Some say the world will end in fire, Some say Vanilla Ice From what I’ve tasted of desire, I’m thinking of a funeral pyre. But if you had to ask me twice, I’d throw the dice. Bring Kid Rock over for a round or two, Burn one or two or three or four, Look out for lice. Watch the backyard Barbecue glow. Orange in the night. Let’s do it twice.

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‘Alfonso’s Shadow Gets Away From Him’ by W.S. Di Piero: ZYZZYVA No. 109, Spring/Summer Issue

Alfonso's Shadow Gets Away From HimW.S. Di Piero is the author of several books of poetry and essays. His most recent book, Mickey Rourke and the Bluebird of Happiness: A Poet’s Notebook (Carnegie-Mellon University Press), will be published in the fall.

The following is his poem “Alfonso’s Shadow Gets Away From Him” in its entirety. You can read two other poems from W.S. Di Piero, as well as an interview with him conducted by Andrew David King, by purchasing a copy of 109 here.

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Obsessions: Our Solitary Fancy

Who wasn’t obsessed by the Beat Generation in high school? Okay, it was just unbearable punks like me. In Jack Kerouac, I saw a reflection of my ineloquent angst. I used to be able to recite entire paragraphs of On the Road, but I’ve since blocked all of it from my memory. I was particularly interested in Allen Ginsberg because, like me, he was unpretentiously pretentious—or at least we both tried to be. He might allude to a Greek myth in a poem written on acid. A surfer boy reeking of weed, I used polysyllables that made my classmates’ eyes …Continue reading

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Three Poems for Inauguration Day: ‘I Used to Be Much Much Darker’ by Francisco X. Alarcón

On the occasion of Donald Trump’s Inauguration Day, we would like to share with you three poems from our early volumes—poems we believe speak to values that will be very much challenged by the incoming administration.

“I Used to Be Much Much Darker” by Francisco X. Alarcón (who died last January) appeared in ZYZZVA No. 3 (Fall 1985). A playful even jovial poem, it tells, in English and in Spanish, of the speaker’s love of self, of reveling in his “darkness”—something others would deem unworthy of celebration. Indeed, as the speaker plangently notes: “but anyway/ up here ‘dark’/ is only for/ the ashes:/ the stuff lonely nights/ are made of.” Yet it’s the poem’s indefatigable cheerfulness—could we even call it optimism?—that remains with the reader.

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Three Poems for Inauguration Day: ‘Snake’ by Sherman Alexie

On the occasion of Donald Trump’s Inauguration Day, we would like to share with you three poems from our early volumes—poems we believe speak to values that will be very much challenged by the incoming administration.

“Snake” by Sherman Alexie appeared in ZYZZYVA No. 77 (Fall 2006). In the poem, a driver recounts the accidental running over of a bull snake. But what is really being recounted is how the speaker takes responsibility for the creature’s body, and how respecting the dignity of others, and holding oneself to account for actions that affect them, is akin to holiness.

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Three Poems for Inauguration Day: ‘Justice Without Passion’ by Jane Hirshfield

On the occasion of Donald Trump’s Inauguration Day, we would like to share with you three poems from our early volumes—poems we believe speak to values that will be very much challenged by the incoming administration.

“Justice Without Passion” by Jane Hirshfield appeared in ZYZZYVA No. 12 (Winter 1987). In the poem, the speaker observes a friend’s son practicing the piano, noting “he is like a soldier or a saint: blank-faced, and given wholly/ to an obedience he does not need to understand.” Perhaps, the poem suggests, justice rests in understanding when obedience is merited, that justice requires us to be aware if we are only playing “for playing’s sake.”

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‘Poem for Noguchi’ by Matthew Zapruder, ZYZZYVA No. 108, Winter Issue

matthew-zapruderMatthew Zapruder is editor-at-large for Wave Books, the poetry editor for The New York Times Magazine, and an associate professor in the MFA program at Saint Mary’s College. Next August, his book Why Poetry? will be published by Ecco. Two of his poems—”Poem for Noguchi” and “Stari Trg”—appear in the new issue of ZYZZYVA, which you can get here.

The following is “Poem for Noguchi” in its entirety. You can hear Zapruder read from his work, along with ZYZZYVA contributors Kathleen Alcott, Scott O’Connor, and Ella Martinsen Gorham, at the Winter Issue Celebration at Diesel in Oakland on Thursday, January 26.

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‘Hotel Bar’ by Ruth Madievsky, ZYZZYVA No. 106, Spring/Summer

ZYZZYVSpring2016coverRuth Madievsky is the author of the collection Emergency Brake (Tavern Books). She is also a  doctoral student at the University of Southern California’s School of Pharmacy, and a research assistant in an HIV clinic in Los Angeles.

Two of her latest poems appear in Issue No. 106: “Wind” and “Hotel Bar.” (Madievsky has been published in ZYZZYVA before. Her poem “Poem for Spring” appeared in No. 103.) Her work, as described by Maggie Millner in an interview with Madievsky, forces “a dialogue between her romantic and clinical inclinations and suggesting the body’s dangerous propensity for betrayal.” “Hotel Bar” could be seen as an example of that. Here it is in its entirety. You can read that poem and “Wind,” too, in Issue No. 106, which you can order here.

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‘On the Road’ by Samantha Wynne-Rhydderch: ZYZZYVA No. 106, Spring

Samantha Wynne-Rhydderch is the author of the poetry collections “Rockclimbing in Silk” (Seren), “Not in These Shoes” (Picador), and “Banjo” (Picador). In 2014 she held a residency at the Dylan Thomas Boathouse to mark the centenary of the poet’s birth, and she is the recipient of a Hawthornden Fellowship. She lives in Wales.

Two of her poems appear in ZYZZYVA’s Spring/Summer Issue (No. 106), including “On the Road.” An examination of Madame Tusaud and her long-lasting craft of wax figures, “On the Road” isn’t so much intrigued by the Tusaud’s waxworks as it is by how they ever came about. “To make the dead appear living, the living dead//without quite meaning to, is a skill I cannot/ yet take in …,” says the poem’s speaker. What follows is the poem in its entirety.

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