Tag Archives: photography

Creating Tintypes at the Skate Park: Q&A with Photographer Jenny Sampson

Using an anachronistic 4×5 view camera—the kind where the photographer stands draped under a dark cloth—Jenny Sampson has been steadily creating tin-type portraits of skateboarders she encounters at local skate parks, mainly in California, Oregon, and Washington. The resulting portraits are beguilingly fraught with melancholy atmospherics, their distressed tactility an implicit rebuke to the sterile, antiseptic images saturating daily life in a digital age. (Several such tin-types were recently featured in ZYZZYVA No. 111.) Sampson’s practice has allowed her to meaningfully engage with the skaters themselves, and obliquely teach them a bit about her antique photographic technique. (Paradoxically, the process …Continue reading

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Become a Member-Level Donor and Get a Copy of Fred Lyon’s ‘San Francisco Noir’

If you make a Member-level donation of $100 to ZYZZYVA before the end of the year, do we have a nice surprise for you. We’ll send you a copy of acclaimed photographer Fred Lyon’s gorgeous San Francisco Noir, published by Princeton Architectural Press, for free. But we have a limited supply of books, so don’t delay! Just enter SFNOIR in the “Write a note” field on the donation page to receive your copy. All of our Member-level donors also get a complimentary four-issue subscription to ZYZZYVA and have their generosity acknowledged by name in both the journal and on our website. …Continue reading

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Rural Doesn’t Equal Empty: Lisa M. Hamilton’s ‘I See Beauty in This Life’

I See Beauty In This Life, photographer Lisa M. Hamilton’s exhibition of her own work as well as images she pulled from the California Historical Society’s vast archives, attempts something seemingly impossible: in Hamilton’s words, to “cover a history dating from 2012 all the way back to a time when California was essentially nothing but rural” in about 150 pictures. This presents a gargantuan curatorial challenge. How do you address California’s geographical vastness, the scope of its industries, and the numerous complexities of its rural labor history? “Rural” is different than “empty,” and the exhibition’s images nearly all emphasize the …Continue reading

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An Unknown Future: ‘Stand Your Ground, The Sun Is Rising’ at Old Crow

“This is actually the first time that my parents have seen these photos. I didn’t want them to fear for what I was doing.” – Shadi Rahimi In May 2011, freelance photographer and journalist Shadi Rahimi spent two weeks in Cairo. There, through a series of short videos titled Voices of Egypt, the young Iranian-American chronicled the range of Egyptian perspectives surrounding the ongoing uprising. She left the country so creatively and emotionally transfixed that within days of returning home to Oakland she quit her job and worried her family by buying a one-way ticket back into the tumult-ridden capital. …Continue reading

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Day and Night

Twenty-five years or so ago, when I first started coming to Los Angeles on a regular basis, I used to stay with a friend who had a satellite’s eye view poster of the city in his breakfast room. It was then — and remains, I think — a vivid metaphor. Not for the sprawl of Southern California, although you can certainly see it there, but rather for the odd tension of the built environment, which can only push the natural landscape so far. If sprawl is an expression of our attempts to control our surroundings, the satellite photo reveals just …Continue reading

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