Tag Archives: nonfiction

Sisterhood Becomes Powerful: ‘The Only Girl’ by Robin Green

Journalist turned award-winning Sopranos screenwriter Robin Green adds a new credit to her illustrious career with the memoir, The Only Girl: My Life and Times on the Masthead of Rolling Stone (304 pages; Little, Brown and Company). In the book, she recalls how she became “paid, published, and praised” as a writer for the iconic music magazine Rolling Stone. Starting from her time studying English at Brown, where she was the editor of Brown’s literary journal and the Brown Daily Herald (and was the only girl to do so), Green hoped to land a job in the publishing industry. At 22, she moved to Manhattan and began secretarial work. …Continue reading

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The Wilds of Embarrassment: Q&A with ‘For Single Mothers Working as Train Conductors’ author Laura Esther Wolfson

Laura Esther Wolfson’s debut memoir is eye-catchingly titled For Single Mothers Working as Train Conductors (176 pages; University of Iowa Press). Wolfson is a translator, not a train conductor, yet both professions lend themselves to traveling across borders while maintaining a certain distance—throughout the collection of short stories, Wolfson moves between countries, from the USA to France to Georgia; between languages, from Russian to French to Yiddish; and between her own story and the stories of others. Wolfson’s crossings are propelled and connected by a variety of forces, including her love for her two ex-husbands, her research into her previously …Continue reading

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Making Anguish Luminous: ‘Crux: A Cross-Border Memoir’ by Jean Guerrero

Jean Guerrero’s first memory is of her father opening the window of a plane and running his hand through a cloud, while giving her courage to do the same. She vividly remembers how airy and empty the cloud felt. In Crux: A Cross-Border Memoir (320 pages; One World), Guerrero reveals there are still many things she doesn’t know about her father. She doesn’t know when, exactly, he began showing symptoms of paranoid schizophrenia. She doesn’t know if his conviction that the CIA was stalking him was entirely delusional, rooted in truth, or indicative of shamanic powers. “What I do know …Continue reading

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A Selection of the Writing You’ll Find in our Spring Issue No. 112

Here’s a sampling of some of the writing in Issue No. 112, which you can get today with a subscription to ZYZZYVA: San Francisco Loved Us Once, an essay by JOSHUA MOHR: We stampeded to this magnificent speck known as San Francisco because we were too queer, too punk, too arty. We were the wrong color or born with the wrong genitalia. We were too fat or too tattooed or too sick or our own family simply despised us. Other places, we were easy targets. We were gristle trapped in a bully’s teeth. So we flocked here because it called to us, San …Continue reading

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A Balance Between Cultures: ‘How to Write an Autobiographical Novel’ by Alexander Chee

In his first nonfiction collection, award-winning novelist, poet, and journalist Alexander Chee offers a reflective look at his life in How to Write an Autobiographical Novel (288 pages; Mariner Books). From his time in Mexico learning high school-level Spanish to his undergrad days at Wesleyan, and later the Iowa Writer’s Workshop, as well as his AIDs activism in San Francisco, the book is a well-orchestrated chronicle of a life well-lived. Growing up as a Korean American, Chee often struggled with his identity and felt awkward in public, as when his long hair caused him to be mistaken as a girl, …Continue reading

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Endless Fascination: Q&A with ‘L.A. Man’ Author Joe Donnelly

You can’t accuse Joe Donnelly of taking it easy. In a decades-spanning career, the Los Angeles writer has profiled the “who’s who” of Hollywood––from America’s sweetheart Drew Barrymore to iconoclast filmmaker Werner Herzog––in the pages of publications like L.A. Weekly, where he served as deputy editor for a number of years. During that time, his short stories have earned him an O. Henry Prize (“Bonus Baby,” from ZYZZYVA No. 103) and have been adapted into short films. Donnelly also co-founded and co-edited Slake, a short-lived but highly acclaimed journal that gathered journalism, fiction, poetry, and art, all with a distinctly …Continue reading

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When Art Must Step In: Q&A with ‘Bullets into Bells’ Editor Dean Rader

The poetry collection Bullets into Bells (Beacon Press) stands as an innovative response to American gun violence. The work is a collection of poetry, each poem paired with a prose response written by an “activist, political figure, survivor, or concerned individual.” Many of the poems are in response to widely reported shootings, such as Sandy Hook or the murder of Tamir Rice, but there are also several accounts of less publicized shootings. Despite the high coverage of gun violence in the media, reading this book gives the sense that this type of violence is even more pervasive than it seems, and that nearly …Continue reading

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What We’re Reading this Women’s History Month

March represents Women’s History Month and, as such, we thought we would share a brief overview of some of the women we’ve been reading as of late, which includes a group of authors operating within a myriad of genres and hailing from a number of locales. We hope this collection serves as just a small sampling of the dynamic work being done by women in literature and non-fiction today. Laura Cogan, Editor: “No one knew the real story but me,” declares one of Joan Silber’s exquisitely drawn characters near the end of Improvement. It is both a brag and a burden this character bears—and a …Continue reading

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Truth in a Glass: ‘The Wine Lover’s Daughter’ by Anne Fadiman

In The Wine Lover’s Daughter: A Memoir (272 pages; FSG), Anne Fadiman, the author of Ex Libris, At Large and Small: Familiar Essays, and, most notably, her prize winning work of nonfiction, The Spirit Catches You and You Fall Down, writes about her famous father, Clifton, or Kip, Fadiman. She centers her memoir, her first book in ten years, around her father’s love of wine, a love affair that begins on his first trip to Paris with an inexpensive bottle of white Graves. Although Kip Fadiman’s love of wine was sincere—he found pleasure in the taste and complexities of wine, …Continue reading

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‘Understanding, Misunderstanding, and then Sitting Down to Write’ by Andrew Tonkovich: ZYZZYVA, No. 111

Andrew Tonkovich is the co-editor of the anthology “Orange County: A Literary Field Guide,” published by Heyday, and editor of the Santa Monica Review. To ring in the new year, we’re presenting in its entirety his essay “Understanding, Misunderstanding, and then Sitting Down to Write” from ZYZZYVA No. 111:  The following is an edited version of the closing talk given at the Community of Writers Workshop at Squaw Valley in July, 2017.  “I live in terror of not being misunderstood.” —Oscar Wilde I’m proud of at least the title of this talk, and the epigraph. If the rest of it falls …Continue reading

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Reflections in an Uncertain Era: ZYZZYVA Looks Back at Our Favorite Reads in 2017

We can think of a lot of words to describe 2017, but “trying” would certainly be one. If you’re anything like the team at ZYZZYVA, you’ve found yourself reaching for book covers new and familiar as both a source of comfort and intellectual edification during these tumultuous times. As 2017 winds to a close, we thought we would take a look back at some of the titles that proved most memorable for us. What was your favorite book you read this year (whether it was published in 2017 or not)? Feel free to share in the Comments section. Bjorn Svendsen, Intern: In Thrill Me: …Continue reading

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Writing History: ‘We Were Eight Years in Power: An American Tragedy’ by Ta-Nehisi Coates

Ta-Nehisi Coates will be the first to tell you that his road to becoming a celebrated essayist, author, and staff writer at The Atlantic began with failure. Failure to keep a job. Failure to graduate college. Failure to write exactly what he felt needed to be said. So begins his recent essay collection, We Were Eight Years in Power: An American Tragedy (Random House, 367), which, contrary to Coates’ inauspicious start, cements his reputation as a gifted, iconoclastic writer and serves as required reading for anyone concerned about how, and when, black lives have (not) mattered in American history. The …Continue reading

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