ZYZZYVA EventsDecember 5, 2017
ZYZZYVA Winter Issue Celebration in San Francisco
Location: 7 p.m., City Lights Booksellers, 261 Columbus Ave., San Francisco
Description: Featuring a conversation with T.J. Stiles and Caille Millner exploring the themes of art and resistance. Moderated by Managing Editor Oscar Villalon. Free.January 12, 2018
ZYZZYVA Winter Issue Celebration in Oakland
Location: 7 p.m., East Bay Booksellers, 5433 College Ave., Oakland
Description: Featuring a conversation with Troy Jollimore, Dean Rader, and Ismail Muhammad on the theme of art and resistance. Moderated by Managing Editor Oscar Villalon. Free.February 15, 2018
ZYZZYVA East Coast All-Stars
Location: 7:30 p.m., Greenlight Bookstore, 686 Fulton St., Brooklyn
Description: Readings by recent and Winter Issue contributors Bino A. Realuyo, Annie DeWitt, Jenny Xie, Melissa Hohl, and Kristopher Jansma. Free.
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Tag Archives: noir
Going by musician Ry Cooder’s new book of short fiction, Los Angeles Stories (City Lights Publishers; 230 pages), L.A. in the ‘50s was a place where what you didn’t know could ruin your life, or kill you. “Everyone out there is a mad dog from Hell until proven otherwise,” claims the owner of a beauty salon in the book’s opening story, and Cooder seems intent on proving her right. Each of Cooder’s eight stories contains at least one murder, usually more. They center on ordinary people—tailors, mechanics, dentists, train conductors—whose lives are warped, derailed, or ended by the schemes of …Continue reading
Will Boast was born in England, grew up in Ireland and Wisconsin, and now lives in San Francisco, where he also works as musician. A former Stegner Fellow, his fiction has appeared in Best New American Voices 2009, Narrative, and other publications. His story collection, Power Ballads (University of Iowa Press), comes out in October and has drawn praise from Yiyun Li, Tom Franklin, and Ann Beattie.
“Lost Coast” is a sneaky story about revenge set in perhaps the most unlikely of places: the indie music scene. Boast effectively evokes the noirish hues of San Francisco and masterfully conveys the craftsmanship of the music at the heart of the piece. The following is an excerpt from the story, which appears in ZYZZYVA’s Fall issue.
The major components of Donald Ray Pollock’s disquieting page-turner of a first novel, The Devil All the Time (Doubleday; 261 pages), are by themselves nothing special. There’s the novel’s crime fiction aspect: depraved criminals and less-than-innocent heroes on a bloody collision course. And the novel’s pivotal philosophical concern, one straight out of gothic fiction (as found in Cormac McCarthy and Flannery O’Connor): what does it mean to live in a godless universe full of incomprehension? Or in a world in which God seemingly doesn’t give a damn about what goes on down here? But Pollock, the critically-acclaimed author of the …Continue reading