In “Libertines,” the opening story of Lydia Millet’s Fight No More: Stories (211 pages; W. W. Norton), the reader is introduced to a paranoid real estate agent, who becomes convinced that a prospective buyer is an African dictator. At one point, this supposed dictator (who is, in fact, a musician) randomly attempts to commit suicide by falling into the property’s pool. So yes—it’s an intriguing, albeit slightly discombobulating start for Millet’s first story collection since Love in Infant Monkeys, which was a finalist for the Pulitzer Prize This sense of the bizarre and frequently surreal pervades the entire book: in […]