Nobody knows his name. The literary and political legacy of James Baldwin is going through a revival through works like Raoul Peck’s Academy Award-nominated documentary, I Am Not Your Negro, and director Barry Jenkins’ film adaptation of If Beale Street Could Talk. Add to this, the newest issue of The Common Reader: A Journal of the Essay, published by Washington University in St. Louis, and its eleven essays that further explore the lasting work and meaning of the author. High points of the issue, titled James Baldwin & American Democracy, include Cecil Brown’s piece, “With James Baldwin at the Welcome Table,’’ in […]
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The Truest I Could Be: Q&A with ‘The Ensemble’ author Aja Gabel
by R.O. Kwon
Aja Gabel’s first novel, The Ensemble (352 pages; Riverhead), reminds me of why I first, long ago, might have fallen in love with reading. It’s immersive and sweeping, featuring ambitious professional musicians—Jana, Brit, Daniel, and Henry—who form a string quartet. Walter Pater posited that all art aspires to the condition of music; I don’t know if I agree (that “all” makes me nervous), but I’ve thought for years that there isn’t nearly enough writing about music, and musicians. (A few exceptions I love include Thomas Mann’s Doctor Faustus, James Baldwin’s “Sonny’s Blues,” Thomas Bernhard’s The Loser, and now The Ensemble.) […]