Tag Archives: Grace Paley

Hanging in the Balance, Like a Puppet on a Hand: Bob Dylan and the Nobel Prize

“This is really a drag—and a bore,’’ the doomed jazzster Chet Baker tells director Bruce Weber in Let’s Get Lost, in response to (sympathetic) inquiries about his drug habits. The same could be said of the recent controversy over the decision to award the Nobel Prize in Literature to Bob Dylan. In a certain sense, it all makes sense: the high-minded indignation from select members of the literary Establishment (though, some, like Salman Rushdie and Joyce Carol Oates, welcomed the decision), and disgusted repudiation of boomer nostalgia (we get it, Irvine Welsh) in other quarters. It’s of a piece with the kind …Continue reading

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The Voice That Moves You: ‘The Art of Perspective’ by Christopher Castellani

When readers think of Vladimir Nabokov’s classic novel Lolita, they’re arguably more likely to recall the silver-tongued wordplay of its narrator, Humbert Humbert, than they are of the machinations of the plot, the character’s verbal gymnastics intended to distract from the horrors of his crimes. As Humbert declares, “You can always count on a murderer for a fancy prose style.” One of William Faulkner’s most revered novels, Light in August, utilizes a complex, impressionistic style, even to the point of incorporating made up words like “sootbleakened” and “childtrebling,” to underscore the psychological complexity of its potentially unsympathetic lead, Joe Christmas. …Continue reading

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The Question of What It Takes to Tell the Truth on the Page: Q&A with Dani Shapiro

I first had the pleasure of meeting Dani Shapiro in 2007 at Le Sirenuse on Italy’s Amalfi Coast at the initial Sirenland Writers Conference. Shapiro (who is the bestselling author of the memoirs Devotion and Slow Motion, and five novels including Black & White and Family History) established Sirenland in Positano, Italy, with Hannah Tinti “to provide an antidote to competitive, hierarchical writing conferences” that she “can’t imagine would be good for anyone’s creative process.” Her latest and well-received book is an extension of that intention. Still Writing: The Perils and Pleasures of a Creative Life (Grove Press; 256 pages), …Continue reading

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