ZYZZYVA EventsDecember 9, 2016
ZYZZYVA and San Francisco Center for the Book Publication Celebration
Location: 6 p.m., San Francisco Center for the Book, 375 Rhode Island St., San Francisco
Description: Celebrate ZYZZYVA’s Winter Issue and the Center’s catalog of its current exhibition, “In Remembrance: People, Times, & Places.” Featuring readings by ZYZZYVA contributors Glen David Gold, Elizabeth Rosner, Jenny Qi, and Octavio Solis. Free.January 12, 2017
ZYZZYVA Winter Issue Launch, Brooklyn
Location: 7:30 p.m, Greenlight Bookstore, 686 Fulton St., Brooklyn
Description: Featuring Glen David Gold, Mar Colon-Margolies, Brad Wetherell, Mallory Imler Powell, and Andrew Mangan. Free. More info: http://bit.ly/2gc7lw8January 26, 2017
ZYZZYVA Winter Issue Celebration, East Bay
Location: 7 p.m., Diesel Bookstore, 5433 College Ave., Oakland
Description: Come celebrate ZYZZYVA's Winter issue with a reading featuring contributors Kathleen Alcott, Ella Martinsen Gorham, Matthew Zapruder, and Scott O'Connor. Free. For more info: http://bit.ly/2ghs4gt
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Tag Archives: fiction
Patrick Hoffman was born in San Francisco, where for a decade he worked as both a private investigator and an investigator for the Public Defender’s Office. His first novel, The White Van, was a finalist for the CWA Ian Fleming Steel Dagger Award and was named a Wall Street Journal best book of the year. His new novel is Every Man a Menace, which Kirkus, in its starred review, called “a nasty tour de force” and a “strong and original addition to the crime fiction genre.” Hoffman spoke to ZYZZYVA Managing Editor Oscar Villalon about his new book at the Booksmith …Continue reading
Originally from south New Jersey, Earle McCartney is a San Francisco writer. The recipient of the Joseph Henry Jackson Award in 2013, his stories “Sawmill” and “Rhizomes” appeared in ZYZZYVA Issues No. 96 and No. 101, respectively. His newest story, “Artificial Islands,” can be found in the Fall issue.
As with McCartney’s last two stories in ZYZZYVA, “Artificial Islands” beautifully captures people in close relationship to the natural world—in this case, it’s the ocean, as an adolescent girl goes fishing for sharks with her older brother, her father, and a family friend. The following is an excerpt from the story. You can read in its entirety by getting a copy here. (Note: Earle McCartney will be part of the lineup for our ZYZZYVA Fall All-Stars event at Litcrawl.)
Fatima Bhutto is the author of several books, including the memoir Songs of Blood and Sword (Nation Books) and the novel The Shadow of the Crescent Moon (Penguin Press). Her work has also appeared in the New Statesmen, the Daily Beast, the Guardian, and other publications. She lives in Karachi, Pakistan.
Her story “Kabul” appears in the Fall issue. The tale of Sheryar, a feckless young man, and Soraya, his pregnant—and even younger—lover, Bhutto’s story casts a cold (though not unsympathetic) eye on people trapped by circumstances seemingly beyond their power to change. The following is an excerpt from her story, but it can be read in full in our Fall issue, which you can order here.
Adrienne Celt’s first novel, The Daughters (W.W. Norton/Liveright), won the 2015 PEN Southwest Book Award and was named a Best Book of the Year by NPR. Her writing has been recognized by the PEN/O. Henry Prize, and her fiction has appeared in Esquire, The Kenyon Review, Epoch, Prairie Schooner, and Ecotone, among other places. She also publishes a webcomic at loveamongthelampreys.com.
Her work of fiction, “Big Boss Bitch,” which she describes as “my horror story about the first female president,” appears in the Winter issue. The “horror,” by the way, isn’t in the fact of having a female president, but what happens to said female president. The following is an excerpt, but if you’d like to read Celt’s story in its entirety, you can get a copy here.
Ann Cummins is the author of the story collection Red Ant House (2003) and the novel Yellowcake (2007). A former Lannan fellow, her work has been published in The New Yorker and McSweeney’s and in Best American Short Stories 2002.
Her story “Divination” is set in the Southwest region in which Cummins was born, but takes place in a distant era, one that places the narrative in the category we would call a Western (and as anybody who has read Stegner, Cather, McCarthy, or Oakley Hall knows, what a wide and rich category it is). A story about the uncompromising realities of family and laboring from the land, “Divination” is another welcome example of Cummins artistry. The following is an excerpt from her story. It can be read in its entirety in Issue No. 107, which you can order here.
Etan Nechin is an Israeli-born writer currently living in New York. His work has appeared in such publications as Gravel Magazine, MonkeyBicycle, Entropy, and the Huffington Post, and several other publications in Hebrew. “Stealth” marks his First Time in Print for fiction in English.
Set at the beginning of the Persian Gulf War of the early ’90s, “Stealth” is narrated by a school boy living among a community of artists in Israel. Amid the gas masks, safety drills at school, and trading of U.S. military-themed bubble gum cards, there’s the everyday (and comic) life of a child trying to make sense of the world and his place in it. The following is an excerpt of “Stealth.” You can read the story in its entirety in Issue No. 106, which you can order here.
Ariel Dorfman is the acclaimed novelist, playwright and author of Death and the Maiden. His writing frequently appears in The New York Times, The Guardian, and The New Republic, as well as numerous other magazines internationally. He is a professor of literature and Latin American Studies at Duke University, and his most recent book is the memoir Feeding on Dreams: Confessions of an Unrepentant Exile.
In his story “Amboise,” Dorfman gives us Lucy and Leo, a couple visiting France, on their way from Paris to see Chenonceau. As they deal with the various hiccups keeping them from getting to their destination, Leo’s determination to see the famous castle before the day is through is fueled by a single thought: “Tomorrow I wouldn’t be alive.” Leo, whose health has been failing, is resolute on killing himself before then. The following is an excerpt of Dorfman’s story. You can read it in its entirety in Issue No. 106, which you can order here.
Ron Carlson is the author of several books of fiction, including Return to Oakpine (Viking) and The Signal (Penguin). He is the director of the MFA Program in Fiction at the University of California at Irvine. His fiction appeared in ZYZZYVA Issues No. 96 and No. 100.
His latest story for ZYZZYVA, “Who Will Help the Queen of the Rodeo?,” savors that time when families have just begun: the children are still children, the time spent together is uncomplicated, and the goodness of the world is palpable—even if we can’t help but know that this idyll is fleeting. Set at the beginning of a summer vacation, reading Carlson’s story now is apt. But it’s the story’s tenderness that makes it a particularly welcoming world in which to enter. The following is an excerpt of Carlson’s story. You can read it in its entirety in Issue No. 106, which you can order here.
Lou Mathews has received a Pushcart Prize, a Katherine Anne Porter Prize, National Endowment for the Arts and California Arts Commission fellowships in fiction. His stories have been published in Black Clock, Tin House, New England Review, and many other literary magazines, ten fiction anthologies and several textbooks. His first novel, L.A. Breakdown was a Los Angeles Times Best Book.
Mathew’s story, “Last Dance,” which is from a longer work titled Shaky Town, presents us with a Los Angeles instantly recognizable to many Angelenos. It’s a Los Angeles that’s primarily Mexican American, blue-collar, and community-minded. The residents of Shaky Town know each other well (perhaps too well), and their shared histories are long and complex. The following is an excerpt of Mathew’s story. You can read it in its entirety in Issue No. 106, which you can order here.
Diane Williams has remained on the edge of American experimental short fiction for the last twenty years. Known for her compact, oblique stories and her extraordinary use of non sequiturs, Williams has written seven books of stories and was an editor at StoryQuarterly before starting the NOON literary annual. She has been lauded by authors Jonathan Franzen, Sam Lipsyte, and Lydia Davis. And her latest book of remarkably potent short fiction, Fine, Fine, Fine, Fine, Fine (136 pages; McSweeney’s), not only keeps her on the forefront of the form, but also redefines its parameters. In an interview with HTMLGiant.com, Williams …Continue reading