ZYZZYVA EventsSeptember 27, 2016
ZYZZYVA Fall Issue Celebration
Location: 7 p.m., City Lights Bookstore, 261 Columbus Avenue, San Francisco
Description: Readings from Issue No. 107 contributors Lori Ostlund, Austen Leah Rosenfeld, Ann Cummins, and Christopher Adamson, plus recent contributor Heather Altfeld. Free. For more info: http://bit.ly/2b8t3O2October 5, 2016
In Conversation with Vanessa Hua
Location: 7:30 p.m., The Booksmith, 1644 Haight Street, San Francisco.
Description: Hua, the award-winning writer and author of the story collection "Deceit and Other Possibilities," discusses her work with Managing Editor Oscar Villalon. Free. For more info: http://bit.ly/2auWKLhOctober 15, 2016
ZYZZYVA Fall All-Stars at Litcrawl
Location: 6 p.m., Dolores Park Cafe, 501 Dolores Street, San Francisco.
Description: Readings by contributors Earle McCartney, Caille Millner, Dominica Phetteplace, Octavio Solis, and Deb Olin Unferth, hosted by Managing Editor Oscar Villalon. Free. For more info: http://sched.co/7vp4
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Tag Archives: fiction
Adrienne Celt’s first novel, The Daughters (W.W. Norton/Liveright), won the 2015 PEN Southwest Book Award and was named a Best Book of the Year by NPR. Her writing has been recognized by the PEN/O. Henry Prize, and her fiction has appeared in Esquire, The Kenyon Review, Epoch, Prairie Schooner, and Ecotone, among other places. She also publishes a webcomic at loveamongthelampreys.com.
Her work of fiction, “Big Boss Bitch,” which she describes as “my horror story about the first female president,” appears in the Winter issue. The “horror,” by the way, isn’t in the fact of having a female president, but what happens to said female president. The following is an excerpt, but if you’d like to read Celt’s story in its entirety, you can get a copy here.
Ann Cummins is the author of the story collection Red Ant House (2003) and the novel Yellowcake (2007). A former Lannan fellow, her work has been published in The New Yorker and McSweeney’s and in Best American Short Stories 2002.
Her story “Divination” is set in the Southwest region in which Cummins was born, but takes place in a distant era, one that places the narrative in the category we would call a Western (and as anybody who has read Stegner, Cather, McCarthy, or Oakley Hall knows, what a wide and rich category it is). A story about the uncompromising realities of family and laboring from the land, “Divination” is another welcome example of Cummins artistry. The following is an excerpt from her story. It can be read in its entirety in Issue No. 107, which you can order here.
Etan Nechin is an Israeli-born writer currently living in New York. His work has appeared in such publications as Gravel Magazine, MonkeyBicycle, Entropy, and the Huffington Post, and several other publications in Hebrew. “Stealth” marks his First Time in Print for fiction in English.
Set at the beginning of the Persian Gulf War of the early ’90s, “Stealth” is narrated by a school boy living among a community of artists in Israel. Amid the gas masks, safety drills at school, and trading of U.S. military-themed bubble gum cards, there’s the everyday (and comic) life of a child trying to make sense of the world and his place in it. The following is an excerpt of “Stealth.” You can read the story in its entirety in Issue No. 106, which you can order here.
Ariel Dorfman is the acclaimed novelist, playwright and author of Death and the Maiden. His writing frequently appears in The New York Times, The Guardian, and The New Republic, as well as numerous other magazines internationally. He is a professor of literature and Latin American Studies at Duke University, and his most recent book is the memoir Feeding on Dreams: Confessions of an Unrepentant Exile.
In his story “Amboise,” Dorfman gives us Lucy and Leo, a couple visiting France, on their way from Paris to see Chenonceau. As they deal with the various hiccups keeping them from getting to their destination, Leo’s determination to see the famous castle before the day is through is fueled by a single thought: “Tomorrow I wouldn’t be alive.” Leo, whose health has been failing, is resolute on killing himself before then. The following is an excerpt of Dorfman’s story. You can read it in its entirety in Issue No. 106, which you can order here.
Ron Carlson is the author of several books of fiction, including Return to Oakpine (Viking) and The Signal (Penguin). He is the director of the MFA Program in Fiction at the University of California at Irvine. His fiction appeared in ZYZZYVA Issues No. 96 and No. 100.
His latest story for ZYZZYVA, “Who Will Help the Queen of the Rodeo?,” savors that time when families have just begun: the children are still children, the time spent together is uncomplicated, and the goodness of the world is palpable—even if we can’t help but know that this idyll is fleeting. Set at the beginning of a summer vacation, reading Carlson’s story now is apt. But it’s the story’s tenderness that makes it a particularly welcoming world in which to enter. The following is an excerpt of Carlson’s story. You can read it in its entirety in Issue No. 106, which you can order here.
Lou Mathews has received a Pushcart Prize, a Katherine Anne Porter Prize, National Endowment for the Arts and California Arts Commission fellowships in fiction. His stories have been published in Black Clock, Tin House, New England Review, and many other literary magazines, ten fiction anthologies and several textbooks. His first novel, L.A. Breakdown was a Los Angeles Times Best Book.
Mathew’s story, “Last Dance,” which is from a longer work titled Shaky Town, presents us with a Los Angeles instantly recognizable to many Angelenos. It’s a Los Angeles that’s primarily Mexican American, blue-collar, and community-minded. The residents of Shaky Town know each other well (perhaps too well), and their shared histories are long and complex. The following is an excerpt of Mathew’s story. You can read it in its entirety in Issue No. 106, which you can order here.
Diane Williams has remained on the edge of American experimental short fiction for the last twenty years. Known for her compact, oblique stories and her extraordinary use of non sequiturs, Williams has written seven books of stories and was an editor at StoryQuarterly before starting the NOON literary annual. She has been lauded by authors Jonathan Franzen, Sam Lipsyte, and Lydia Davis. And her latest book of remarkably potent short fiction, Fine, Fine, Fine, Fine, Fine (136 pages; McSweeney’s), not only keeps her on the forefront of the form, but also redefines its parameters. In an interview with HTMLGiant.com, Williams …Continue reading
Kristopher Jansma’s first novel, “The Unchangeable Spots of Leopards” (Viking), was the winner of the 2014 Sherwood Anderson Fiction Award and a finalist for the Prix de l’Inapperçu, as well as a Barnes & Noble Discover Pick and an ABA “Indie Next” Choice. His work has appeared in Electric Literature, the New York Times, the Believer, The Millions, and other publications. His novel “Why We Came to the City” will be published by Viking in February. His story “Chumship” appears in the Winter issue.
“Chumship” lays out the friendship between two boys, Clark and the narrator, through high school and into college. The narrator is in thrall of droll Clark, who has an innate gift for spinning fictions, including a plan for hatching an imaginary girlfriend as a ploy for getting an actual one. Funny yet tender, Jansma’s story makes the most of its theme about the lies we tell others and ourselves. The following is an excerpt.
Heather Monley’s fiction has appeared in Crazyhorse and McSweeney’s Internet Tendency, and her story “Town of Birds” won the annual Kenyon Review Short Fiction Contest. Her story “Paddle to Canada” appears in our Winter issue.
Though under 2,000 words, “Paddle to Canada” is a rich and nuanced telling of a family’s breaking apart, and how we wonder if our happy memories from the past were truly that, and how me carry the weight of experience. The following is Monley’s story in full.
Paul Madonna writes and draws the weekly series “All Over Coffee” and is the author of “All Over Coffee” (City Lights Books) and “Everything Is Its Own Reward” (City Lights Books). His work has been published internationally in numerous books and magazines, exhibited in galleries and museums, including the Contemporary Jewish Museum in San Francisco and the Oakland Museum of California, and he is a contributing editor to ZYZZYVA. His story “The Snake That Always Bites My Ass” appears in the Winter issue.
Though known as an artist, Madonna also writes fiction, such as his story “Hero,” which was published in ZYZZYVA No. 100. “The Snake That Always Bites My Ass,” which is also accompanied by Madonna’s art work in the Winter issue, is set in Thailand among ex-pats. The following is an excerpt from it.
Austin Smith, who lives in San Francisco, is a Jones Lecturer at Stanford and the author of four poetry collections, including “Almanac,” which was published by the Princeton Series of Contemporary Poets. His poems and fiction have appeared in The New Yorker, Harper’s, Virginia Quarterly Review, The Threepenny Review, and in ZYZZYVA Issues No. 83 and No. 100. His story “The Cave” appears in the Winter issue.
Relating the arrival of a new kid to a small farming community in Illinois, “The Cave” centers around its young narrator going to the boy’s house for dinner one evening. But around that event, which leads to them exploring a cave at night, is an examination of a child’s rural life, one not immune from the hardships true for children everywhere, including the menace of bullies. In the following excerpt, our narrator talks about the red-headed twin sisters who, for whatever reason, decide one day while getting on the school bus to single him out for their cruelty. The following is an excerpt from “The Cave.”