ZYZZYVA EventsMay 11, 2017
In Conversation with Vanessa Hua & Shanthi Sekaran
Location: 7 p.m., Healdsburg SHED, 25 North Street, Healdsburg, CA
Description: Hua (author of the California Book Award-finalist "Deceit and Other Possibilities") and Sekaran (author of the novel "Lucky Boy") discuss their work with Managing Editor Oscar Villalon. Part of Luminarias, the Healdsburg Literary Guild's events series. For info on tickets: http://bit.ly/2or7NbaJune 16, 2017
ZYZZYVA Big Dance Party & Annual Fundraiser
Location: 7 p.m., Make Out Room, 3225 22nd St, San Francisco
Description: A night of '80s & '90s dance music, emceed by Daniel Handler, and featuring DJ Teemoney. Silent auction, specially priced drinks, & special guests Caille Millner, Paul Yamazaki, and Ruth Madievsky. For tickets: http://zyzzyvadanceparty.brownpapertickets.com/July 15, 2017
Master Class Mixer: Literary Magazines with Laura Cogan
Location: 1 p.m., Mechanics Institute Board Room, 57 Post St., 4th Floor, San Francisco
Description: Three-hour class (sponsored by Litquake) with ZYZZYVA's editor covering the various aspects of getting work published in literary journals. Seating limited to 15 students, and concludes with reception. For ticket info: http://bit.ly/2pIsH9I
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Tag Archives: fiction
Edie Meidav is the author of the novels The Far Field, Crawl Space, and Lola, California (all published by Farrar, Straus & Giroux), and of the story collection Kingdom of the Young (Sarabande), which is her newest book. She is recipient of a Lannan Fellowship, a Howard Fellowship, the Kafka Prize for Best Fiction by an American Woman, the Bard Fiction Prize and other citations, and her essays were published in ZYZZYVA Issues No. 95 and 100. When Meidav came to the Bay Area earlier this month, ZYZZYVA Managing Editor Oscar Villalon talked to her about Kingdom of the Young …Continue reading
Wickedly funny and utterly relatable in its depiction of human plights and personal tragedies, Wait Till You See Me Dance (200 pages; Graywolf Press) marks the return of Deb Olin Unferth to the world of short stories. From the banal life of an adjunct professor harboring an unrequited love in the titular story to a man held prisoner by his phobia in “Fear of Trees” (published in ZYZZYVA No. 108 along with three other pieces), each story within the collection is imbued with Unferth’s wit and dark humor, capturing the spectrum of human drama with a tinge of believable absurdity. …Continue reading
The Refugees (224 pages; Grove), the new book by Pulitzer Prize-winning author Viet Thanh Nguyen, consists of eight stories circling around the displacement caused by the Vietnam War. Though reviewers of the collection have tied the narratives of these stories to some kind of universal “immigrant experience,” the title of the book, as well as the historical context of the stories, refuses this oversimplified categorization. The Refugees gently but firmly reminds the reader of the difference, which lies largely in the ways one group has had some kind of choice in leaving their place of origin, while the other has …Continue reading
César Aira’s books often shrug off the shackles of genre, tradition, structure, or sense. They’re also often short. Usually around 100 pages, these novellas are complete in and of themselves. However, readers will most likely leave an Aira text in a completely different mental state than from the one they entered with—such is the challenge and the pleasure of reading him. Aira’s latest book, Ema, the Captive (128 pages; New Directions; translated by Chris Andrews), is fairly straightforward in substance and story. A 19th-century Western set in Argentina is probably the most succinct way to describe it but to box this book …Continue reading
MB Caschetta’s recent story collection, Pretend I’m Your Friend (Engine Books; 200 pages), explores what one of its characters calls “terrible love.” In eleven entwined stories, Caschetta examines confusing and often painful friendships, romances, and familial bonds: a set of parents who share a sexual desire for their kids’ babysitter, a dying mother who wishes cancer on her daughters instead of herself, a clairvoyant whose visions the end of her marriage. Just when you think you have wrapped your head around the root of a character’s issues, Caschetta will offer a different perspective in a later story. One problem bleeds …Continue reading
Mar Colón-Margolies is a former editor at Nation Books. Her reporting has appeared in The Nation, the Columbia Journalism Review online, and on Rhode Island Public Radio. Her story “Revision” appears in the new issue of ZYZZYVA.
Set in Texas, “Revision” is the tale of a journalist on assignment writing about that state’s draconian abortion laws. In the course of his work he faces questions of professional and even personal ethics as he re-connects with a past love. The following is an excerpt, but you can read the story in its entirety by getting a copy here. (Also, Mar Colón-Margolies will be reading from her work at ZYZZYVA’s Winter Issue Launch at Greenlight Bookstore on January 12.)
Patrick Hoffman was born in San Francisco, where for a decade he worked as both a private investigator and an investigator for the Public Defender’s Office. His first novel, The White Van, was a finalist for the CWA Ian Fleming Steel Dagger Award and was named a Wall Street Journal best book of the year. His new novel is Every Man a Menace, which Kirkus, in its starred review, called “a nasty tour de force” and a “strong and original addition to the crime fiction genre.” Hoffman spoke to ZYZZYVA Managing Editor Oscar Villalon about his new book at the Booksmith …Continue reading
Originally from south New Jersey, Earle McCartney is a San Francisco writer. The recipient of the Joseph Henry Jackson Award in 2013, his stories “Sawmill” and “Rhizomes” appeared in ZYZZYVA Issues No. 96 and No. 101, respectively. His newest story, “Artificial Islands,” can be found in the Fall issue.
As with McCartney’s last two stories in ZYZZYVA, “Artificial Islands” beautifully captures people in close relationship to the natural world—in this case, it’s the ocean, as an adolescent girl goes fishing for sharks with her older brother, her father, and a family friend. The following is an excerpt from the story. You can read in its entirety by getting a copy here. (Note: Earle McCartney will be part of the lineup for our ZYZZYVA Fall All-Stars event at Litcrawl.)
Fatima Bhutto is the author of several books, including the memoir Songs of Blood and Sword (Nation Books) and the novel The Shadow of the Crescent Moon (Penguin Press). Her work has also appeared in the New Statesmen, the Daily Beast, the Guardian, and other publications. She lives in Karachi, Pakistan.
Her story “Kabul” appears in the Fall issue. The tale of Sheryar, a feckless young man, and Soraya, his pregnant—and even younger—lover, Bhutto’s story casts a cold (though not unsympathetic) eye on people trapped by circumstances seemingly beyond their power to change. The following is an excerpt from her story, but it can be read in full in our Fall issue, which you can order here.
Adrienne Celt’s first novel, The Daughters (W.W. Norton/Liveright), won the 2015 PEN Southwest Book Award and was named a Best Book of the Year by NPR. Her writing has been recognized by the PEN/O. Henry Prize, and her fiction has appeared in Esquire, The Kenyon Review, Epoch, Prairie Schooner, and Ecotone, among other places. She also publishes a webcomic at loveamongthelampreys.com.
Her work of fiction, “Big Boss Bitch,” which she describes as “my horror story about the first female president,” appears in the Winter issue. The “horror,” by the way, isn’t in the fact of having a female president, but what happens to said female president. The following is an excerpt, but if you’d like to read Celt’s story in its entirety, you can get a copy here.
Ann Cummins is the author of the story collection Red Ant House (2003) and the novel Yellowcake (2007). A former Lannan fellow, her work has been published in The New Yorker and McSweeney’s and in Best American Short Stories 2002.
Her story “Divination” is set in the Southwest region in which Cummins was born, but takes place in a distant era, one that places the narrative in the category we would call a Western (and as anybody who has read Stegner, Cather, McCarthy, or Oakley Hall knows, what a wide and rich category it is). A story about the uncompromising realities of family and laboring from the land, “Divination” is another welcome example of Cummins artistry. The following is an excerpt from her story. It can be read in its entirety in Issue No. 107, which you can order here.