ZYZZYVA EventsNovember 10, 2017
ZYZZYVA & Rare Bird All-Stars: Lit Crawl Portland
Location: 7 p.m., Literary Arts Studio, 925 SW Washington St., Portland, OR
Description: ZYZZYVA contributors and Rare Bird authors team up for a one-night event featuring Sallie Tisdale, Matthew Dickman, Natalie Serber, and more. For more info: http://sched.co/C8Rz
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Tag Archives: essay
B.J. Hollars’ short essay collection, In Defense of Monsters (Bull City Press; 40 pages), opens on a world with no mysteries left. Now that seemingly every corner of the globe has been charted, and Google Earth allows one to zoom in on any coordinate one desires, the encroachment of human civilization on the natural world leaves us with little to explore. It wasn’t always the case: in the 20th century, even as horror spread across Europe and a racially divided America, the World’s Fairs promised a tomorrow full of discovery, and pulp novels sold readers on the idea of lost …Continue reading
President Donald Trump’s revised travel ban—an executive order targeting Yemen, Sudan, Iran, Syria, Somalia, and Libya, and reducing the number of refugees allowed into the country from 110,000 to 50,000 people—was to have taken effect today. The order was met with legal challenges in three states, challenges in which groups such as the ACLU and the Northwest Immigration Rights Program argued that it remained, among other things, a thinly disguised ban on Muslims. But yesterday, as the New York Times reported, Judge Derrick K. Watson in Hawaii issued a nationwide order blocking the ban.
In April 2015, ZYZZYVA published Julie Chinitz’s essay “Shiftiness: The Border in Eight Cases” in its Spring/Summer issue. Chinitz, who volunteered with the Northwest Immigration Rights Program in the early ’90s, carefully considers in her piece the ideas of borders, of immigration, of refugees, of what it means to come to this country and what it means to be an American. Her insights remain significantly relevant, given the objectives of the Trump White House. The fifth section of the essay—”Borders and Bodies”—especially so, as she looks at the case of United States v. Montoya de Hernandez. Because of that Supreme Court ruling, she writes, it’s “why to this day people can find themselves locked up at the border, hours on end, with no idea what they’re suspected of having done wrong. … In his dissent in Montoya de Hernandez, Justice Brennan raised a warning about this kind of abuse … ‘Indefinite involuntary incommunicado detentions “for investigation” are the hallmark of a police state,’ he wrote, ‘not a free society’.”
She further notes: “In legal terms, border points such as those at airports are called the ‘functional equivalent of the border.’ They also include territorial waters, spots where roads coming from the actual border converge, UPS sorting hubs, etc.: places that aren’t exactly the border, but close enough.”
We believed at the time of publication that Chinitz’s essay was important, and the weeks since Inauguration Day have only confirmed our view. The following is “Shiftiness: The Border in Eight Cases” in full. We urge you to read it.
Rebecca Thomas, who is currently working on a novel, has had her work appear in Prairie Schooner, The Massachusetts Review, Gulf Stream and other publications. Her essay, “Flood Control,” appears in the new issue of ZYZZYVA.
An English instructor at West Virginia University, Thomas grew up in Orange County. Though known as a region afflicted by drought, Southern California has long had to contended with deluge, too. “Flood Control” is Thomas’s examination—personal and historical—of a place’s fraught relationship with water. The following in an excerpt but you can read the essay in its entirety by getting a copy here.
Lily Hoang’s new book, A Bestiary (156 pages; Cleveland State University Poetry Center), proves why a healthy amount of skepticism—at times bordering on distaste—for the self is an undervalued trait in literature. Throughout her collection, Hoang blurs the line between personal essay and prose poetry as she takes stock of her life and often comes to some unflattering conclusions. Reflecting on an unsatisfying, on-and-off-again relationship with her lover, she writes, “I feel like a feminist poser, talking a big game about empowerment but living a reality of passivity and self-contempt.” A Bestiary offers a snapshot of a turbulent time in …Continue reading
Lauren Alwan is a staff contributor at LitStack, a literary news and review site, and her fiction has appeared in StoryQuarterly, the Alaska Quarterly Review—and next spring—in the Bellevue Literary Review, for her story “The Foreign Cinema,” which won the Goldenberg Prize for Fiction. Her essay “Eldorado” appears in the Winter issue.
Set in the mid-1970s in Northern California, Alwan’s writes of the time she was a young woman, building a house with a boyfriend in Siskiyou County. This slice of memoir isn’t just about that, of course. It delves into the culture of people trying to live off the land, the harsh realities of rural life, and what it means to have a home. It also thoughtfully examines her relationships with her father and with her boyfriend (whom she knew she’d never create a life with, despite their house). The following is an excerpt from “Eldorado.”
‘A Daughter’s Letter to Tamsen Donner’: 2015 Best American Nonrequired Reading Notable, Issue No. 101
Jill Logan’s essay, “A Daughter’s Letter to Tamsen Donner,” is one of two essays in Issue No. 101 recognized as a Notable by the Best American series this year—by the 2015 Best American Nonrequired Reading, to be exact. A conversation of sorts between Logan and one of the members of the ill-fated Donner Party, “A Daughter’s Letter” is a humorous but insightful meditation on family.
Logan, a graduate of the Iowa Writers’ Workshop, has had fiction published in Meridian, Bellingham Review, Crazyhorse, Quarterly West, Michigan Quarterly Review, Cimarron Review, and elsewhere. She lives in Santa Cruz, where she is working on a novel and a short story collection about her native Oklahoma. The following is an excerpt of “A Daughter’s Letter to Tamsen Donner.”
Three essays we published in our 100th issue received a Notable from the 2015 Best American Essays. The first of those we’re excerpting is Katie Crouch’s “To Bloom, to Burst, to Blaze.” A study on Sylvia Plath and a first-hand account of San Francisco during its first tech boom, Crouch’s essay is also a meditation on a friendship gone wrong and its accompanying guilt, which is felt many years later.
Katie Crouch has written numerous essays, which have appeared in The New York Times, Slate, the Rumpus, and Garden & Gun. She is also the best-selling author of the novels “Girls in Trucks,” “Men and Dogs,” and most recently, “Abroad” (Picador), now in paperback.
“E-mail,” snorted Molly Young, in the New York Times last December. “A medium I associate with cowardly ex-boyfriends and offshore Viagra vendors.” On the face of it, yes. Social media scorn the e-mail habit: a sad old grandfather, smelling of camphor and oatmeal. But I’m still waltzing—more like, locked in a tango—with Grandpa. I depend upon e-mail, check it obsessively, prefer it over real-time, physical confrontations for the same reasons I turned to writing in the first place: leisure to think deeply (or stall for time), speak from the heart in shiniest prose, curry favor and influence—all this accomplished either …Continue reading
A past contributor to ZYZZYVA (her essay “Cuba+Kids-Water” ran in Issue No. 95), novelist Edie Meidav makes another welcome appearance in our pages, this time in our 100th issue. Her essay, “The Dead Ones,” takes her back to the home of her youth, the Bay Area.
When asked about the background of “The Dead Ones,” Meidav writes, “Sometimes I feel we have these hearts that are like ships crowded with all the people we love or once knew well—so the question becomes how crowded can your ship become?—and every time I beat a path of return to the Bay Area, walking certain streets in that balmy air, I feel both cradled and pierced by memories: the Bay Area is something of my pastoral. (I remember, now, Philip Roth talking about walking Newark before writing American Pastoral.) In the last few years, I kept walking near my former mentor’s house in a state of disbelief that all that vitality had vanished, her wit, her stockinged legs.”
The following is an excerpt from “The Dead Ones.” Edie Meidav will also be one of the readers at ZYZZYVA’s All Star Summer Celebration at 6 p.m. on Thursday, July 17. You can RSVP your free ticket here. And you can order a copy of Issue No. 100 here.
W.S. Di Piero, who lives in San Francisco, is the author of several acclaimed books of poetry (his most recent being Nitro Nights (Copper Canyon)) and is the recipient of many awards and honors, including the 2012 Ruth Lilly Poetry Prize from the Poetry Foundation of Chicago.
Di Piero’s poetry has appeared in ZYZZYVA’s Fall 2011 and Spring 2012 issues. (His poem in the Spring issue, “There Were Such Things,” received a 2013 Pushcart Prize.) And now his nonfiction can be read in ZYZZYVA’s Spring/Summer issue. “Out of Notebooks” is an essay of sorts, a collection of thoughts and observations, ranging from subjects such as physical pain to the nature of poetry, and taking as its settings places such as a BART car or a museum room. The following is an excerpt.
Luis Alberto Urrea is the critically acclaimed and best-selling author of fourteen books, including his most recent, the novel Queen of America (Little, Brown.) He is the winner of numerous awards for his poetry, fiction and essays, as well as a professor of creative writing at the University of Illinois at Chicago.
Urrea grew up in San Diego, and that experience of being Mexican American and living close to the border has informed his writing. In his essay in ZYZZYVA’s Fall issue, “The Mr. Smith Syndrome,” Urrea brings to life a job he had as a teenager: frying up donuts for a sketchy boss (“Cigarette smoke. Body odor. Bad breath.”).
There’s a spirit of resolve in the piece, an understanding of what you need to overcome to find, perhaps, a state of grace in this life. The following is the essay in its entirety. (Warning: You may never eat another old-fashioned again.)