Tag Archives: collection

Tangles, Erasures, and Connections: ‘Of Form & Gather’ by Felicia Zamora

In the introduction to Felicia Zamora’s collection of new and selected poems, Of Form & Gather (62 pages; University of Notre Dame Press), Edwin Torres writes that “A poem’s burden is to live inside its creation, where the organized singularity of its gathering is what brings the reader to the reader’s own voice.” This is an accurate description of how Zamora’s poems work, and what they do to the reader. The book is divided into four sections, titled “circles & circulations,” “that that that; this this this,” “in in; gather gather,” and “To be out of- dually other.” Each section …Continue reading

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Bumbling Along, But Full of Heart: ‘Wait Till You See Me Dance’ by Deb Olin Unferth

Wait Till You See Me Dance (Graywolf Press, 186 pages) marks Deb Olin Unferth’s second collection of stories, following Minor Robberies (2007). The author of the novel Vacation and the memoir Revolution: The Year I Fell in Love and Went to Join the Sandinistas, Unferth displays a smart and snappy application of the short-short form in this volume of 39 stories—29 of which are fewer than three pages long (and four of which appeared in ZYZZYVA No. 108). Wait Till You See Me Dance is filled with concise, meaningful sentiments that both entertain and engage the reader in commentary surrounding …Continue reading

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What Comes After the Trauma of Fleeing: ‘The Refugees’ by Viet Thanh Nguyen

The Refugees (224 pages; Grove), the new book by Pulitzer Prize-winning author Viet Thanh Nguyen, consists of eight stories circling around the displacement caused by the Vietnam War. Though reviewers of the collection have tied the narratives of these stories to some kind of universal “immigrant experience,” the title of the book, as well as the historical context of the stories, refuses this oversimplified categorization. The Refugees gently but firmly reminds the reader of the difference, which lies largely in the ways one group has had some kind of choice in leaving their place of origin, while the other has …Continue reading

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Otherwise Known as Love: ‘Pretend I’m Your Friend’ by MB Caschetta

MB Caschetta’s recent story collection, Pretend I’m Your Friend (Engine Books; 200 pages), explores what one of its characters calls “terrible love.” In eleven entwined stories, Caschetta examines confusing and often painful friendships, romances, and familial bonds: a set of parents who share a sexual desire for their kids’ babysitter, a dying mother who wishes cancer on her daughters instead of herself, a clairvoyant whose visions the end of her marriage. Just when you think you have wrapped your head around the root of a character’s issues, Caschetta will offer a different perspective in a later story. One problem bleeds …Continue reading

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ZYZZYVA Interview Series: Vanessa Hua

Vanessa Hua (whose stories “The Third Daughter” and “River of Stars” appeared in ZYZZYVA No. 91 and No. 98, respectively) is the author of the story collection Deceit and Other Possibilities, named a “searing debut” by O, The Oprah Magazine. Her fiction has appeared in the Atlantic, Guernica, and elsewhere, and for nearly two decades she has been writing about Asia and the diaspora, filing stories from China, Burma, South Korea, Panama, Abu Dhabi, and Ecuador. A Visiting Editor in Creative Nonfiction at Saint Mary’s College this fall, she is also a columnist at the San Francisco Chronicle. Hua spoke to …Continue reading

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Resisting Easy Definition: ‘My Private Property’ by Mary Ruefle

…there is the poem as a unit-like thing, and then there is the poem that pervades existence, which is much more like the wind, and that is the poem everyone senses from time to time, whether they can read or not, whether they ‘care’ about the unit-like thing or not.—Mary Ruefle, from a 2013 interview with Andrew David King in Kenyon Review It’s hard to define a poem these days. But whether you call the short pieces in Mary Ruefle’s new book, My Private Property (128 pages; Wave Books), poetry or prose poems or essays or flash fiction or mediations or whatever, …Continue reading

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Roaming the Metaphorical ‘Jungle Around Us’ : Q&A with Anne Raeff

In Anne Raeff’s story collection, The Jungle Around Us (140 pages, University of Georgia Press), nine stories span decades, covering numerous lives and multiple “jungles”; urban, Amazonian, and metaphorical, to name a few. In these “jungles,” Raeff’s characters face a Russian nesting-doll of isolation. Here, the land itself is alien to those displaced far from their homes. Language barriers and internal turmoil prevent communicating fully with those around you. But Raeff also shows how these same places can be a shelter, a refuge for embracing or experimenting with aspects of oneself that may have otherwise been ignored or hidden. Some …Continue reading

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The Opportunity to Understand What’s Different: Q&A with Christine Sneed

Over the course of a relatively short but extremely productive literary career, Christine Sneed has already achieved a substantial, and enviable, body of work. Her first story collection, 2009’s Portraits of a Few of the People I’ve Made Cry, was awarded the AWP Grace Paley Prize and long listed for the Frank O’Connor International Short Story prize. Both for its attention to detail, and its close, caring, but unsentimental attention to the complicated lives of women (and men), Portraits is in Paley’s spirit at the same time as it honors the tradition of what O’Connor called “the lonely voice’’ that …Continue reading

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The Pain Hard to Name: Q&A with ‘Swallowed by the Cold’ Author Jensen Beach

The stories in Jensen Beach’s second story collection, Swallowed by the Cold (208 pages; Graywolf Press), demonstrate again and again that self-destruction doesn’t happen in a vacuum. In “Kino,” we meet a young man named Oskar who swears he intended to torch just his own boat, but who ended up setting fire to an entire marina. Oskar happens to work at what seems to be a gay brothel called Kino Club, which an uptight man named Martin frequents. The two encounter each other at a party where Martin’s wife, Louise, gets too drunk. Suffering under the weight of Martin’s self-denial, …Continue reading

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‘Language to Swarm and Eat’ the Hopelessness: ‘A Bestiary’ by Lily Hoang

Lily Hoang’s new book, A Bestiary (156 pages; Cleveland State University Poetry Center), proves why a healthy amount of skepticism—at times bordering on distaste—for the self is an undervalued trait in literature. Throughout her collection, Hoang blurs the line between personal essay and prose poetry as she takes stock of her life and often comes to some unflattering conclusions. Reflecting on an unsatisfying, on-and-off-again relationship with her lover, she writes, “I feel like a feminist poser, talking a big game about empowerment but living a reality of passivity and self-contempt.” A Bestiary offers a snapshot of a turbulent time in …Continue reading

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Realism’s Inability to Portray Reality: A Q&A with ‘Man & Wife’ Author Katie Chase

An internal refugee crisis in the United States; a modern America that tolerates decades-old, interfamilial vendettas; a city that keeps burning down year after year—these are the kinds of warped worlds captured in Katie Chase’s story collection, Man & Wife (220 pages; A Strange Object). Within these surrealities, Chase exaggerates societal traditions into distended proportions, focusing on the experiences of women at pivotal moments in their youth, examining their family dynamics, and, concurrently, their strange societies’ shifting norms. What’s even more unsettling is how eerily similar these worlds (and all the dramas that exist within them) are to our own. …Continue reading

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Healing the Phantom Pains Through Poetry: Q&A with Noelle Kocot

I turn to the poems of Noelle Kocot for the same reason I entered corn mazes as a kid: both are pleasurably unpredictable, and both transform everyday places into thrilling twilight zones. Though Kocot’s writing has covered a great deal of formal and conceptual terrain over the course of her seven books, her work has remained whip-smart and darkly playful, consistently carrying off great feats of imagination while orbiting an urgent emotional truth. These hallmarks are present in the restless quatrains of her Levis Poetry Prize-winning first collection, in the unflinching elegies for her late husband in Sunny Wednesday, and, …Continue reading

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