‘Language to Swarm and Eat’ the Hopelessness: ‘A Bestiary’ by Lily Hoang

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Lily Hoang’s new book, A Bestiary (156 pages; Cleveland State University Poetry Center), proves why a healthy amount of skepticism—at times bordering on distaste—for the self is an undervalued trait in literature. Throughout her collection, Hoang blurs the line between personal essay and prose poetry as she takes stock of her life and often comes to some unflattering conclusions. Reflecting on an unsatisfying, on-and-off-again relationship with her lover, she writes, “I feel like a feminist poser, talking a big game about empowerment but living a reality of passivity and self-contempt.” A Bestiary offers a snapshot of a turbulent time in […]

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An Honest Portrayal of Reckoning with Memory: Lizzie Harris’s ‘Stop Wanting’

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“I want to say what happened / but am suspicious of stories,” begins a poem in Stop Wanting (Cleveland State University Poetry Center, 72 pages), Lizzie Harris’s debut collection, winner of the Cleveland State University Poetry Center’s 2013 First Book Prize. The simple statement of these opening lines illuminates the entire collection, because at the root of these poems, Harris questions how to retell memory without overwhelmingly fictionalizing. This is especially difficult when what happened frightens both writer and reader. Yet Harris investigates her memory with grace and courage in such beautiful poetry that she leaves the reader shivering, line […]

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