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ZYZZYVA fiction.

Bile

When the Korean War ended in 1953, my father became restless. Korea lay in ruins, but there were no more enemy soldiers and no more bombs to flee. My father had become addicted to war. Without battles, he had no sense of urgency, no sense of drama. He had already survived, and like the rest of the country, he tried to pick up his life where he had left off. But he was not used to peace. He could make no sense of math equations as an engineering student; it all seemed trivial.

He made journeys into the countryside where he had grown up, hoping to reconnect himself. On one of his outings, he found a trapper gutting a bear. An idea came to him. He asked the hunter for the gall bladder of the bear.

My father put his tongue to the gall bladder. It tasted like the war. He smiled grimly. He could not fail. He could not turn back, because behind him were the Japanese army, the North Korean army, poverty, and abuse. He could not rest. This bile would be his medicine. He wrapped up the gall bladder and froze it. Whenever he felt he was getting too content, sleeping an hour too much, smiling a second too long, he would hunger for the taste of it, bitter, and clinging to his tongue.

As children, we learned that Daddy would have died if he had not had the bile: the bile reminded him of the misery and bitterness of suffering.

What I now realize is that the bitterness stayed inside him and traveled from his tongue, down into his belly, where it now churns.

 

Tradition runs strong in our family. We are Korean Americans, a strong line of warriors, descended from the Mongols. We are modern Genghis Khans, quick tempered but passionate, with chronicles of suffering living in our veins. We are nomadic, settling in a country that severed our mother country in half, with a tourniquet of barbed wire, swathed in khaki green.

Suffering is so much a part of the Korean psyche that we have given it a word, Han. It is a particular suffering, a sense of helplessness against overwhelming odds, a feeling of total abandonment. This word is part of what we call ourselves and our mother country, Hankook sahrahm, Hankook nahrah; Korean people, Korean land. This Han is silent and noble. It is our code and mantra.

 

On our Sunday hikes, my father brings up the rear. My brother Eugene, the Boy Scout, bounds up the hill on light bunny feet. Safe on the hiking trails of the San Gabriel Mountains, I try to enjoy the views beyond the silt of smog, but Father barks at us, that there is an army behind us. We quicken our pace. There are sharp-toothed men who want to kill us. They have shotguns, horsehair hats. They ride bareback, puff on long pipes, smoke opium, stab each other in the back.

Eugene runs up the hill out of earshot. Father, Mother, and I drip with effort, and we push ourselves to each crest out of this ancestral fear.

“Eugene! Wait for us!” I shout. I don’t see him anymore, and he doesn’t answer. The path bends mercilessly in the chaparral heat.

“Forget about him. He never wait. Stupid boy, never cares about us,” says Father.

Mother hits Father on the arm. “Leave him alone. You are bossy, maybe he’s running away from you.”

Father glares. Mother doubles her pace so that her shoes kick dust back at us over the switchback.

Up ahead, I imagine Eugene’s already arrived at the destination, a shady plateau of pine trees. He’s taking a long sip of water from the water fountain up there, and drinking in the views of Pasadena. He may even see us, a short and irritated snake making its way.

 

We gather in the kitchen to eat an early lunch. Our bodies, sweaty with the recent Sunday excursion, stick to the vinyl kitchen seats. Father looks straight at Eugene, points his finger and bellows, “You never wait for us!”

Eugene rolls his eyes and says, “Dad, you never give us a break.”

Father takes a breath and continues. “I am going to tell you about myself, your father. I had hard life, nothing to look forward to, just running away. Eugene, you run to something, like nothing pushing. We go hiking, you go away. You don’t wait for your own family? We have to enjoy together!”

Eugene replied, “You were just slow, and I waited for you at the top. What’s the big deal?” My brother kicks me in the leg.

I chime in. “Dad, please don’t worry so much. It’s not so complicated. Eugene just is in better shape. Don’t take it so seriously. We get it!” (Please, please do not tell the story again.)

“I gave up my dreams long ago and decided to have children instead. You don’t know your father, what I do for you! You know, I have to teach you good lesson, so you will never forget.” This sends my father into a synopsis of his life. We have it memorized.

“I don’t even know if my brother is alive. He fought against the Japanese, and they took everything, burned our house. I was five years old. But our family was a hero family, so our village supported us,” says Father. “Then the Korean War came, and my brother, he joined the Communists. Everyone hated us then. We had to burn his pictures. Still, we survived.”

So it was with my mother as well. “Your mommy, her family had to leave North Korea. They took only what they could carry. They put the money and gold and jewelry inside their clothes, inside the silk linings. Rich people became poor in one night!”

Then Mother adds, “But we were smart. Instead of eating only one bowl of rice a day, we mixed it with barley, so we ate a little more often. We always ate, even though sometimes we had to sell our clothes. Your grandma’s wedding dress, someone else owns it now.”

“Eugene, you are going to learn,” says Father. He nods at my mother, points at the refrigerator. My mother takes out a recycled plastic Safeway bag. We reuse plastic bags often, and it could contain anything, a box of ice cream or a package of dried seaweed. It does not send an alarm, but Eugene raises an eyebrow and I lean forward.

“We have something for you. It will help you like it helped your father.”

Eugene nods, distracted. “Enough with the story. I get it! I have heard it all before. You had a shitty childhood …”

“Don’t say shit! I don’t think you understand. I took the gall bladder of a bear and drank the bile! It reminded me of what I was working away from. I was working so I would have a better future. So I would have a better future than my past. My past is bile! You have to learn about your father. Who you are, you know?”

“You have to be tough, too,” comments Mother.

“You will learn, too,” says Father.

Mother hands the plastic bag to me, and goes to get a plate from the cupboard. The bag hisses open. Inside is a Ziploc bag, and inside it is a piece of flesh. It looks slimy like the innards of Foster Farm chickens. But this is larger than any chicken liver I’ve ever seen. It is pear-shaped and bruised in tones of blue and gray and brown. It is dying, deflating, defecating on itself. I fully expect it to pulse, but it lies still. It smells like a goat has parked itself in our kitchen.

Father gestures to me. “Open it! Take it out! Put it on the plate!” I take out the Ziploc bag and place it gingerly on the plate. Is this some kind of sick sushi?

“Open it!” snaps Mother.

I recoil. Mother and Father are on some screwed-up Old World kick, and I duck out of view.

“I won’t make you drink it like I did. You’re not like me. You will taste it, that’s all you need to do. But you will learn.”

I can only tell you the before and the after, because I did not watch them feed Eugene the bile.

I leave the room. I hear my mother unwrap the gall bladder and snag it with chopsticks. I hear Eugene’s footsteps, my father’s commands, the rush of water from the faucet. I imagine the bile as it fills Eugene’s body with poison and drains his face of all the pink flesh, leaving it pinched and brittle.

In the hallway outside the kitchen, I am surrounded by childhood awards and family pictures: Father smokes thin white cigarettes, leaning against a white tree trunk with dark gray leaves. He is wearing black pants and a white undershirt. He is lean and tanned. His shoulders are held back at attention, and his skin is taut, his eyes open wide. His gaze rests on something soft and gentle. He is at the point of remembering…

There’s a picture of me at Disneyland, holding an ice cream cone. My father has no pictures of himself as a child, and maybe that furthers the distance between us, because we have no proof that he was ever a child. He was born a jaw-clenching, wide-eyed man who drank bile.

Eugene brushes past me in the hall. “Move,” he says.

I move. “Hey.”

He looks up and past me.

“Never mind,” I say. There are no words of healing.

In this way, we inherit suffering. But the bile does not strengthen Eugene. It flows within him, as it did within my father, but it does not give him strength and resolve. Only resentment.

 

Long after the gallbladder has become a solid rock of ice next to the ice cream, Father asks me, “Should you taste the bile, too?”

I want to shout, “No!” but I don’t. I want to tell him that I think this is sick and perverted, but I don’t. I know what I have to say. Like my father, I know how to survive.

I know the answer to this. My father coached me a million times.

“I’m a Hankook sahrahm. I understand why I need this bile, because I already have this bile.”

Father nods. He walks out of the kitchen, his feet squeaking against the linoleum.

He leaves a wake of anger in his path, and my mother and I sponge it up. We don’t want him to return and refuel; it’s easier when he does not see what he does to us, even though I think he should. I sit on the stool and stare out the windows into the cul de sac.

Mother scurries around, washing dishes. “You know your father, he really lives just for you. He really loves you, but it comes out all wrong,” she apologizes. I stare at her Han figure.

I walk into the backyard and stare at the wall, covered in honeysuckle. The scent is sweet, and the drunken bees lumber slowly through the vines. The sun beats against me, and my plastic sandals mold against my feet and stick slightly to the concrete path as they make “smuck-smuck” sounds on the patio pavers.

I’ve walked into a fireplace and I just want a little relief. I wonder what would happen if I could disappear. I wonder how mad my father would be. The neighbors’ wall looms just ahead.

I drag one of the backyard benches over to the wall, and I sit in its shade. I cannot stay sitting for long. I stand on the bench to look over the wall into the neighbors’ backyard. The Andersons are away on vacation, and we are on neighborhood watch.

Inside the house, I hear my father yelling at Eugene. Doors slam. My mother makes kitchen noises, the clattering of dishes on countertop tile and porcelain sink. All this, amidst the bees and heat. I can either go inside the cool, poisonous house or melt outside.

My legs twitch. I’ve been standing still, stretched over the wall, and I ache. I have also been holding my breath. I let out a desperate exhalation. The Andersons’ lot is on a higher elevation than ours; it would not be a long fall from the wall. I climb the wall slowly, so as not to anger the venomous bees, but I’m stung before I swing my leg over the top and fall into the Andersons’ yard.

I limp to one of the lounge chairs and sit down. There’s a welt on my leg with a stinger pulsating in the middle of it. I pull it out, but the pain is still there. A dark part of me wells up and receives that pain. Out of my numbness arises the cathartic pain of a bee sting. It loosens the knot in my belly. I can breathe a little now. If I focus on the pain enough, the knot travels a little up my throat.

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Melinda, Doing Her Best

“I think she’s a bad person,” said my friend Fred Hirsch, his face creased into lines of grief, failure to sleep, defeat. A graduate student with a decent job coming up, he was too early for those etchings and purplish bruises.

The person under discussion, Melinda Hopkins, seemed like a fairly standard California and Stanford beauty, except for the shy way she had of not meeting the eyes when you looked at her. The population tended to look at her. Flaxen hair with almost no wave in it; tennis shorts on campus or, for more formal occasions, white tennis dresses; an unusual smoldering thing going on in those eyes that did not meet mine and, according to stricken garrulous Fred, did not meet his, either, as he loomed above her or squirmed beneath her. He said she had a talent for computers, was working on advanced programs for import-export purposes. Even when she made love, or a kind of love, looking into the eyes of others, it was a distraction from her interior life. “Bad, bad person,” Fred repeated.

“She did harm to you, maybe,” I said, a true buddy, “but that’s because you chose to fall. Let yourself get done to.”

Bad.”

“Hey, come off it. Let’s just say what kind of person she is has yet to be determined. Just, far as you’re concerned, it was a bad deal, okay?”

Closing out my buddy duties for the spring quarter.

Melinda, graduating on one of those glorious June days, kissed her dear ones goodbye, kissing Fred and then turning to me with the same lightning brush against the mouth.

Her father lived in Belgium (sometimes she saw him during the summers); her mother was an actress in New York. It wasn’t convenient for her parents to show up for graduation ceremonies. “They’ve been there, done that,” she explained. “Anyway, Mom is an ingénue, working at it in New York, still the ingénue.” She was smiling more than just at one corner of her mouth, enough smile to assure Fred and me that she saw the humor in her mother’s career. “But she’s not forty yet—well, maybe—so why shouldn’t she play twenty-two-year olds?”

I asked Melinda if she was interested in acting or modeling, and she said they were fifth and sixth on her list of interests, after sheep-ranching in Australia, running garage sales, knitting multicolored skull-caps for Hassidim, and—her serious talent—writing computer programs. “But that’s lonely sometimes,” she said. “So maybe I should get into the ingénue business, like Mom.”

Clever Melinda seemed to have some humor or at least irony. Sad young people often develop this as a useful device.

“I’d like it if you stayed in Palo Alto with me,” Fred said, ever the hopeless nerd. “We could get married?” It was a question. He wanted me as a witness.

She wouldn’t tell him where his idea could be found on her list of career alternatives, but she puffed out her cheeks in a throw-up gesture. She didn’t like it when Fred talked dirty to her, and as to tenure with an untenured professor — hadn’t been there, didn’t want to do that.

“I’m sure Stanford is a fine school with an excellent reputation,” she said. “And I love the architecture, too, all those beige buildings, that time in the computer lab, those rich kids with their fathers living in Belgium or someplace.”

 

Folks like Fred and many other young men tend to judge people by what they do, inadvertently or advertently, and what they look like, and how they happen to lock into the guy’s dreams. Fred made a mistake to set his sights on this high I.Q. campus belle with the programming talent; she was too much for him, her wildness searching to waste something more than a Fred. Personally, of course, well-warned and prudent, all I wanted to do was follow her to the ends of the Earth.

Instead, when Fred and she stopped seeing each other, and I was no longer on campus either, I lost track of Melinda. She ducked. She disappeared off my screen, but I imagined she was still on her own.

And then I heard she was in prison. It shouldn’t make a difference, but I especially disliked the idea of somebody like her doing time. The charge was smuggling cocaine in her luggage on a flight from Ecuador; what did she think, that the dogs and the narcs couldn’t meet her eyes and therefore would spend all their time trying to get Melinda to look at them? That they would spend their strength sniffing at her and not noticing that she was a mule? That a flight from Ecuador was safe because it wasn’t a flight from Colombia?

Her karma was that of a winner, not a loser?

Her Colombian boyfriend had given her such guarantee. “Just carry this, Me-leen-da, and you get twenty thousand nice ones and I get whatever the market turns out to be. I also am taking a chance, my sweet.” He, of course, took another flight.

The market held firm, so in general he won. Coke sales are more reliable than other forms of retail.

On the other hand, a tipster with problems of his own gave her up, so in specific Melinda lost.

The friend who called her Me-leen-da decided to head someplace where there was no extradition treaty with the U.S. to avoid all the time-consuming legal hassles. As to Melinda, sorry about that. Sheet happens.

Fred had given me the news and a few years later told me she was getting out, maybe hadn’t been raped by the matronly truck-driver population of her federal prison, and now what should he do? Surround her with caring, pay for therapy, woo her with his kindness into a new life program that might also include Fred?

“Stay away,” I said.

“Can’t,” he said (wailing).

“Then why are you asking me?”

As it turned out, it was I who had the chance to avoid contact with this bad-luck Melinda, formerly of Stanford University. She called from San Francisco, where I live, and said: “Beached here, man.”

Yes, I would take her to dinner. Probably I also wanted to see what twenty-two months in a federal prison looked like on this fresh-faced, shy-eyed young computer programmer.

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Enter Harlow

Those who know me now will be surprised to learn that I was a great talker as a child. We have a home movie taken when I was two years old, no soundtrack, and by now the colors have bled out—a white sky, my red sneakers a ghostly pink—but you can still see how much I used to talk.

I’m doing a bit of landscaping, picking up one stone at a time from our gravel driveway, carrying it to a large tin washtub, dropping it in, and going back for the next. I’m working hard, but showily. I widen my eyes like a silent film star. I hold up a clear piece of quartz to be admired, put it in my mouth, stuff it into one cheek. My mother appears and removes it. She steps back out of the frame, but I’m speaking emphatically now—you can see this in my gestures—and she returns, drops the stone into the tub. The whole thing lasts about four minutes and I never stop talking.

I’m prettier as a child than I’ve turned out, towheaded back then and dolled up for the camera. My flyaway bangs are pasted down with water and held on one side by a rhinestone barrette shaped like a bow. Whenever I turn my head, the barrette blinks in the sunlight. My little hand sweeps over my tub of rocks. All this, I could be saying, all this will be yours someday.

Or something else entirely. The point of the movie isn’t the words themselves. What my parents valued was their extravagant abundance, their inexhaustible flow.

A few years later, Mom read us the old fairy tale in which two sisters return from the well speaking in flowers and jewels (the younger) or toads and snakes (the older.) The image in my head then was from this same movie, of my mother reaching into my mouth for the glassy stone, my words falling from my lips as gems.

Still, there were occasions on which I had to be stopped. When you think of two things to say, pick your favorite and only say that, my mother suggested once, as a tip to polite social behavior, and the rule was later modified to one in three. My father would come to my bedroom door each night to wish me happy dreams and I would speak without taking a breath, trying desperately to keep him in my room with only my voice. I would see his hand on the doorknob, the door beginning to swing shut. I have something to say! I’d tell him, and the door would stop midway.

Start in the middle then, he’d answer, a shadow with the hall light behind him, and tired in the evenings the way grown-ups are. The light would reflect in my bedroom window like a star you could wish on.

Skip the beginning. Start in the middle.

 

So the middle of my story comes in the winter of 1996. By then, we’d long since dwindled into the family that old home movie foreshadowed: me, my mother, and, unseen but evident behind the camera, my father. In 1996, ten years had passed since I’d last seen my brother, seventeen since my sister had disappeared. The middle of this story is all about their absence, though if I didn’t tell you so, you wouldn’t notice. By 1996, I was no longer at home myself. Weeks went by in which I hardly thought of them.

Leap year. Year of the fire rat. President Clinton had just been re- elected; it would all end in tears. Kabul had fallen to the Taliban. The Siege of Sarajevo had ended. Charles had recently divorced Diana.

Hale-Bopp came swinging into our sky. Claims of a Saturn-like object in the comet’s wake first surfaced that November. Dolly, the cloned sheep, and Deep Blue, the chess playing computer program, were superstars. There was evidence of life on Mars. The Saturn-like object in Hale-Bopp’s tail was maybe an alien spaceship. In May of ’97, thirty-nine people would kill themselves as a prerequisite to climbing aboard.

Against this backdrop, how ordinary I look! In 1996, I was twenty- two years old, meandering through my fourth year at the University of California, at Davis, and still maybe only a junior or maybe a senior, but so thoroughly uninterested in the niceties of units or requirements that I wouldn’t be graduating anytime soon. I had no particular ambitions beyond being either widely admired or stealthily influential—I was torn between the two. It hardly mattered, as no major seemed to lead reliably to either.

My parents, who were still paying my expenses, found me aggravating. My mother was often aggravated those days. It was something new for her, analeptic doses of righteous aggravation. She was rejuvenated by it. She’d recently announced that she was through being translator and go-between for me and my father; he and I had hardly spoken since. I don’t remember minding. My father was a college professor himself and a pedant to the bone. Every exchange contained a lesson, like the pit in a cherry. To this day, the Socratic method makes me want to bite someone.

Autumn came suddenly that year, like a door opening. One morning I was bicycling to class when a large flock of Canada geese passed overhead. I couldn’t see them or much of anything else, but I heard the jazzy honking above me. There was a tule fog off the fields and I was wrapped inside it, pedaling through clouds. Tule fogs are not like other fogs, not spotty or drifting, but fixed and substantial. Probably anyone would have felt the risk of moving quickly through an unseen world, but as a child, I had a particular penchant for slapstick and mishap, so I took the full thrill from it.

I felt polished by the wet air and maybe just a little migratory myself, just a little wild. This meant I might flirt a bit in the library if I sat next to anyone flirtable or I might daydream in class. I often felt wild back then; I enjoyed the feeling, but nothing had ever come of it.

At lunchtime I grabbed something, probably grilled cheese, let’s say it was grilled cheese, in the school cafeteria. I was in the habit of leaving my books on the chair next to me where they could be quickly moved if someone interesting came by, but would discourage the uninteresting. At twenty-two I had the callowest possible definition of interesting and, by the measure of my own calipers, was far from interesting myself.

A couple was sitting at a table near me and the woman’s voice gradually rose to the point where I was forced to pay attention. “You want some fucking space?” she said. She was wearing a short blue T-shirt and a necklace with a glass pendant of an angelfish. Long, dark hair twisted messily down her back. She stood and cleared the table with one motion of her arm. She had beautiful biceps; I remember wishing I had arms like hers.

Dishes fell to the floor and shattered; catsup and cola spilled and mixed in the breakage. There must have been music in the background, because there’s always music in the background now, our whole lives soundtracked (and most of it too ironic to be random. I’m just saying.), but honestly I don’t remember. Maybe there was only a sweet silence and the spit of grease on the grill.

“How’s that?” the woman asked. “Don’t tell me to be quiet. I’m just making more space for you.” She pushed the table itself over, swung it to one side. “Better?” She raised her voice. “Can everyone please leave the room so my boyfriend has more space? He needs a fucking lot of space.” She slammed her chair down onto the pile of catsup and dishes. More sounds of breakage and a sudden waft of coffee.

The rest of us were frozen—forks halfway to our mouths, spoons dipped in our soups, the way people were found after the eruption of Vesuvius. “Don’t do this, baby,” the man said once, but she was doing it and he didn’t bother to repeat himself. She moved to another table, empty except  for a tray with dirty dishes. There she methodically broke everything that could be broken, threw everything that could be thrown. A saltshaker spun across the floor to my foot.

A young man rose from his seat, telling her, with a slight stutter, to take a chill pill. She threw a spoon that bounced audibly off his forehead. “Don’t side with assholes,” she said. Her voice was very not chill.

He sank back, eyes wide. “I’m okay,” he assured the room at large, but he sounded unconvinced. And then surprised. “Holy shit! I’ve been assaulted!”

“This is just the shit I can’t take,” the woman’s boyfriend said. He was a big guy, with a thin face, loose jeans and a long coat. Nose like a knife. “You go ahead and tear it up, you psycho bitch. Just give me back the key to my place first.”

She swung another chair, missing my head by maybe four feet—I’m being charitable; it seemed like a lot less—striking my table and upsetting it. I grabbed my glass and plate. My books hit the floor with a loud slap. “Come and get it,” she told him.

It struck me as funny, a cook’s invitation over a pile of broken plates, and I laughed once, convulsively, a strange duck-like hoot that made everyone turn. And then I stopped laughing because it was no laughing matter, and everyone turned back. Through the glass walls I could see some people on the quad who’d noticed the commotion and were watching. A threesome on their way in for lunch had stopped short at the door.

“Don’t think I won’t.” He took a few steps in her direction. She scooped up a handful of catsup-stained sugar cubes and threw them.

“I’m finished,” he said. “We’re finished. I’m putting your shit in the hallway and I’m changing the locks.” He turned and she threw a glass that bounced off his ear. He missed a step, staggered, touched the spot with one hand, checked his fingers for blood. “You owe me for gas,” he said without looking back. “Mail it.” And he was gone.

There was a moment’s pause as the door closed. Then the woman turned on the rest of us. “What are you losers looking at?” She picked up one of the chairs and I couldn’t tell if she was going to put it back or throw it. I don’t think she’d decided.

A campus policeman arrived. He approached me cautiously, hand on his holster. Me! Standing above my toppled table and chair, still holding my harmless glass of milk and my plate with the harmless half-eaten grilled cheese sandwich. “Just put it down, honey,” he said, “and sit for a minute.” Put it down where? Sit where? Nothing in my vicinity was upright but me. “We can talk about this. You can tell me what’s going on. You’re not in any trouble yet.”

“Not her,” the woman behind the counter told him. She was a large woman, and old—maybe forty—with a beauty mark on her upper lip and eyeliner collecting in the corners of her eyes. You all act like you own the place, she’d said to me once, on another occasion, when I sent back a burger for more cooking. But you just come and go. You don’t even think how I’m the one who stays.

“The tall one,” she told the cop. She pointed, but he was paying no attention, so intent on me and whatever my next move would be.

“Calm down,” he said again, soft and friendly. “You’re not in any trouble yet.” He stepped forward, passing right by the woman with the braid and the chair. I saw her eyes behind his shoulder.

“Never a policeman when you need one,” she said to me. She smiled and it was a nice smile. Big white teeth. “No rest for the wicked.” She hoisted the chair over her head. “No soup for you!” She launched it away from me and the cop, toward the door. It landed on its back.

When the policeman turned to look, I dropped my plate and my fork. I honestly didn’t mean to. The fingers of my left hand just unclenched all of a sudden. The noise spun the cop back to me.

I was still holding my glass, half full of milk. I raised it a little, as if proposing a toast. “Don’t do it,” he said, a whole lot less friendly now. “I am so not playing around here. Don’t you fucking test me.”

And I threw the glass onto the floor. It broke and splashed milk over one of my shoes and up into my sock. I didn’t just let it go. I threw that glass down as hard as I could.

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Get Lost

Homeless Dude living in the alley across the street has found a creative way to keep warm. It involves a blowdryer and an industrial outlet near the dumpster. Dude spends half his day blowdrying himself. His dirt-gray tennis shoes with the toes sticking out, his shredded MC Hammer pants revealing a scabby pair of knees, his torn Hawaii sweatshirt with what I hope are ketchup stains all over the front. Being the friendless clinically depressed loser I am, I spend most of my free time watching him from my breakfast table three stories up.

“Dude,” I tell him on my walk to the bus stop Monday morning. “You’re seriously going to kill yourself if you don’t stop it with the blowdryer.”

“Why’d I kill misself?” he asks with a gap-toothed grin as he blowdries his armpits. The alley stinks like singed clothes and ancient sweat and the garbage bins he calls Home.

“Because it’s October, and the rain starts soon—” “Gotta cigarette?”

“No.” A lie.

“Gotta quarter?”

“No.” Another lie. I clutch my messenger bag tighter.

“I ain’t gonna kill misself.” He points the blowdryer at me, hot and nasty.

“Stop,” I say, pulling back my hair, which is everywhere.

“Warm, ain’t it?”

“Smells like burning.”

“I ain’t gonna kill misself,” he shouts louder. I hear someone from my building slam a window shut. “Wanna know why?”

“I need to get to work,” I tell him. I turn and walk up the street and regret the conversation.

“Cause I’m invincible!” he screams after me. “I’ll be invincible ’til I die!”

“Sure thing, Dude,” I say under my breath.

 

I can barely make rent lately. I’m a professional dogwalker. It was kind of my life dream to start this quote unquote business. My best friend Candy wants to sing the blues and I want to exercise pooches. We all have our calling, my father would say. He works for God. White collar. Black suit. He sends his regards in the form of a card once a month, cards with comic dogs on them. I miss him like hell.

I moved from Weed this past May with Candy, best friend since before my memory begins. We came to S.F. to pursue our dreams. There are a lot of nightclubs and restless canines in this city. But snap, I’m talking overnight, Candy fell in love with a man and eloped with the man and soon got impregnated by the man and left me alone in this crappy Tenderloin apartment where I can barely make rent. This was two months ago. I’ve been wandering around this stupid city with all these flashy signs and high rise apartments and hipster haircuts, wandering like a zombie with several dogs on several leashes. Confession: Candy left behind a pillow and I hug it to sleep at night. I never turn the light off, either.

I recently turned twenty-one and got drunk and sat in the back of a dark bar and listened to Candy sing a bunch of Dinah Washington and Nina Simone covers. I wore a fabric flower in my hair and cried into my greyhound. It didn’t start out that way. I was going to surprise her, but then the drunker I got, the more ridiculous I felt, and the more ridiculous I felt, the more I cried, and the more I cried, the more I drank, and the drunker I got. And the cycle, it repeated. Luckily she didn’t notice me. It was crowded. It was dim. I slipped out the back while she sang “Lover Man.” It’s been a month since she bothered to drop by the TL apartment and she hasn’t even invited me to see her new place. His place. I blame my clinical depression on Candy.

 

Oh I still call her, though, and inject fake-happy into my voice and act like everything’s just the best fucking thing in the whole world.

“Hi, Frankie,” she says. “I only have a sec. I just got my ultrasound!”

We squeal. I am sitting at my breakfast table scribbling out a crossword puzzle with an ink pen. “How big is it?”

“Smaller than a finger!”

I draw a finger on my finger. “Wow, just a tiny little worm! What else have you been up to? It’s been days.”

“Things have been just so crazy. Jack’s parents came into town last week, total whirlwind. We just finally got the place clean again.”

I imagine some fancy apartment, one of those skyscrapery buildings that make me nervous with a view of all the bridges and the freeways and the sea of downtown lights. “When do I get to see it?”

“Like I’ve been saying: girl time, soon. I’ve just been so nauseous is the thing.

I draw a baby on an envelope on the table. It has one eye.

“Did you get my birthday present?” she asks. She sent me a package in the mail even though we share a zip code.

“Yeah.” Pink fisherman’s hat. I love it. I wear it every day. “I’m wearing it right now.”

“Well, I hope you had a good birthday,” she says. I draw flames around the one-eyed baby.

“Yeah.” I wish I could tell her I heard her sing on my birthday, and that she sounded like velvet with a voice.

“Okay, well, hope you’re good.”

“I’ve been super busy,” I say, looking at my calendar, which I realize  is still on last month’s page: the dachsund. I flip it to the beagle and sit back down.

“How’s the apartment?” she asks.

“Same. You know. Watching the nonstop adventures of Homeless Dude through the window.”

“How is Homeless Dude?”

“He’s got a blowdryer and he spends his days blowdrying his smelly ass—”

“Jack’s home! Jack, honey, me and baby are hungry, do you want to make us a sam-wich?”

“To keep warm,” I say, not caring she’s not listening as I tear the envelope with the burning baby on it into tiny bits. “Dude does it to keep warm.”

 

Sometimes I browse dating websites and look at men and women and imagine dating them. I imagine waking up next to them with bedhead, I try to picture the smell of them. I shut my computer. I dated before, but that was back in Weed, where I knew everyone face to face, customers at the pizza parlor or friends of the family or whatnot. Here the people are closer and everywhere on the streets, but there are oceans of awkwardness and strangeness dividing us. If I could, I would live with a hundred dogs. Back home, dad has six golden retrievers. But here Candy picked the apartment that explicitly said no pets in the lease. And now she and Jack live with The Awesomest Dog in the Universe, a blue-eyed husky named Major Tom she sends me picture texts of. Cute!!! I text back while writhing alone in my jealousy. I walk rich people’s pooches in the urban tree-spotted streets of San Francisco. I dream my best friend moves back in with me and we share a bed, I dream I kidnap dogs. I’ve forgotten how to smile back at strangers. No wonder I’m suicidal.

 

On my twenty-first, I walked home drunk in my silver dress, crying my eyeliner down my rouged cheeks. Men woowooed at me out of car windows. Drug dealers offered me a sniff. I passed Homeless Dude curled up asleep with the blowdryer beside him and stopped by the corner market for a pint of Smirnoff and a small OJ. I said to myself, if the guy behind the counter doesn’t say happy birthday to you, then you’re going to go home and kill yourself. And guess what? He didn’t even check my ID or smile back. He looked at my chest and yawned and handed me my change. Little did he know my life was in his latex-gloved hands.

Clearly I didn’t kill myself that night. But I googled suicide and read about it for several drunken hours. Did you know that, worldwide, 30 percent of people commit suicide through the ingestion of pesticides? I found that really interesting and then spent some time Googling pesticides. I looked at firearms online and read about the proper way to slit one’s wrists. I was planning on taking a cab to the Golden Gate Bridge to jump, but ended up passing out on the couch and drooling all over my laptop instead. I’m glad I didn’t jump off the Bridge. It would have been too melodramatic and clichéd. I’m still looking for the best way to die.

 

Today the sky looks gray and ready to turn teary so I open my window to yell at Homeless Dude. I’m eating a PB and J and worried about electrocution again.

“Enough already,” I say. “Don’t you see the clouds?”

“What?” he screams up at me. “You talkin’ to moi?

“I think it’s dangerous, what you’re doing.” I shake my half-eaten sandwich for emphasis.

Whatchu just call me, bitch?”

“I didn’t call you anything—”

“Shut the fuck up, both of you,” yells a man from an upstairs window.

“Fuck you,” I yell upwards in his general direction, and it feels good.

“Fuck you,” Homeless Dude screams, brandishing his blowdryer.

“Fuck all of you,” I say. Feels less good the second time, but still good.

I slam the window shut. Make a mental note to self: say fuck you more often. Maybe call Candy and say, Hey, fuck you, Candy.

And that’s the extent of my human interaction today. Saturday. Day off.

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Princess

The secret to perfect crust is to touch it as little as possible. Jill washes her hands and then gathers the dough into a ball, rolling it out on the countertop. The dough presses into cracks in the old laminate, and she hopes it’s not picking up too much grime. She bought the marble rolling pin special for today, along with eight little aluminum pie tins and child-sized aprons, printed with strawberries and trimmed with eyelet, like something from the 1950s.

“How very Martha,” Liz joked, when Liam tried one on over his dinosaur underpants. “Why I need a skirt to cook?” he asked. He has never seen either of his mothers in an apron. Jill doesn’t wear one to cook, and Liz doesn’t cook.

For Liam’s fourth birthday, he wants a baking party. He loves to help Jill in the kitchen, flinging oily salad greens onto the table, lunging for onions as she’s slicing them, punching at the blender before she has secured the lid. The kitchen wall is splattered with dried pesto and smoothie. He is gaining independence, she reminds herself, borrowing a technique from a parenting book that advised reframing criticism in a positive way. Stubborn becomes determined; whiny is insistent; annoying is spirited. According to this book, children model what they see, echo what they hear, and perform to expectations. Jill and Liz have high expectations for Liam, although of course he can be whatever he wants. At the moment, he wants to be a bus driver or Batman, insisting he does too know who Batman is, although they don’t have a TV and he’s never been exposed to violent cartoons—not like the ones Jill used to watch as a kid, a relentless chase of predator and prey.

She surveys the kitchen, checking to make sure everything is ready for the preschool onslaught. She has rolled out the crust and cut it into circles, so the kids can press it into the little pie tins. The cinnamon, sugar, and butter have been pulsed to a crumb. All that’s left is to peel and slice the apples, which she’ll do at the last minute so that they don’t brown.

It’s hard work, giving little kids the illusion of being in charge, having to do everything for them while allowing them to think they’re doing it all by themselves. For a moment, Jill regrets having insisted that she didn’t need help with this party, sending Liz off to the med school library to study for finals. “It’s just eight kids,” she said, “Hardly brain surgery.” This is their new joke, now that Liz is a resident in neurology. “It’s the least I can do,” she said, meaning, at least I can do this. The truth is, Jill prefers being alone with small children. Only when she is by herself with them can she be herself with them.

“Is it time for my baking party?” Liam says, seizing her by the legs and peering up at her, flushed with anticipation. For the past two weeks, ever since he placed invitations in each of the cubbies at preschool, he has climbed into their bed every morning, asking, “Is it my party today? Why it’s not now yet? When’s it going to be now?” With expectations that high, Jill feared that he was bound to be disappointed, but Liz pointed out that so far, even when things don’t live up to his fantasies, he doesn’t seem to realize it. He’s still innocent like that, still their sweet baby. She leans down to lift the hem of his T-shirt, which says, “Boys Can Too Wear Pink,” planting her lips on his sticky belly. Before they had Liam, she found kids a little repellent, in a way she remembers like a fact but can no longer feel. Nothing about him disgusts her, not really, not yet. She wonders if it ever could.

The buzzer sounds and Liam bounds to the front door. All of the kids seem to spill in at once—Beckett and Kai, Oscar P., Oscar M., Jasper and Penelope—dutifully greeting her, hiliamsmama, before relinquishing wrapped presents on the hall table and chasing after him down the hall to his bedroom, or rather the room that is half his bedroom, half her office. One-quarter her office, if she’s going to be honest. Ten percent and shrinking.

Penelope’s mommy—her name is Nicole, Jill reminds herself—asks to use the bathroom, and Jill wonders if she should invite her to stay for coffee. She runs through the list of what she knows about this woman. Nicole is an endodontist (how is that different from being a dentist?), and a rabid Giants fan; she boasted that she didn’t take off the team shirt for the two weeks they played the World Series, although mysteriously it never seemed to get dirty. Her daughter, Penelope, is Jill’s favorite kid in the class, almost freakishly good at everything she tries, a butch three-year-old with the face of a middle-aged woman and a will of steel. She and Liam are best friends, when they’re not at each other’s throats. A toddler power couple.

Nicole trails after her daughter into Liam’s bedroom/Jill’s office. This morning, Jill got out a Mexican oil cloth, patterned with baskets of fruit, and laid it over her desk, covering it with finger paint and construction paper and Play-Doh, before changing her mind and putting everything away again, instead setting up a stack of the books she’s researching for her dissertation—some by her former grad school classmates—their intriguing titles facing out. She was aware of herself creating a still life: Woman as Scholar. Sometimes, at the preschool drop off, she sees the other mothers eyeing her in her yoga pants, and worries that they think she’s some kind of lady of leisure, some desperate housewife. Liz thinks it’s hilarious that she cares at all what “the other mommies” think, but Liz is going to be a brain surgeon. She never has to drop Liam off at school.

“That’s so cute,” Nicole says, smoothing Liam’s quilt, each square made from a vintage flour sack. “Where did you get it?”

“Actually I made it,” Jill says, not sure whether to be proud or embarrassed of her little craft project. She remembers piecing this quilt while Liz lay on her side in the last trimester of her pregnancy, on bed rest due to high blood pressure. Jill wanted to finish the quilt by the due date, but Liam came three weeks early.

“You’re such a good mom,” Nicole says.

“Thanks,” Jill says.

“I wish I had more time to make cute stuff.”

It’s hardly a criticism, but Jill feels prickly nonetheless. She wants to set the record straight, establish that she doesn’t spend her days doing needlepoint. For the past five years, she has been working on a dissertation on captivity narratives in early American literature, an irony that’s not lost on her. There is no expiration date on when she can file, but neither is anyone waiting with baited breath. Every few weeks, she opens the document entitled “work in prog,” and skims a few pages, marveling at how fluid and unfamiliar the language seems. She can’t remember having had those thoughts, shaped those sentences. They talk about “Mommy brain,” but Liz is the one who gave birth to Liam, the one who was flooded with hormones, who could have used this as a justification for slacking off, not that she ever did. Liz may be the biological mother, but somehow Jill became the wife.

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Politics

The strike began.  He went to the lobby with the intention of arranging a taxi to Patan Hospital, but none, said the concierge, were available. Literally, none. So thoroughly unavailable that, if you wanted to leave the country, you had to walk to the airport. And, in fact, a lot of people were doing that, with hired porters carrying their luggage. Nepal was shut down—no banks, shops, cars, trucks, no goods coming in or out of Kathmandu, nothing happening, nothing moving. “How long is this going to last?” he asked the concierge. “I have somewhere I have to go this morning.” But the concierge just shrugged and smoothed his eyebrows. “Outside is not good,” he warned.

He took matters into his own hands. His ex-wife, a journalist — technically she was still his wife because they hadn’t signed divorce papers yet — had been traveling in the remote east when the car she was a passenger in veered into a bus, killing 3 people and injuring 16, and now she had twenty screws in her pelvis. Her spleen had been removed, but there was concern about tetanus. Erring on the side of caution, he was going to have her transferred to a Level One Trauma Center in Delhi, and that was why he had to get to Patan this morning. Strike or no strike, he was headed there to fill out paperwork and start things moving. In other words, unlike a lot of the Hyatt Regency’s guests, he wasn’t in Nepal for a trek in the mountains, a rhododendron tour, or a bird watching expedition — but there was no point in telling the concierge this. So instead he found the “business center” — three battered Dells around a corner from the reception desk — and Google-mapped the shortest walking route to Patan. Seven-point-eight kilometers — five miles. Two hours at most. With a bottle of water, a hat, and sunscreen, walking would be his answer to this strike. He printed out the map, got his water, hat, and sunscreen from his room, returned to the lobby with these things in hand, and, waving at the concierge, left.

His map, he soon found, was misleading. He wanted, first, to get to the Ring Road — a straight shot, according to Google — but in truth the indicated route, beyond the immediate pale of his hotel, was a maze of muddy alleys full of flies, dog shit, mangy curs, garbage, and — most immediate of all — poor people. The area was called Boudhanath, and according to his guidebook it was full of Buddhist monasteries. Sure enough, he saw monks walking around. The big point of interest in Boudhanath was its gargantuan stupa, which, according to the guidebook, contained relics of the Buddha. That explained the many shops — right now, all with metal roll-doors down — under signs indicating that they sold things for tourists, like Buddha figurines, prayer rugs, prayer flags, incense, postcards, and thangka paintings. At the moment, though, they sold nothing, because of the strike. Instead of selling goods and wares, the merchants were sitting around, and so was everybody else, except for a few kids playing cricket in the street because — for once, he realized — there were no cars and trucks to stop them, except that on occasion someone blasted through on a motorcycle, taking, he supposed, a political chance. Young guys, reckless and cavalier, always with a passenger, sometimes two. As soon as they passed, things fell quiet again. It was a hot morning in early May — dogs asleep in the shade, garbage reeking. And beggars everywhere. Some were lame and sickly, immobile and imploring, but most were urchins who trotted along next to him trying to look and sound more pathetic than they were. Not that they weren’t pathetic. Half-naked, unwashed, they naturally and inevitably plucked at your heartstrings. But still, he wished they wouldn’t tap his hip eight thousand times in a row while saying “Sir, sir, money, money,” or otherwise, in their half-intelligible ways, pleading their insistent cases. He didn’t think of himself as uncharitable or unkind, but this — this insistence — this was too much. Not the proper context for giving, not the right way, too many unknowns, too invasive, too ambiguous. He decided to pretend these child-beggars didn’t exist, that he didn’t hear or see them, but that was even more infuriating, because it embroiled him, now, in self-examination, and in pondering the conclusion he was rapidly coming to — that you couldn’t win in a case like this. That no matter what you did, you were wrong.

Beset this way, he came to the Ring Road. The Maoists had taken control of it, he could see, by clogging the intersection. In red shirts and bandannas they milled with restless zeal, listening to a speaker exhort them through a bullhorn. Except for a few motorcycles, some oxcarts, bicyclists, water trucks, and a couple of ambulances, the Ring Road was, for the moment, pedestrians only.  In a way, that was lucky; he wouldn’t have to dodge cars. Trying to look full of confidence, bold, he crossed the Ring Road and pressed on toward the hospital. Now his way felt clear and unimpeded. He’d left the tourist zone of Boudhanath behind, which meant fewer beggars, con men, and touts. Once, he saw an air conditioned bus coming at him with a large sign on its windshield reading TOURIST ONLY, as if that was a talisman that could thwart tossed rocks. As far as he could tell, the sign was working. The bus seemed to have carte blanche despite the strike. But then he saw that, behind the bus, there were two Jeeps full of soldiers in blue camo fatigues. They had weapons in their hands and slung across their shoulders. On he walked, with sweaty duress, bulling past the frowns of red-shirted teen-agers, some of whom brandished long, thick staves. Troops had taken up positions. Some kept watch behind sandbagged outposts, while others stood or crouched in the shade, or bounced past in fast-moving, canopied carriers. Well, it wasn’t his business, whatever was going on. None of this had to do with him. But then he came to what his map called a river — mud, plastic bags, garbage, shit — and the road he was on became a bridge blocked by Maoists. Fortunately they were letting pedestrians cross, except that, when he tried to cross, a caramel-skinned and gaunt, tense teen put a hand on his chest to check his progress. They stood like that, facing each other, the Maoist with his imposing stave, he with his sunscreen, water bottle, and hat. While other pedestrians passed in droves, the reality of his circumstances gradually became clear to him: he had to go back, he couldn’t cross.

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Lost Coast

He wasn’t difficult to find. For a time, in the small little world I inhabit, he was everywhere. These days all you need is six songs and some blog traffic to make people believe you might be a homespun genius, a blessed saint, a prophet of the unconscious. I got his number from his record label — press connections and called him up.

“Well, fuck me, Walt.” His Midwestern twang was mixed up now with a California drawl. “It’s pretty fantastic to hear from you. I mean, shit, I was just thinking about you the other day. How the hell you doing? You doing good?”

“Not as good as you. You’re blowing up out there, aren’t you?”

“Aw, man, just a run of luck.”

I went on about how great the EP sounded, practiced in my art of inflated praise. He begged off, talked about his collaborators and how the spirit of the old lighthouse they’d recorded vocals in had infused the tracks with something somehow ancient, a kind of lonely vigilance.

“Shit, come on out!” he said when I mentioned I might be heading out west for a few days. To check out the SF scene, I said, maybe write about it for the website. “Stay with me and my girl. We’d love to have you. Man, it’s been too long. I can’t believe it, you and me, making it in the same business! This is cool. This feels really right to me.”

I knew that he was just about to start recording his first full-length album. I said I didn’t want to disturb him during the creative process.

“The first full-length anyone will actually hear,” he said, laughing at his own expense. Meaning all the rest had been ignored, but now that he was trading on his past, his story, he was finally getting some attention. “Nah, Walt, you gotta come stay with me and Vanessa. I’ve told her so much about you.”

Meaning, he’d told her about John.

“I’ll check into a hotel. Don’t want to put you and your girl out.”

But, then, just at the last minute, just as I was getting on my flight at O’Hare, I called him again, asked if I could crash after all. I hadn’t even booked a room, but I lied and said my reservation had gotten lost in the system. Keaton faltered for a moment, then said, “Sure, man, crash with us.”

That’s when I knew it would all go my way.

*

Keaton Wilding, the County B Submarine EP. On the flight, I listened on repeat, ten times or more. Stereogum: “An astonishing debut. Wilding’s tormented past gives staggering depth to songs that, on first listen, seem like simply more blissed-out California pop.” Popmatters: “Wilding assembles a ramshackle cast of San Francisco musicians to craft a sound that seduces and sucker-punches. If Brian Wilson and Syd Barrett had a love child, he would be named Keaton.” All the most fickle websites and magazines, the “tastemakers,” were falling over each other to herald his arrival. Only the site I wrote for, on which all the reviewers are anonymous, had tried to stem the tide: “Capable, but shallow. The kind of bleary-eyed confession that wears itself out quick.”

We were from the same small town. Keaton was two grades behind me. I’d known him through John; the two of them, along with their friend Mason, were hardly apart. I remembered Keaton playing Snowdaze, our winter talent show. Dressed in Birkenstocks and a ball cap, cradling a Taylor acoustic, he sat at the front of the school cafeteria and covered some god-awful song by Phish or String Cheese Incident or August Rawling Band, one of those jam bands still carrying the sputtering torch of the Dead. Keaton and John were always driving off to Alpine Valley or the World to see those late-night spectacles: thirty thousand people, each in their own private dream, twirling and weaving to twenty-minute guitar solos. It was the drugs, not the music, that snared John. And the drugs came from Keaton.

Keaton hit the last chord of the song; the cafeteria echoed with applause. At the senior table, my friends and I smirked — that bullshit stoner music was laughable to us. Back then I was way ahead of the game. All I listened to was free jazz, Bulgarian women’s choirs, Charles Ives, and the Residents (the early albums).

*

Keaton and his girl lived in an apartment way out by the beach. “We’ve got the best view in town,” Keaton said as he led me out the bedroom window and up a narrow ladder to the roof. He lit a Parliament, leaned on the railing, and stared out in the direction of the sea. You could only hear the waves. It was too foggy to see anything other than the tops of a few frumpy sand dunes.

“Vanessa apologizes. She’s over in Oakland with the guys from Silent Partner. She’s doing some woodcuts for their album art and a few show posters. You should review them. Their new record is gonna be rad.”

“I heard their last one, Deadly Silent. Reminded me of Secret Machines.” Not intended as praise.

“They’re such sweet guys, too,” Keaton went on. “They’ve really helped me out along the way. We’ve played a bunch of shows together.” He ground out his cigarette on the railing and turned to me, and for a brief moment we met eyes and I saw in his a question — What are you doing here?

We went back inside. He got us a couple beers and flopped down on the couch. The sandals and ball cap were gone, replaced by threadbare cords, a faded Members Only jacket, and, the latest in affectations, a pair of boat shoes, no socks. Clothes chosen as a parody of clothes. He still wore his hair long, but sheathed now in a week’s worth of grease. The Taylor was gone from sight; in the living room, the beat-up Fender Jazzmaster pictured on the cover of the EP hung from a peg. The burden he carried was more proudly displayed. It was there in every gesture, the way he narrowed his eyes when he took a drag, sighed when he cracked a beer. No more Keystone Light, the swill he, Mason, and John used to drink driving around in Mason’s Jeep. Out here it was Tecate with a wedge of lime.

“How’s it going with the website?” he asked me. “You digging it?”

“It sure doesn’t pay the bills.”

“You probably get a ton of free music though.”

“Everyone gets free music these days,” I said.

“Don’t I know it. That kind of shit doesn’t bug you until you get a record deal. I quit my day job,” he confessed, seeming embarrassed about it. “It’s cool, we’re more or less getting by. But it kind of puts the pressure on. To, you know, ‘succeed.’”

“The EP is doing great.”

“Yeah.” He laughed. “Man, we didn’t have a fucking clue what we were doing with that one. I mean — ” He hesitated, suddenly unsure of himself in a way that made him almost unrecognizable to me“I was so fucking fried the whole time. What the hell were we thinking recording in a lighthouse?” He sighed, popped another Tecate. “So, we’re booked for this session at Hyde Street Studios on Friday. Want to come with?”

Come with. He still had a little of the Midwest in him.

“I wouldn’t want to get in your way.”

“Nope. Come on down. It’d be cool to have you there.”

Maybe he thought I’d write about it for the website, get a little early buzz going. Maybe he wanted me there as a reminder of John.

“I’d be honored,” I said.

We drank beer and listened to records. For all the specialized knowledge we had in common, we ran out of conversation quickly, now that business had been taken care of. I said I was getting sleepy. Jet lag. He made up the couch for me. Just before he turned in, he made himself some peppermint tea. He said it helped keep his vocal cords loose.

*

I descend the staircase. Stand out in the street, trembling. A finger of fog drifts toward me, passes through my body. Am I alive? The Jeep “submarines” under the truck trailer. We speak, it seems so real. Didn’t I tell you? Don’t go with them. A foghorn sounds, very far away. Then I feel him, I feel him. He’s there, at the corner, waiting where the murk meets darker night. I quicken my pace. He grows more distant, a patch of dark gray against the dark. Headlights brush past me, a wall of air; I brace for the collision. Don’t go. Don’t go. And then the lights come on.

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Lust for Life

We live on East 12th Street, across from a Catholic school where little boys play kickball in suits and ties. Eli says they’re straight out of a Truffaut movie; the way they look like little men, the way the teachers drag them from the playground when they get into fights. Eli knows everything about foreign movies. If he really likes one, he calls it a motherfucker. The other night we saw a total motherfucker about a couple who give themselves a big going away party but then the money falls through for their trip to Africa, so they hide out in their apartment embarrassed to tell their friends that they never left. We’re kind of like them. I mean, we’re not exactly hiding out, but our apartment is our little sanctuary, where we can pretend to be the only people in New York. A tiny, lit window amid fifty others in a giant brick building. With our cat, Myshkin, silhouetted behind the iron security bars.

Eli and I are sitting at that window right now, looking down at pigeons fighting over a pizza box. We’re playing our favorite game: What Would You Miss Most If You Were Dead?

“I’d miss the sound of the radiator clanging,” I say.

“But how about when it first comes on, in October, and you think about the long, grey winter with your face stiff and freezing and your ears feeling like they’re going to snap off,” says Eli.

“I like the winter because you don’t see those huge cockroaches in the street anymore.”

Eli rubs my arms up and down with his hands. “I like when they disappear because I know they scare you and I don’t like to see you scared.”

“It freaks me out to think of them swarming somewhere underground. Or stuck together in a giant frozen clump just waiting till it’s time to come out again.”

As I talk, Eli takes my hand, extending my arm like a skinny, white twig. He kisses the bruises. He got mad at me last night for scratching our new Iggy Pop album and pushed me. Not really hard, just a little shove. I mean, I sort of fell back against the wall, but I was wearing stilettos. Now Lust For Life skips and crackles, repeating the words “torture film” over and over, until one of us moves the needle. And no matter how cheap they sell records at Crazy Eddie’s, buying a new one means less money for the phone bill. Which we don’t plan on paying anyway.

“I’m sorry Jane-face,” he whispers. He always calls me that, and I don’t know why I like it so much.

“I’d miss you being sorry.”

He murmurs something like, “I’d miss you missing me being sorry,” and carries me to the mattress, which covers most of the floor of our one and only room.

 

It’s grey outside and I’ve overslept. Eli has already left for his job at the used bookstore. He always comes home mad because no one there likes him. He’s been trying to organize the employees into an “anarchist union.”  He posts notices for meetings in the stockroom, to which no one shows up. Instead, they laugh behind his back and call him “Irate Eli.” I know this, because my friend Ellen was there on Eli’s day off and heard them talking. They were saying that only a retard wouldn’t know that “anarchist union” is an oxymoron. They don’t understand that Eli has something a little fucking deeper in mind. It has something to do with “dismantling the power pyramid.” Maybe Eli tends to go on and on about it. And no, it’s not my favorite side of him, but basically he’s nice to me. Except for when he isn’t.  Even then, it’s not like he’s completely mean.  So he slaps me in the arm, big fucking deal. And anyway, I’m no doormat. I hit him back. It’s called passion. He always apologizes for starting it and acts really sweet for at least a couple of weeks. Plus, he’s an amazing cook. Add to this the fact that he’s five years older than me (I’m 20), with blond, curly hair that dips over one of his liquidy blue eyes, writes perfect imitations of Frank O’Hara poems, and always wants to be with me. That’s the real draw. He’s my first serious boyfriend and he loves the righteous shit out of me. And he isn’t one of these losers who’s afraid to say so. In short, he’s a motherfucker.

 

I’m late for my acting class at the Lee Strasberg Institute. I put on whatever clothes are lying closest to the bed. Eli and I are the same, skinny size, and so it doesn’t matter who wears what. He’ll say, “Buy us a pair of pants today,” or “Look, I got us a Lydia Lunch T-shirt.” I pull on our black pants and wrinkled bowling shirt covered in cat hair. I run my fingers through my hair, stiff with gel and hair dye. Eli is proud of my bright red hair and tells everyone He Loves Lucy.  A black swath of eye-liner and I’m out the door, in the street, the freezing air blowing tears sideways out of my eyes.

I run up the stairs of the steam-heated school, peeling off my coat, scarf and gloves as I go. Students are draped over chairs; their heads hanging backwards, arms limp at their sides. The teacher walks around testing everyone’s relaxation level, picking up arms and letting them drop. An arm that stays suspended in space: BAD. Complete floppiness: GOOD. She gives me the raised eyebrow (I have been late many times before) as I slump backward, letting everything hang. Eventually I feel a hand around my wrist, and my arm being raised. Her grip tightens. Christ, here we go. She’s looking at the bruises. I want to go, “OK, show’s over,” when she finally drops my arm, which is now so tense it feels like a crowbar. Here at Strasberg, they say relaxation opens the emotional floodgates. It’s the first step in learning how to cry. Real actors can cry the way I can only do at the movies, or in the bathroom with the door locked. That’s why I’m here, to learn the fine art of weeping. That’s what makes you great. That’s what gets you a job.

But I also have other plans. I’m not like the girls in my class, running around with their doctored-up headshots, trying to look like Jaclyn Smith. I’m going for something darker, more real. Just yesterday I caught sight of my reflection in a window, and I thought, “Shit, yes!”  There I was, walking by a building covered in peeling Richard Hell and the Voidoids posters, and everything about me, my hair, my clothes, looked art directed. Like I had sprouted up from the street like an indigenous element of the urban terrain. But I’m not totally alone. The one person in the whole school who gets me is Ellen. I knew it the moment I saw her black, chopped off Louise Brooks haircut. She and I talk for hours about the work we plan to do. We’re in the thinking stages of a movie that will be truly revolutionary because it has no plot. Imagine, a movie where nothing happens. Only the sound of footsteps on glass. Wow. I just thought that part up.

The lights go on.

“See you Friday,” the teacher says.

We all sit up, groggy. I put on my father’s overcoat from the ‘50s and my black beret. Ellen comes up.

“Walk me to the train.”

“OK.”

We hit the street and it feels a little warmer, because now it’s snowing which takes the edge off. The sky is pearly pink and things are quiet; the Ukrainians sprinkle salt on the sidewalks in front of their tablecloth/samovar/Easter egg shops.

“So, how’s Irate Eli, the master of all things evil and sundry?”

“Fuck you. He’s being very sweet. I mean, very, very sweet.”

“Let’s go have a beer.”

“I can’t. Retour D’Afrique is playing at the Quad.”

“Haven’t you seen that like fifty times?”

“Yeah, so what? It’s Eli’s favorite movie.”

“Oh, well. In that case, forget it. I mean, I’m just so sorry. What would Eli do if he couldn’t watch Retourdefuckingafrique on a continual loop for the rest of his life? What time does it start?”

“Eight.”

“It’s six-thirty. I dare you to come in and have one fucking beer.”

We’re standing outside the St Mark’s Bar in a clutch of skinny German kids and various punks and New Wavers.

“OK, but you’re buying.”

Ellen pulls me in to the bar. I see people I know: a directing student who once filmed me walking down Wall Street in a bathrobe at 4 a.m. Two French girls who slept on my floor for a week. And tons of regular customers from the restaurant where I work.

“Hey, waitress, where’s my soy burger?” says one of them.

“I reserve the right to refuse service to anyone,” I yell over the noise as Ellen orders the beers.

Before I know it I’m looking at two empty Heineken bottles. The directing student is making fun of me for studying method acting instead of experimental theater. I’m screaming over the jukebox, saying he’s full of shit, what about real motherfuckers like Brando? He buys me a shot of Don Julio. I bet him the next round that I can cry on cue. Everyone at the table is suddenly interested; they watch me as I stare off into space, conjuring up a dog that I once saw get hit by a car. The room begins to blur, when I notice the clock on the wall. It’s 8:30.

I throw a crumpled up five on the table and stand up.

“Shit. I have to go.”

Everyone’s yelling something, but at this point I’m banging into people on my way to the door. Then I’m huffing out little clouds of frosty air, running the four blocks home, slipping in the snow as I go. I get to our building and walk up to the fifth floor. Eli isn’t home. Myshkin rubs against my legs and follows me as I throw off my coat and flop down onto the mattress. The room is undulating in a nauseating way and I lie there, focusing on a tiny dot on the wall. The cat purrs, the radiator bangs, and I pass out.

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A New Ocean

At five in the afternoon one day in the fall of 1963 my “guide” took the sleep mask from my eyes and helped me to sit up on the deep couch on which I’d been lying since eight that morning. He told me that the mixture of LSD and mescaline that I’d been given had now passed through my system. How did I feel?

I could not answer him. The drugs had tilted my brain and breached a barrier, and visions from my subconscious had been pouring unstoppably into my conscious mind. Some had been literal, or had made me laugh — the desk I’d worked at in the Ivory Coast, a snapshot of a friend’s expanded waistline — but most had been so heavy with significance and reproach that they had squeezed my heart to groaning. My father’s wide eyes and yearning, boyish smile, shadowed by the brim of his fedora, had fixed me. At his death several years before, our difficulties had been unresolved.

A Chanel suit belonging to my separated wife hung flatly in a dim and empty closet. My four-year-old daughter’s thin legs and pretty shoes had skipped back and forth, back and forth. My hair behind the temples, and the cushion that had been under my head, were soaked with tears.

My guide led me to a chair before a window and drew its curtain wide. “How does it look to you?”

“Awful.” An asphalt parking lot stretched to a tree-lined street down which cars appeared to be moving at violent speed. Solitary people were squinting against the slanted autumn sunshine.

“Do you want to go out there?”

“No, I don’t.”

He wrapped a blanket around me, for I was shivering, and left the room. Beyond the closed door I heard the murmur of a consultation, and I could picture him with the blonde woman doctor who had checked me physically and had replaced him at my side when he needed relief, and with the wiry psychoanalyst who was the program’s Director. There were others of the staff, but I could not identify the voices.

Some of these others had medical or therapeutic credentials, some did not, but titles and qualifications seemed unimportant to them. They were of all ages and complexions. Something they believed could change the world had been discovered, and anyone of useful intelligence would probably have been welcomed by them. Not long before, John Kennedy had spoken about Space as “the new ocean,” saying that we must sail on it simply for that reason, because it was a new ocean, and this group shared that spirit. So far, they had every reason to be optimistic about these inner-space voyages.

The friend of mine who had proposed insistently that I take the drugs, who knew the extent of my depression since my separation from wife and child nearly a year before, had worn a most unexpected, beatific smile from the day of his session onward, and he was not exceptional. The short-term benefits to troubled lives had been excellent, and no one had broken down.

My guide came back into the room and said, “We’re going to give you something more. O.K.?” He was pale, and his dark stubble looked days old.

“Good.”

A vertical canister of C02 was wheeled in and a breathing mask attached over my face. A valve was turned and the sound of rushing air filled my mind. I breathed deeply and was suddenly weightless and flying, relieved of my body. Without friction, without any sense of speed, I shot straight up into the constellations, and there, in the star-dotted blackness, I arrived at peace. My heart was freed, and in a silence in which there was no temperature, no gravity, no wish or will or conflict, no need, I felt an overwhelming, blissful gratitude.

I rested there a while and then I started down. The Earth was far away, a speck and then a dime against the blackness, but it quickly grew. The continents and the oceans became distinct, the tan deserts, the ice at the poles, and the dark forests of Canada, Russia, and Africa. I began to see the conglomerations of towns and cities, and to sense the variety of people, especially those where I’d lived — New York, Paris, Abidjan, and San Francisco. Nearing the ground I recognized with starts of joy some faces in the crowds, and I saw with the force of revelation that my father and my wife, and others whose specters had distressed me, were the same size as the rest, as robust and as frail.

As I slipped into my body and the floor became real under my feet, I felt my essential sameness with all these thousands of beings around me who were speaking in hundreds of tongues. Their warmth invaded me, and when I opened my eyes I was shouting with excitement at joining the world of humans.

My guide greeted my arrival and others came into the room to pat my back. After a time, one of them took me out into an evening of commonplace miracles.

I watched the ash-yellow oatfields rippling in a windless sunset and found that I could see the sap moving in the branches of the liveoak trees, even in the capillaries of the leaves. After dark, the lighted bridges crossing San Francisco were bemusing, as were those wonders of human order, traffic lights. In many of the people we encountered I saw beauty of body or spirit, and everyone of them seemed a miracle of gathered energy. Now so would I be.

My friend of the beatific smile had talked about “psychoanalysis in a day,” but this was something much better, I thought. There was no need for “analysis.” I was free.

Next morning I learned from a waitress at the counter of a strangely quiet, twenty-four-hours-a-day restaurant that John Kennedy had been shot in Dallas. He had been taken to a hospital. That was what was known.

I had never seen such things as the scrambled eggs on the faintly patterned, brownish plate, or the nicks in the tines of the fork. Yet I ate. My mind attempted sporadically to interpret the news, and, at other moments, images from the day before took over. A man standing beside me spoke up in a loud voice, proposing a date to the waitress, and she turned pink and hurried away to the kitchen. This episode seemed no stranger than the food or the coffee.

The follow-up appointment with my guide was for eleven o’clock, still an hour away. I started walking without purpose and stopped outside a barber shop, for in it I could see a TV set turned on.

Both of the barbers were idle, one sitting in his chair, the other leaning against the back of his. Closest to the set was a black shoeshine man, an older man, sitting. Their concentration was such that I momentarily felt I should not disturb them, but I went in and was motioned to sit down.

The TV camera was at the hospital. Just after the barber had begun to snip my hair the announcement came that Kennedy had died.

The shine man pointed at my shoes, but I shook my head. He said, “They couldn’t let him live. Not after Bay of Pigs. Couldn’t let him live his life.

The broadcast went back in time to Kennedy’s arrival at the Dallas airport with Jackie. Smiling officials greeted them. He was handsome and jaunty. Everyone was full of daylight.

“See him there?” the shine man said. “He’s too much for them. Too much. They can’t abide it.”

The broadcast showed pictures of the motorcade, of the cars coming into Dealey Plaza. Then it was broken into and a voice told us that a suspect had been arrested, and that his name was Lee Harvey Oswald.

“They get someone. Oh, yes.”

The images shifted to the hospital again, to Washington about the governmental consequences.

The shine man said, “He let them look real bad. CIA. Military, too.” He wiped his eyes with his knuckle. “Lee Harry Oswald, indeed.”

I paid the barber and walked to my appointment.

My guide had not yet come in and when he did, brisk and clean-shaven, he seemed too glad to see me. We sat at his desk and he asked some clinical questions. Had I slept? Had I dreamed? Was I experiencing flashbacks?

Then he dropped that manner. “Arc you really O.K.? I thought of you first thing after I took in the shock, whether or not you’d be all right.”

“I’m O.K.”

“I was afraid you might lose it, the good stuff you finally got yesterday. “

“I’ve got it still,” I told him.

“You were tough,” he said. “You wouldn’t let go. I tried what I could to help you though … Then the news. It’s your universe. And then.” His face showed pain, but a more superficial frustration as well. His treatment had been interfered with. He said, “Maybe you’ll want to take it again. Do some more exploring.” I was embarrassed to be talking about myself, my case. “Not tomorrow,” I said.

“Oh, no. Maybe months from now, certainly not tomorrow.” It was a strange handshake. The muscles of his hand and his skin were extraordinary vivid, although there was nothing unusual about them.

I spent most of the next few days alone in my San Francisco apartment, the TV showing me the aftermath, the official events, the caisson crossing the Potomac Bridge. Sometimes I felt I knew where he had gone, out there in the cosmos. I could feel its weightless silence. For me it had been paradisiacal, but for him the timing was all wrong.

My apartment off Buena Vista Park had a small balcony which looked out on a sweep of the city’s south side that included Twin Peaks, Diamond and Dolores Heights, and the bay toward San Leandro. Some of the Victorian houses facing me had been whimsically trimmed with bright paint. Wind chimes and bicycles hung on back stairway landings. I brooded on these clues to their inhabitants and on the backyard gardens below me, some neatly planted, others beaten down around a children’s swing, a kiln, a trampoline. Mad and dangerous though some of my neighbors no doubt were, I admired their putting the next meal on the table, doing what they had to, and getting on with it. I was of them as I had not been before.

Fifteen years afterward I decided to find out what I could about the people who had run the program and those who had passed through it. I knew it had been shut down when LSD had been declared an illegal drug not long after my session.

I called the woman doctor who had sat with me part of the day. She had become a psychiatrist with a practice in Menlo Park.

On the phone she sounded professional and guarded, but said she would be glad to talk. I asked her if she’d like to meet for lunch, or any other time that suited, but she said, “You can make an appointment, if you like. I’ll have to charge my fee.” I was mildly shocked, but accepted her terms.

Her office was near where the “Center” had been, and it seemed a standard therapist’s environment with comfortable dark chairs and a couch, and the curtains half-drawn. She was very much as I remembered her, a blonde woman, somewhat overweight, with a smile that at moments looked tentative, at others a touch cynical.

She told me that when they had had to stop the program there had been no money to follow up on those like me. She could not tell me anything about long-term results, except in isolated cases. “Now you’ll be one,” she said. “What’s happened to you?”

I told her that I’d remarried and had two younger children, and that I’d continued to teach and write. I’d published a novel and shorter pieces, and with another writer I’d started an annual writers’ conference. On the other hand, I felt I hadn’t been productive enough. I had had a drinking problem, but I had quit five or six years before. “What about you?” I asked.

“You can see,” she said, without much enthusiasm. She added wryly, “I still haven’t lost weight.”

There was not much news she could give me of the others who had been on the staff. So-and-so was still working at Syntex, another had taken a job in Los Angeles. In her responses there was a shade of tedium, but also sympathy.

I asked about the psychoanalyst-director.

“He’s at a Vets Administration hospital in Maryland. I have the feeling that he’s serving out his time.”

Did she remember that Kennedy had been killed the day after my session?

“Oh, yes. Yes. That day changed a lot of things for us. For everyone.”

“What changed?”

“You know as well as I do. Many things.”

“Things always change.”

Her mouth twitched impatiently, but she replied, “The mood. The feeling of the possible.”

We said goodbye and wished each other luck.

Outside the building’s sunny entrance I stopped to look at a liveoak tree, an old one with a great reach of gnarled branches and glistening dark leaves, which stood protected in the middle of a traffic island. I concentrated on it, and, after a bit, I saw the sap moving in its new, lighter limbs. The vision soon vanished and I could not revive it, although I was patient, blinking and staring intensely.

Then I let the effort go. Rather, it was swept aside by a rush of gratitude, part warm from memory, part fresh, a buoyant wave that lifted me from what had seemed a flat sea.

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Heroin

Do you like it? Like a crooner, don’t you think? That’s where I got my last name. “The Sands.’” A casino in Las Vegas. This old drunk fuck was telling me about it. “HEY, little pretty black boy, goddamn … I ain’t seen nothin’ like you since I left Detroit … ”

He couldn’t get over it, touched me when he got the chance. Did I have a daddy??? Shit, I laughed back at him, imitating his drawl: SHEEE-IT, man, I said. Mocking him. You must be kidding! Man, I don’t even have a mother. Laying it on real thick, so he’d feel sorry for me.

He started coming around “CocoRico” regularly. I’d be at the bar up front, checking things out. Actually, he wasn’t bad-looking. When he wasn’t drunk his face and eyes didn’t droop as much, and you’d notice his big body and muscular arms, pretty strong and firm for a man his age. I’d always act surprised to see him.

That was before disco, before I talked Andres into hiring me as a DJ for the back room. “What do I need you for?” Andres used to say, pointing to the jukebox. It seemed like forever until Andres let me give it a shot, and look at him now: he’s making money, the place is jammed until all hours of the night — even girls want to come here and dance, the music’s so good.

“You’re kind of young, aren’t you?” the American once said. But I could tell he was fascinated, just like all the rest of them. My head of tight, kinky curls, my pretty hazel eyes, my sleek brown skin. “Where’s the little G.I. baby?” he’d ask Andres. Andres would shrug, in that bored way of his. “He’ll be here any moment now, I’m sure.” The American would buy more drinks, sitting close by the door. Sometimes I’d get there, let him buy me dinner. Sometimes I’d just stay away.

“Call me Neil,” he said, his eyes fixed on me in that sad, funny way of his. It was one of his sober days. NEIL … What kind of name is that? I loved making fun of him. “Good sport,” he’d laugh with me, jabbing at his own chest with one of his large, rough hands. I spit on the floor in contempt. “Man, you don’t have to talk to me like I don’t know anything. Good sport,” I mimicked, rolling my eyes. “What do you think this is? The Lone Ranger & Tonto?” I sulk, look away from him. Scan the room for a pretty face. Make him feel real bad.

Embarrassed, he looks lost. “Joey, I’m sorry.” He means it. I like that best. I could make him do anything then.

I keep at it for just a little while longer. “Man, I’m no savage.” When he looks like he’s going to cry, I stop. Touch his leg under the table. Soothe him with my voice. “NEIL,” I tease, gently now. “Neil Sedaka — ahhh …” I knew how to make him laugh.

One time he asks me a favor. “For my homeboy …” Some younger guy named Phil. I didn’t like Phil as soon as I met him. “Phil wants to see a live show …” Phil is standing there, next to Neil. Staring at me and not saying anything.

“You mean a sex show?” I take my time drinking my beer, ignoring Phil’s anxious, piercing gaze.

“Yeah, that’s right. One of those …” Neil is uncomfortable. Andres stands behind the bar, within earshot. He seems absorbed by the magazine he’s reading, an article about his rich cousin Isabel, who’s married to Alacran. But I know Andres — one car’s cocked in our direction.

“You want boys, girls, or both?”

“How much?” It’s the first and only time Phil opens his mouth.

“Depends,” I say. I’ll negotiate with Uncle privately, take my cut.

“We have a car,” Neil says.

We drive down the boulevard slowly, looking for the street. It’s early, around eleven at night. I sit in the front seat with Neil, giving directions. Across the wide boulevard I can see the ocean, black and still. “Is that your ship?” I point to the carrier floating, not far away. The men don’t respond.

Uncle’s place is behind the abandoned “Lido Supper Club.” He’s the night watchman, hired by Congressman Abad to guard his property from looters and thieves. The club is a white building with fake marble columns on the outside. Statues of half-naked nymphs and satyrs hold unlit torches. Uncle ushers us in through the back door. It’s enormous inside, and eerie. Everything’s been left as it was. Dozens of little tables and chairs, some with stained white tablecloths still on them. Ashtrays filled with cigarette butts. Empty bottles of San Miguel beer. A dance floor tiled with blue and white mosaics. There is a thick coat of dust on everything we touch.

Uncle is looking for the main switch, stumbling and pointing his flashlight at the cobwebs on the walls. Finally he turns on the dim chandelier that hangs in the room. He motions to a table in the front row, facing a large stage. Not too long ago, Johnny Buenaventura and his Orchestra used to play “The Girl From Ipanema” here. Now a bare mattress lies dead center.

I leave the two Americans at the table, take Uncle aside and tell him what they want. He is gone approximately ten minutes. A skinny young girl enters, followed by a well-built young man, close to my age. She wears a flimsy, loose-fitting dress, her eyes lowered. She is barefoot, and I notice her meticulously manicured toenails, the black nail polish dotted with tiny crescent moons. The young man is also barefoot. He wears worn khaki pants, and his chest is bare. There are intricate tattoos of spiders and cobwebs up and down his lean, muscular arms. He is beautiful, in his way. The two Americans sit up in their chairs, attentive now. I stay in the back of the cavernous room, smoking my cigarettes in the shadows. This way, I can watch them all.

 

We were in a room at the Hilton. “You ought to sing,” Neil was saying. “You have an exquisite voice. Good way to make some money, even here in Manila.” I grunt in response. What does he know, I’ve heard all this before. I turn on the giant color TV.

I had just taken a bath and a shower. If the water stayed hot, I’d be in there all day. Afterward I stuff the plastic shower cap and slippers with the Manila Hilton insignia, complimentary robe and two bars of Cashmere Bouquet soap in one of Neil’s Sportex shopping bags. He hated when I did that. “You don’t have to take that cheap shit. I’ll buy you what you need …” He just didn’t understand. I love the newness and cleanness of my little souvenirs, the smell and touch of the glossy plastic. I would live in a hotel room forever, if I could.

“I’m hungry,” I say to him. “Call room service.” We are sprawled on the bed. It’s two in the afternoon. “Tawag Ng Tanghalan” is on. A young girl singing “Evergreen.” She is earnest and terrified, but her voice booms out in spite of her, from somewhere inside that frail body. Neil shakes his head slowly, in admiration. “Not bad. She’s not bad at all …”

The TV audience claps and whistles enthusiastically when she finishes the song. She blinks into the camera, startled. She is last week’s winner, and an audience favorite. She stands in front of the cheering crowd, fidgeting with her hands. I can’t bear to watch her, it’s too painful. Her awkwardness makes me angry. “Look at her — how stupid!”

“Poor thing,” Neil sighs. “She needs to be rescued, quick.” Impatient, I make a face. There he goes again, upset. He identifies with everyone and everything. I can’t be like that. If I were on TV, I’d be the coolest guy. Mr. Heartbreak, the one that got away. Cool, calm, collected.

Lopito appears on the TV screen, waving to the noisy audience. Before he can even thank her, the young girl rushes off the stage. He gestures towards her departing back. “OUR REIGNING CHAMPION! A BIG HAND FOR CONNIE LIM, THE BARBRA STREISAND OF THE PHILIPPINES!!!” He is making fun of her, sneering in front of the audience. They pick up on his cruelty, start tittering.

Before announcing the next contestant, Lopito rattles off the different prizes: a twelve-inch Motorola color television, a clock, a year’s supply of Magnolia Ice Cream. The big prize is a screen test and a chance to appear in Mabuhay Studios’ next musical, starring everyone’s favorite sweethearts, Nestor Noralez and Barbara Villanueva. Lopito reminds us, once again, that Nestor and Barbara were discovered on his show. “Why don’t you audition for this? You’d be great …” Neil says. He can’t be serious, so I give him one of my withering looks.

“Come on, Neil. Call room service. I’m starving to death …” The next contestant is a young guy named Romeo something. Pretty cute, but corny. “Not bad, huh, Neil?” I poke Neil in the ribs, playfully. “Look at those thighs, and those lips …” Neil ignores me. “What a hairdo!” I say.

“What do you want to eat?” Neil asks, getting up from the bed.

Romeo whoever-he-is starts belting out “Feelings,” except he sounds like he’s saying “Peelings.” He’s trying very hard, and he’s making me sick. No charisma, as Andres would say. I switch the channel. There’s an old black-and-white movie, with Leopoldo Salcedo fighting the Japanese.

I lean back against the pillows, my arms behind my head. My tight black curls are still wet, framing my face. Neil is looking at me, ready to dial room service. “WELL?” he says. I am still naked. We both pretend not to notice how hard I’m getting. “Cheeseburger de luxe,” I say, dreamily. “French fries with ketchup. Mango ice cream…and a Coke.”

 

When Neil got stationed back in the States, he sent me a postcard:

Joey Sands
c/ o Andres Amaya
CocoRico
4461 Balimbing Street
Mabini, Manila
Philippines

Joey:
I thought you’d appreciate this.
Wish you were here …

The postcard was from Las Vegas, a color photo of The Sands Casino, with Sammy Davis Jr.’s name in lights. NOW APPEARING.

“You got mail,” Andres said, handing me the postcard. “You’re lucky I didn’t throw it away — haven’t seen you in weeks.”

With that buddha face of his, Andres watched as I held the card in my hands, pretending I could read. “Let me,” he finally said, snatching the card out of my hands. When he finished reading aloud to me, I smiled. Put the card back in my jeans pocket. Carried it around for days after that, maybe months … I don’t remember now.

 

I ask Andres if he’d write a letter on my behalf, someday. I have Neil’s APO box number, whatever that means. I have to figure out what it is I want, before I can dictate my letter. It’s gonna be good. I know how to get to Neil. He’ll send for me: we can live in Vegas or L.A.

“Sure … why not?” Andres says, in that easy way of his. He looks past me at the door. A couple of Americans have walked in. Middle-aged, okay bodies. They’ve never been here before. They’re hesitant, they could turn around and leave and never come back. Andres can tell. They aren’t servicemen. They look classy, yet casual. What Andres calls “old money.” His favorite kind.

It’s early, “CocoRico” empty — except for me and a couple of other young guys. There won’t be a rush for another hour. “Good afternoon,” Andres says, his shrewd eyes on the Americans. I perk up. This is going to be interesting. I am tingling, the dope in my veins has run its course and settled peacefully.

The Americans are relieved. They smile and sit down at the bar, not far from me. Andres stands under a poster of a matador and a bull, brought to him all the way from Barcelona by one of his rich lovers. He is chatting amiably with the Americans, asking innocent little questions. Where are you from? Really? And how do you like Manila?

The Americans loosen up. One of them, the older one, eyes me boldly. I ignore him, smiling to myself. Listen to Andres go on and on, prying information out of them. Andres can be so cordial when he wants.

That’s what I like about him. He’s so slick.

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Piropo

They say that change in your life happens quickly, and maybe it’s true, because my life with Vicente and Joaquín changed in just days. I guess I’d had enough of watching over Joaquín like a child. You just can’t baby-sit a grown man. Sometimes at night he’d go out for a walk. I always wanted to go with him, but he told me he needed to be alone. Who knows what he was doing. Sometimes he’d be gone for hours. I never once followed him, but I could have. Maybe I was afraid of what I’d find. I felt him stray from me in every way. He wanted to blame it on my hair, on our not having relations.

All my life, I’ve fought like an animal to take care of my own—my child, my parents, my brothers, and now Joaquín. I’m tired. I think I lost that urge to fight. My father sometimes used to call me una fiera, una loba, words you shouldn’t use for your daughter. Yet I could tell he was proud of my fury. Other men think it’s bad. No one wants a wolf in his home. Only in the forest do men dare shape-shift and let their nahuales battle it out. Attacked beneath the trees, a man either roars or whimpers as he feels his life leaving him, his blood let. Does he love life enough?

But we are not in the wilds where a man might have to bare his teeth and give his life over to a nahual. We’re at the corner of Haste and Tehama.

 

So this one day, a green Expedition pulls up in front of us. Vicente was so tired of waiting for work he said we should take whatever the driver was offering. The man in the Expedition was playing the Carlos Santana CD all the teenagers liked, the one with a song from Maná. He lowered the volume.

“Buenos días. Necesito unos albañiles. Tengo un patio de ladrillo que necesito terminar.”

He wore a denim shirt that looked freshly ironed. Whatever patio he wanted fixing wasn’t one he’d started. His face didn’t show any wrinkles from outdoors work. He looked like an abogado or a professor with his round rim glasses, like the kind of man who takes hours to read his newspaper.

Vicente appreciated the man’s attempt in Spanish and took over where I usually ask some more questions. How many days of work? The man said, Two or three, max.

 

Vicente went to the driver’s window, got a figure for payment, and then motioned for us to get in. With three of us the job would be quick. I hoped it would be clean. I usually like laying brick.

In the car the man’s voice relaxed as we headed toward north Berkeley.

“Me llamo Connor Dougherty y aquí vivo cerca.”

“We understand English pretty good,” I told him, sitting between Joaquin and Vicente. “It’s just sometimes when reading contracts or signing for deliveries, I’m the one who takes care of it.” We were driving to a house on Santa Fe Street, off of Marin Avenue. “If there’s something complicated you can tell me, but we pretty much follow instructions, not a problem.”

“Oh, I see,” he said. “It’s a pleasure for me to speak Spanish, though. I worked at the Universidad Autónoma for two years. I’ve tried to keep it up since then.” They all try to keep it up. I let him talk about his work in Mexico.

As soon as we park in front of the cream-colored house with brown tejas, I know he’s one of those Hispano lovers. The entryway had blue and white Talavera tiles on the front part of the stairs. Big clay planters lined the walkway through the yard, and the bougainvillea climbed the pillars of the front porch. I was maybe even expecting his wife was a pocha, but no, his wrinkly thin señora came running out to meet us.

“Buenos días a todos. Bienvenidos.”

I moved behind Vicente and pulled my cap down. Sometimes other women could pick me out.

They led us around the side of the house and pointed out the half-finished patio job. I wasn’t sure about the two or three days. The patio seemed to connect to some forms where a foundation was waiting to be poured.

“And that?”

“That’d be great if you could handle the foundation work, too.”

“That depends. Are you working with an engineer?” This was a job to be inspected by the city.

“The design and calculations are already set. I just need to order a large quantity of concrete.”

That was my cue to not ask any more questions.

“I was really hoping to get it done soon, since we’re planning a party. My daughter graduates in a few weeks.”

“Well, it will take us a bit longer, even though you have already done the hardest part.”

Vicente picked up a level that was tossed with some of the other tools in a wheelbarrow. He placed it on the three meters or so of patio they’d already started. Vicente checked how they’d handled the first part. The remaining ground had been leveled off and prepared, so we just had to follow the pattern and set the brick. Mr. Dougherty spread out the plans and explained the design to Vicente. They had purchased some nice Moro and White Antique flats to make a pretty contrast. He wanted some sort of Mayan border to show in a pattern through the darker brick. It surprised me they would build that into their backyard. Some people with money have crazy ideas, but at least this was pretty nice.

Joaquín got started mixing cement in a corner of the yard, and I gathered the tools we’d need to get started. At around eleven, Mr. Dougherty left, but said his wife would bring us lunch. He was going out to order the cement delivery for the foundation.

 

What I love about laying brick is the balance of shapes, like a dance. I even dream of dancing and hear music in my head, no matter if the guys are loud and playing el Cucuy, who is so obnoxious, on their radio. I think of Manzanillo and working on my grandparents’ home when I was so young I could barely lift a brick. Even then my father let me drag the trowel across the bricks sandwiching wet concrete. The fonda across the street played danzones from morning until night. The old people sat and fanned themselves, drinking glasses of jamaica. Father would place the bricks, and I’d flatten and scrape. We’d trace over the lines with a little metal strip and shape any messy edges. The ends of the bricks always met exactly in the middle of the brick placed below them. The lines of gray cement stood out like squatting guerreros—a short body in the middle with arms stretched out, forearms raised at the elbow skyward. The perfect balance reminded me, too, of lovers dancing. The sharp lines were their arms in the hold of a danzon, stilled in a frame separate from their bodies, recto pero dulce. The trowel scrapes across the brick in just the time it takes for a woman to be spun and dipped.

“¿Te gusta un pan dulce o un café?” Mrs. Dougherty held out a tray of pastries.

“No thank you, señora.” I didn’t want to slow down to eat.

Joaquín took off his gloves and sat in a white, big-cushioned patio chair. He accepted some pastries and even had the nerve to ask for coffee. The lady came out with a second tray, one with coffee, cream, and a large glass of orange juice. Maybe I should’ve taken a break, after all.

Joaquín smacked his lips over the juice. Hey, I think this is fresh-squeezed. This juice tastes like honey.

Vicente shot me a look like Joaquín was crazy. Only he could spend fifteen minutes savoring orange juice and pan dulce while we worked like dogs to finish the damn patio. We were nowhere near done and still had to negociar details on that foundation. Vicente whistled at Joaquín. Joaquín got the hint and put the lady’s little cup and plates on the tray, then walked it over to the house. I watched him stare into the patio screen for a little minute, then slide it open without even knocking. He entered that lady’s kitchen like a thief.

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Son of the General

Below the hotel veranda, neighbor boys shoot down mangoes with slingshots. Sometimes they miss and startle roosting fruit bats. A belt stretches across the restaurant table. “Eso no es nada,” son of The General says, referring to the cloth belt that he uses on his child. “Once, when I was around sixteen years old, I walk into the army station and the soldiers ask me, ‘Are you afraid of your father, El General, or do you respect him?’ ‘Claro—of course, I’m afraid of him,’ I answer. My dad overhears and rages into the room. ‘Miedo? Fear? I’ll teach you what fear is.’ He turns to the soldiers. ‘Prepárense el agua.’ He yells at me, ‘Strip down to your underwear.’ I do what he says. The soldiers drop ice water on me from an overhead tub. Out of nowhere, my dad slams his pistol on the side of my face and then my shoulder. I fall to the ground and my dad comes after me again. For sure, I think my shoulder’s broken. Then I get up, limp home in my underwear, pack my bags, and leave for an artist community in the mountains.” After a peasant massacre, El General earns the nickname “El Loco.” Green Berets send counterinsurgency experts to train him in how to clean up Communism. El General forms “La Mano Blanco” — “The White Hand” — the first Death Squads in Central America. Surveillance files are established with tabs: union, student, antigovernment, religion. Murdered victims are thrown in ditches with signs, “La Mano Blanco.” Bankrolled by the CIA, El General buys land and a fleet of luxury cars. President LBJ presents El General with a medal for his “Exceptional Meritorious Service.” Studying abroad, the son of El General and my husband become roommates. In college, the son receives a phone call. His brother was murdered leaving church. The army advises him not to return for the funeral. A year later, another phone call. This time, El General was murdered. Again, he is advised not to return. “We know who killed El General,” says a high ranking military official. “If you give us the word we will avenge your father’s death.” The son does not give the word. Both he and my husband graduate, relocate, then lose contact as they wait out the war in different countries. Granted political asylum, the son of El General and his first wife settle near pacific waters, which at first they find comforting. But when warm currents from home never arrive, they shake their heads at the chilly waters, as if an old friend has changed; his wife says the ocean knows only one season: winter. Once, holding his firstborn, the son walks against a seawall. A surging tide sideswipes him, knocks his baby out of his arms, and pulls his boy out to sea. He lunges after him, reaching for hand, heel, or leg. The next wave returns his son back into his arms, unharmed, as if the sea grants second chances. Now, he has a recurring nightmare, even though his firstborn has grown, lives abroad, and plays in a rock band. Enshrouded in waves, dark seal shapes rise, then crash to shore. They are babies. Babies crawling to land. Before the next wave breaks, he gathers as many as he can, but still, he can’t find his firstborn. He wakes on all fours, pillows and covers in hand. By chance, twenty years after college, my husband runs into his old roommate at our vacation hotel. Remarried, he has a child our son’s age. When I meet him, I am standing waist deep in the pool and he almost falls in as he reaches across the water, trying to shake my hand. Late afternoon, we share foil-wrapped roasted fish with him and his new wife. Our caramel-colored sons look like twins. My one-eyed fish stares up at me. Long-tailed roosters strut by our palapa as if they own the pool deck. Below the veranda, neighbor boys shoot down mangoes with slingshots. Sometimes they miss and hit fruit bats. A soft belt stretches over the table. Our server delivers another round of Pilzners topped with limes and hands the boys their Cola Champagne. Seeing a shadow in the deep end, my husband dives into the pool and pulls up a boy. Bloated, face purple, hands blanched, he isn’t breathing. On the other side of the pool, his mother screams. Distracted by shell necklaces for sale, his parents didn’t see their son jump into the pool. The boy spews a fountain of water when his uncle administers CPR. He starts to breathe. They rush him to the hospital and later he is released in good health. Sons in hand, we walk out to the beach and await the sunset. Sitting in the sand, we watch the sun glow iron red. Farther down the beach, the father of the drowned boy also watches. The father never thanks my husband. The son of El General shrugs. “What’s a father going to admit?” With his palms face up, the setting sun rests in his hands then slides through his fingers. Like molten lava, the sun burns into the horizon.

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